EXCEPT YOU LOVE ME

I’ve been holding out
Thinking you’d let go
But your shadow tails me
To faraway parts of my heart
I’ve stopped waiting for our Messiah’s return
And watch the football
And all the moves you make
In your quest to break me with jealousy
Trouble is I don’t get jealous
But it’s cool
I ain’t complainin’
The crops look good
And it’s rainin’
Nothing to fear
Unless it floods
I watched another cowboy movie
But it came out all wrong
The good guys got away with murder
Then the credits rolled and they played a song
And I got to wondering
Just who the savages were
History is rewritten by liars
Then exaggerated by Hollywood hacks
And given awards
For burying the facts
Me? I don’t know nothin’
Except you love me

(C) Frank Howson 2019

Advertisements

WHERE, IN THE WORLD

We live in a world where voicing the truth can have you socially banished.
Where children from the time they can walk are taught to not trust grownups. Then we grow up to not trust anybody.
Where Satanists teach the word of God.
Where marriage is for a few years at best and then you have the house to yourself.
Where an allegation can end your career.
Where originality will get you remembered after you die of hunger.
Where friendship is seen as an “investment”.
Where it’s okay to lie about everything and invent your own realty. This was once called “delusional” but now it’s called “faking it till you make it”. Make what?
Where giants are brought down by dwarves.
Where the mainstream media no longer has any credibility.
Where music is disposable and no one cares who wrote it, produced it or played on it.
Where the majority of movies are based on comic books.
Where integrity is seen as old fashioned.
Where you can steal someone else’s idea and not only call it good business but be able to look at yourself in the mirror without flinching.
Where to win at any cost is admirable.
Where a text message may offend unless you post LOL after it.
Where we know everything about ourselves and zip about others.
Where justice is not blind it is biased.
Where if your political candidate loses you must hate, riot, rally and unsettle things so that the winner can’t do their job. In the old days this was called being a sore loser after the majority of the people (which is democracy) have spoken.
Where our heroes are edited out of history because they were flawed in some way that doesn’t sit comfy with our current PC beliefs. Even Jesus lost his temper and took to moneylenders with a whip. Proving nothing other than he was human.
Where wars are invented for profits or to take the heat and attention off homeland scandals.
Where the past is never learned from because it is not respected.
Where people gleefully buy the lies that will bring about their own demise.
Politicians reach out to the poor in their election campaigns but cynically know they won’t resolve their situation as to do so would lose them their voter base. Keep the needy needing.
Where TV reality shows teach the young that if you lie, deceive, backstab, and play everyone against each other, you will win.
Where people fear the existence of a God because they fear being judged.
Where sex is mistaken for intimacy.

(C) Frank Howson. 2019

WHERE DID WE LEAVE THE STORY?

Where did we leave the story?
Oh, that’s right, you left me
Were we out of our minds
To ever think we’d be free?
What’s the name of that street?
No, wait, it’ll come to me
Did we throw away our good fortune
Whilst searching for destiny?

“I knew a man who went to sea
And left the shore behind him
I knew that man for he was me
And now I cannot find him”
You once sang me that song
On our way to the gym
I think it’s about a legless man
And how it was he could still swim

Where did we leave the glory
We’d fought so hard to win?
Perhaps God was insulted
And deemed it a sin
What is that condition
When we’re too scared to win?
But perhaps we can’t blame it on theories
The truth is we’re made of tin

Where did we leave those tablets
That got us through the night?
Who said we had a chance
And that we were in the right?
You know me so you know
When I glow in the light
I don’t give up till I’ve given my all
Although this time I just might

Why did you leave our story
Just when things had worked out?
Were you afraid to express
All of the things that you felt?
Well it snowed this Christmas
Alone I watched it melt
Then I toasted us with aged whiskey
Although our drink is stout

(C) Frank Howson 2019

THE FINAL STAGE – Adrian Rawlins review of what he called “My lost masterpiece”.

It started out like a normal day for the man of the house. He had breakfast with his wife. She was no warmer or cooler towards him than she had been for a long time. He read the morning paper, donned coat, picked up his briefcase and left for the office.

She reminded him that there was no office anymore. He had to acknowledge that all that is now part of “the past”. Putting aside momentary chagrin at the loss of anticipated freedom he feels safe. There will be no more journeys into the outside world.

He and his wife relapse into a conversational sortie we know they have ventured into often before, their discourse, though completely Australian, throws up the cliches and truisms of everybody wisdom and in almost Pinteresque way introduces echoes of Oscar Wilde’s sublime parable “The Happy Prince”.

A telephone rings but nobody answers. It has no dial – like the clock face in Bergman’s “Wild Strawberries.”

There is an unexpected knock at the door and a man with failure written all over him seeks admission. He has about him the air of a failed vaudevillian/cabaret performer. Like T. S. Eliot’s narrator he has seen the moment of his greatness flicker…but…”I am not Prince Hamlet…”

The dialogue is cryptic, enigmatic, redolent with oblique references to poems, books and cultural assumptions, skirting banality while continuing the Pinteresque reference to the daily metaphors which have been the cliches while still retaining their nugget of “the truth” and providing many moments of genuine “comedie noir”.

Another visitor bursts in, this time no stranger. Stinky Radford is an actor, lover, a forceful extrovert character, beloved by both Man and Wife. Asked about his life, he bravely lies while we see that he too is not Prince Hamlet, nor was he meant to be.

While the husband muses upon the remembrance of the past, Stinky makes love to his wife, who was once his wife too. Then, girding up his loins, he leaves to…try again?…to solve the riddle?…face the music?

By the time the audience have accepted the essentially metaphoric nature of this work of cinema: the room is none other than the stage on which Sophocles presented his vast and mighty tragedies, or Aristophanes his satires: the same stage which Shakespeare saw as emblematic of the world, “on which stars in secret influence comment”.

Another visitor – a youth, streetfighter, violent, working-class poet and thug – shades of Jean Cocteau here – bursts in and now we are given our first inkling of the exact nature of the metaphor we have been watching. Despite his bravado and overt displays of machismo, he is terrified by the wife’s advances. We are justified at this point feeling that perhaps all of the male characters are aspects of the husband’s psyche and that we are witnessing a revelation of Everyman/Everywoman in a decidedly contemporary encapsulation.

The wife reminisces volubly about a lover, a lawyer with an earring in one ear.

Stinky Radford returns, having failed to discover anything. The streetkid wants to go back but Stinky assured him “there’s nothing out there”.

The husband has already asserted “we are kindred spirits,” and “this is the room of the lost”.

Finally, Music and Light and mysterious opening of a door heralds the moment when Man and Wife must Face the Music in an upper room (the Upper Room?). He is the Happy Prince, denuded now of all his finery, and she, the Swallow who will not leave him. They are translated into Light.

Immediately they are gone, another figure bursts through the front door, demanding explication. He is obviously the Lawyer who has been the wife’s lover, and in the manner of lawyers he threatens to sue everyone until “you’ll wish you were dead!”.

As his three auditors laugh and laugh we now know exactly where we are and the form of the film, which has been hovering at the corner of our consciousness now snaps into place – and everything makes sense.

“The Final Stage” is, at its deepest level a work of art covering in an original and ground-breaking way the same philosophic and metaphorical terrain covered by Jean Paul Sartre in “No Exit”. It is also a funny, sad, poignant, piquant, witty and disturbing story which amuses us while it reminds us of the – dare we say? – eternal verities of Life and Death.

Because of the way “the story” unfolds – similarly to the creative method employed by Peter Carey in his best short stories – the film is decidedly out of the ordinary – its unusualness and the charm and variety of the performances, induce us willingly to suspend our disbelief. Those viewers familiar with poetry, the theatre, and great literature will find echoes of those other forms and discovery of such connections gives the film’s delightful tension. Theatre-goers, one hopes, will appreciate more fully the slightly theatrical edge to the dialogue. But everyone should be able to see that “The Final Stage” makes a significant, even historical contribution to our understanding of film form in the deepest sense.

– Adrian Rawlins
Critic &. Poet
1994

Review written for Farrago.

Produced, Written & Directed by Frank Howson starring Adrian Wright, Abigail, Tommy Dysart, Michael Lake, Zachary McKay & Tiriel Mora.

photograph by Luzio Grossi.

BIRTHDAYS

I don’t look in the mirror anymore because it always startles me when I don’t recall the face.

This year I had the most solitary Birthday of my life. Just a simple meal with a friend and a simple chat about the magic that exists in simple things. Maybe that is a metaphor for how complicated we make our lives and how we fill our world up with possessions, mementoes, and all sorts of reminders of the past. So many reminders that it’s sometimes very difficult to move forward without stepping over things that bring back bad memories. Perhaps Dylan was right, again, when he said, “Don’t look back.”

There was a time in L. A when I had experienced too many traumas in a row and was so confused and wearied and numbed by them that I gave up on every level and free fell into that place we all fear to go. And, the news from the abyss is this – apart from the devastating grief of having lost everything and everyone I had ever loved – there was also a great relief in the liberation of being truly free. Life stripped bare with the only thing in front of you an empty canvas (for those who chose to begin again), or death.

So, if you are one of those who choose to go on, you become bolder for there is nothing to fear anymore. All the things you were scared of losing are gone. And the realisation that you have survived it empowers you in a strange but mighty way. For now you have the hard won knowledge that you need never fear anything again. It is possible to survive the end of your world. The curtain has been pulled open and the Wizard of Oz is exposed as a little nerd in an ill-fitting suit.

In a way, the old me died and a new improved version was born.

I wouldn’t recommend the experience for it is truly an unbearable lightness of being. I would never wish to repeat it, but as a writer an experience none the less that does give another dimension and insight to the mysteries of this world.

But then again all wisdom comes at a cost. The ying and yang of this existence.

Perhaps that is why the custodians of truth and spiritual knowledge, in my opinion, are the very young and the very old. They seem to cut through all the complex manmade veils of bullshit to the heart of things. The stuff that really matters. They possess that dying commodity called “common sense.” Alas, such a thing is no longer common and very rare in this modern world of push and shove and short attention spans and no patience for the bigger picture. We want it all and we want it now and then wonder why we are so weighed down our spirits can no longer soar.

Anyway, getting back to birthdays, I’m starting to agree with those people who would say about their big day, “It’s just another number.” Perhaps our soul doesn’t age in years. Only tears.

(C) Frank Howson 2019

THIS PRISON HAS NO BARS

From the mansions of sadness
To the bums on the street
From the highways of loneliness
To the halls of defeat
I’ve watched your ascendance
The road I never took
Girl, you’ve come a long way
On a smile and a look

From the poolside of stardom
To the kids on the run
From the mountains of compassion
To the things never done
I’ve watched your progression
With an assassin’s eye
I could have been there too
But my heart doesn’t lie

There are stars in cars on every corner of this town
You’re gonna need a lot of help
When you finally come down
You’re slept with the Caesars
And you’ve dined with the Czars
But none of them told you why
This prison has no bars

From the towers of power
To a broken man’s plea
From the face on the magazine
To the girl you used to be
I’m waiting for some answers
Beneath the falling stars
Wish I could’ve warned you
This prison has no bars

(C) Frank Howson 2019

FUNNY

Funny
But here we are
Who’d have thought
We’d have come so far?
We danced so long together
Everyone else has disappeared
But all those things that seemed so frightening
Are now no longer feared
They’re just funny

Funny
But we dared to love
And now we shine
Like the stars above
Our friends can laugh in wonder
At how we left them far behind
But we got something they only dream of
And rarely get to find
They think it’s funny

Funny
How we never expected
To find love again
Taken by surprise we were
Don’t know where, hard to say when
The moon was just a neon
Till I looked into your eyes
Now everything’s for real
Beneath these friendly skies

Funny
How the chairs are placed
And the dragons
Have all been faced
Now hold me close forever
And never let me wander lost
We stood alone for far too long, girl
But we have paid the cost…

Funny
How quick the evening goes
When the two of us fill it up
Funny
How warm our hearts can get
When there’s nothing to interrupt
Ain’t it funny?
Funny
But here we are
Who’d have thought
We’d have come so far?

(C) Frank Howson 2019

Sketch by Frank Howson.