We had our reasons Gone like the seasons Hollow excuses Followed phony abuses We lodged our defences And lost our senses Now here we are It feels so bizarre Before then You loved me You loved me You loved me What did I do That couldn't be forgiven? I bought your vision Stubborn indecision Lonely refugees Tryin' too hard to please If this be destiny We've been lost at sea I still feel you near But you're gone I fear Before then You loved me You loved me You loved me What did I do That couldn't be forgiven? They'd never seen two so in love We were everyone's ideal But when the chips were down The devil reneged on the deal And in that crowded hour When I turned to find my friend You were nowhere to be seen And our song was at an end Before then You loved me You loved me You loved me What did I do That couldn't be forgiven? Excuse me for livin' (c) Frank Howson 2019 photograph by Vanessa Allan.
I remember you Even more painful, where and when You told me when it was over That you'd find me again So you searched all the hostels Inhabiting lonely men I was killed by your mouth You were killed by my pen I told you I liked chocolates So you bought me a cigar You have a cruel talent For pushing me too far I remember walking miles While you passed me in your car The same one I'd bought you When you became my star Now the years are conspiring To drive me insane Along with some of my friends Who only deal in pain So let me spell it out To you nice and plain My dance is slowly fading And it failed to bring you rain I'll soon be gone like Jesus To never come again You nailed me to your cross And made me watch you with other men They all hurt and manhandled you And I shed tears for my precious friend But you stood with them and mocked me I should've known how it would end (c) Frank Howson 2019
Let us kneel and say our prayers That something hears our call We think too deep And we see nothing at all Rome wasn't built in a day But I bet it took an hour to fall Let us not weary in our cause Until we right the wrong A place is not a home Until you feel you belong A country isn't great Until it looks after its own To value true friendship You must walk many miles alone Let us not rush to condemn Until we know what's real Let us try a little kindness Until the broken hearts heal Let us not worship false gods Like money or power For we will see their futility In our final hour And when we face the truth May we hold our heads up high And know we did our best And that the seeds of those deeds won't die And that the judgement we're given Can't be argued or repealed For the best of us did not rest Until the broken hearts healed (c) Frank Howson 2019 Photograph by Frank Howson 2019 Mui Wo.
If I should die tonight What would I say? I'm glad you came along And chose to stay And thank you for the love Shown to an orphan gone astray If I should die tonight That's what I'd say If I should cry tonight Don't turn away You've been my ray of sunshine Come what may You helped me through the storm Through all the nights that followed day If I should cry tonight Don't turn away You see me When others don't You're the one who tries When others won't In the temple of truth I was humbled and confessed If this be love Then I've been blessed If I should die tonight What have I learnt From all the battles fought And bridges burnt? I bore a heavy load Through all those dreams that wouldn't cease If I should die tonight God grant me peace (c) Frank Howson 2019
He's in that room Second door to the right Asleep on the couch Exhausted from trying to make sense of it all And from staying out of anyone's way He can't play the person he was anymore The clothes don't fit The lines don't ring true And the lighting isn't right All of his happy endings Added up to one massive disaster He stood up once To be shot down But that bravest hour His finest Misreported by many Cost him more than money And years And the loves of a life Although the fire was extinguished Some embers still burn When it's that three o'clock hour And the world is silent and God whispers "Don't worry" To thwart the attack of the shadow people For it takes a lifetime To realise That the more you're taught The less you think you know It's all part of the process Of shedding skins In order to set the spirit free From the chains of this world For you have to be beaten And mocked And fall Time and time again On your road to humility That will eventually carry you Above these prison walls The world has been taken over by idiots And statisticians Gossips shows and celebrity chefs And is a place where a couch In a tiny room Has become someone's refuge As he puts on his coat And goes walking with his ghosts Into a familiar surrounding That is at last bearable As he wanders With the knowledge that With wisdom comes predictability And explains God's boredom With us Can you imagine? Few can Take this man Oh, take him, Lord He who lived with trauma And the insanity of hope And walked streets that turned back into themselves Like people do And was insulted, defamed and betrayed By those he'd shown the most kindness to How much am I bid for his heart? It's weary from caring But it is still in working order What do I hear for his love That has the capacity to extend to so many For so little in return? What am I offered for his feet That have walked the world many times And yet were still able to stand while others fell? What will you give for his voice That was silenced for a time by experts Who feared his truth? Going once Going twice Sold Words (c) Frank Howson 2019 photograph by Bruce Woodley.
“All they wanted was to be free, and that’s the way it turned out to be…” – The Ballad of Easy Rider.
I was recently saddened to wake to the news that Peter Fonda had died. At my age it has become a regular occurrence, almost daily, to hear about a dear friend, acquaintance, associate, or a boyhood hero checking out of this world.
When I lived in Los Angeles for nine years I was very fortunate to have met a large number of actors, musicians and directors that’d inspired me during my formative years. Some of them became friends, others I’d see around here or there and we’d give a nod and a smile. They were mostly nice people dealing with their own pressures, families, problems and all those things we too juggle. Just on a much bigger scale. The few I encountered that were mean or monsters were the pretenders. The ones who’d seized a spotlight or some power through bluff, marketing or manipulation.
The bigger the talent, the nicer the person is what I found. Mostly.
Which brings me back to Peter Fonda. I only met him once. It was in one of my favourite books stores, Book Soup, on Sunset Boulevard, and I was browsing the latest releases when Peter came in with some people and they began setting up a table for him to do some book signings for his autobiography, “Don’t Tell Dad.” The title referring to his father, the legendary actor Henry Fonda, who was described by his children as being strict, uncommunicative, and unaffectionate. He never told them, ever, that he loved them. One of those closed men from an era when it was deemed unmanly to show your feelings. Perhaps this explains why both Peter and his sister Jane became rebels. Pushing the boundaries, striving to achieve and seeking approval from others. Running wild in Hollywood.
Peter had nothing in common with his father other than looks. I chatted with him that day and he was a genuinely nice, kind, loving individual. Before the crowd arrived he even signed a complimentary copy of his book for me. He was a hippie, spiritually, until the end.
Carving out a film career had been difficult for Peter. When he started out he had to stand in the very large overpowering shadow of his father. Remembered not for his work, but for being Henry Fonda’s son. Then later, he would be referred to as Jane Fonda’s brother. It must’ve been a creatively lonely and humbling existence for him. In fact, in most of his early films he looks stilted and uncomfortable, devoid of any identity of his own. If the trick to great acting is total relaxation, he was a long way from it.
Not making much of an impression in movies such as “Tammy and the Doctor” “The Young Lovers” and other forgettable fluffy fare, the offers dried up as he sat on the sidelines watching his father continue to shine in major movies, and his sisterJane soar in one film after another. It must’ve hurt Peter to have been thought of as the “loser” of the family, but perhaps those forces also shaped him as the gentle, unassuming, empathetic, kind man he became. He knew, in his own way, what it was like to suffer. To be ignored. Or dismissed.
Like many outsiders of the big slick Hollywood machine, Peter stumbled into the conveyor-belt Roger Corman “B” grade movie productions churned out for drive-in market. These exploitation films had budgets less than what real movies spent on catering. Some of them were shot in two days! And those that worked on them, usually had two or more jobs to perform. But Peter joined an illustrious company of other young, eager outsiders who couldn’t get a break in mainstream movies either. People like Jack Nicholson, Francis Coppola, Robert DeNiro, Bruce Dern, etc.
The brilliant thing about the Corman movies was that you learnt on the job, from experience, seeing yourself on the big screen and seeing what worked and what didn’t. You can now observe in these mostly crappy movies how Fonda and Nicholson go from stilted, self-conscious actors to guys who become so comfortable in front of a camera, their true self shines through and magic is born. We see this in Fonda’s performances in “The Wild Angels,” and the LSD fuelled “The Trip.”
And so it was, with a small budget film called “Easy Rider” (directed by Dennis Hopper and starring Peter, who also co-wrote the script and co-produced it) that Peter Fonda became a huge international star in his own right, and a cultural icon to a whole generation of baby boomers. His character Captain America oozed quiet confidence and the cool factor in abundance. The way he moved, how he dressed, the manner in which he spoke, had us boys all trying to emulate him. He became our martyred hero who, like us, was so lost, confused and despairing about the world, that we dropped out of the ranks of what was expected of us.
One of the last lines his character utters in the film, just before his date with destiny is, “We blew it.” He doesn’t elaborate. It is a beautiful, sad, famously enigmatic line that in a way is a eulogy to a lost generation.
Although Peter went on and starred in many movies and won Golden Globe awards and nominations for Oscars, it is his character in “Easy Rider” that still haunts us. That cool, disenchanted, silent-type loner, searching for the meaning of life on the coolest looking motorcycle we ever saw.
The advertising by-line to the movie “Two men went looking for America, and couldn’t find it anywhere,” best sums it up.
Peter screened the final cut of the movie to Bob Dylan hoping that the famous troubadour would give permission for his recordings to be used for the movie’s soundtrack. But Dylan was so angered by the movie’s tragic ending, he said he’d only give his songs to the movie if the final scene was reshot and the bikers won. But Peter explained that the two leading characters had to be martyred. That’s what happened at that time, at that place, in America. Young people couldn’t beat the system.
So Bob took a piece of paper and scribbled these lines on it, “The river flows to the sea. Wherever that river flows that’s where I want to be. Flow river flow, let your waters wash down, take me from this road, to some other town…” He handed it to Peter and said, “Give it to Roger McGuinn to finish. He’ll know what to do with it.”
And do he did. Roger added the lines, “All they wanted was to be free, and that’s the way it turned out to be.” And “The Ballad of Easy Rider” was born. Dylan declined a credit as he’d given the lyrics to Peter, and the film, as a gift.
Peter Fonda was born to be wild. He is now free from the chains and restrictions of this earthly world. Free to ride the wind. To be a part of that beautiful dawn. To be as still and wise as the trees. And to flow with that river to the sea.
Farewell, dear Peter. Take it easy.
(C) Frank Howson 2019
We tried to live a simple life in a complex world. Surrounded by all the dangers, temptations, frustrations and good intentions gone south. We had a simple love, in that sweet naive time before the reptilians took over and the war designed to have no end began.
All I knew was that I loved you, and you loved me. Nothing much else mattered. And if the world we knew came to an end, I’d love you in the next too.
Your beautiful face and inner joy were the only drugs I needed to keep going. You made me smile. You made me dance. You made me hope for more when I’d given up hoping.
Each day we’d plow the fields, sowing for the harvest that would keep us full during the winter months.
Life was good and the people we knew were fun. Until they weren’t anymore. But they weren’t as lucky as us and life made them bitter.
Sometimes I’d whisper your name in a reverential prayer when my road narrowed and the nights became too dark to see ahead.
Some people became envious of our joy and sought to steal it, foolishly thinking they could replicate the recipe, but they burnt the base.
They burnt us too.
These days I don’t punish myself by thinking of love, and have accepted my life of solitude. Sometimes we have to sacrifice joy to obtain wisdom. Sometimes I long to be a happy fool again. For there is a penalty in knowing too much.
My wisdom has told me that angels must leave. They weren’t meant to be chained to this mortal earth, or to us flawed humans. And so, it is as it should be. Fly on, my darling, fly on. It was all my fault, dreaming that I could keep you.
But perhaps our time will come. Again. And I’ll not awaken my wisdom, and instead, pretend I don’t know the ending.
And so on. And so on.
(C) Frank Howson 2019