TELL ME STORIES ABOUT OUR LIFE

Tell me stories about our life
Did we have fun?
Were you truly happy when you told me you were?
Because, you see, I was happy when I thought that to be so
And if you take that back now my life suddenly means nothing
And the doctors have nothing to give you to treat wasted years
And it breaks so many
To fall so far
So, let us just sit in the sun
On our favourite bench
Surrounded by the trees we named
And chat
Like we used to
When we held hands
Like each other was the most precious thing in the world
And it was
Or so I thought
Please tell me now
Was it true for you?
Or were you just being kind
When you said you were mine?
Were you settling for less
Than you believed the world owed you?
Do you feel that you threw away your life
And beauty
So I could live?
Because if you did
You have killed us both
And our life was just a one-sided
Delusional dream
Perhaps I worry too much
In these September years
But you’re all I have
My only constant
In a world that has lied about everything we’ve been told
For the last 50 years
A governmental plan to confuse us But enough about lies
I surrender
To whatever it was that got us through
Let us take some time out
And sit in this park
And you do the talking
Hold my hand
And tell me stories about our life

(C) Frank Howson 2018

 

painting by Frank Howson

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THAT LONG TRAIN RIDE

I was right
About all the little things that didn’t matter.
I was wrong about all the big things that did.
But youth is for foolishness and mistakes.
The concept being that you will eventually learn from mistakes and your heart will grow a harder layer of protection. This can be a lifelong education of regrowth if you don’t pay enough attention to details.
One theory is that we keep falling in love with the same person, over and over, like some weird drunkard’s dance in a Groundhog Day scenario. Even if that person was all wrong for us in the first place. So is it familiarity that attracts? The devil we know is better than the saviour we don’t? Perhaps we just tire from the waiting and settle for what we know. Attracted to those who remind us of ourselves? Or marry for money and security even though that brings in its train a lifetime of boredom and unrequited dreams and hopes? But surely that is not a living, but a dying? For money proves to be a cold companion and takes more than it gives. Doomed to buy all the toys and trinkets to impress others whilst your subsequent depression stemming from your inner knowledge that nothing purchased brings any lasting pleasure. You are a compromised person and although you can lie to your conscience your sub-conscious knows the truth, and forces you to spend most of your days sleeping. Hiding from life. Avoiding waking to the horror of who you really are. A prisoner trapped in a cell of your own making. Spending all your approved allowance on the best drugs to dull yourself to the harsh reality that you are already dead.
I took myself to Disneyland today.
Why?
I wanted to return to a simpler, safer time when I believed in dreams and heroes.
All around me was the sound of the laughter of children and the look of wonderment in their eyes.
They are years from cynicism and reducing the world to something they can understand.
I had a photo taken with Mickey but my idol Donald Duck was nowhere to be seen.
Disneyland was conceived and built by a sad and lonely man who acted childish at times. Because the truth is he was still a child and needed to build a romanticised version of his childhood town – a place where it was always clean, and wholesome and safe. And contained no tyrannical father. Ironic huh? Was he insane? In most people’s terms, yes. But at least his dreams were safer than those of young Adolf Hitler, a failed painter from Austria. Y’know, if young Adolf had’ve sold three or four landscape paintings the whole Second World War may have been avoided. I always say, “Be careful about pissing off creative people. That creative light force once turned back on itself can become very dark and destructive.”
On the other hand, all of the world’s great accepted visionaries were a little looney tunes. Some, very much so. Fortunately their insanities were focused towards something more publicly palatable than the Third Reich or the NWO. They risked everything thinking outside the box. Their own lives became secondary to their dream. And many died in their footsteps upon that lonely highway. They sacrificed romantic relationships, friendships, their dignity (as many were publicly ridiculed), their personal happiness, and a comfortable safe life. Why? And what for? A higher calling? Immortality? If there is no God and no afterlife why do people do this to themselves? If we’re just here marking time until the long darkness, why not just put the tools down and embrace the fairly interesting train ride to nowhere?
It’s the same with love. If it’s not a God-given gift to share then what exactly is it? Why care so much about it? Or anyone else?
I pondered all these things as I sat in my chair looking out the window that was shaped like Mickey’s head on the Disneyland Express on my train ride back to somewhere.

(C) Frank Howson 2018

GINGER BISCUITS

We told each other we had a good life full of ginger biscuits and roast dinners. I suppose it reminded me of my youth waking up Sunday mornings to the smell of something cooking and the excited anticipation of a family gathering.

I’m all that exists of that family now. So, in my defence, I will plead guilty to attempting to bring this ritual into our lives in the hope of a shared familiarity or perhaps the conjuring up of ghosts from the past. Futile dreams were our dessert. Big serves to disguise the cold reality that the best in us was gone. All that remains are the broken pieces of empty dishes. And the broken after dinner stories of broken lives that harbour in my memory and things I dream at night.

There were glimpses of great love in my family but thinly wedged between slabs of anger, recriminations, abuse, guilt and tears. Perhaps that’s what makes those glimpses glow so warmly in my heart.

You wanted a feeling of family and so did I but we were loveless refugees on the run and our pantomime of make-believe was a farce that didn’t hold up to intelligent scrutiny. But the first thing to die in such a delusion is intelligence. We played our roles with conviction but were hopelessly miscast, or perhaps just too old for believability.

We had a life of ginger biscuits and roast dinners but that was all. There we were, unarmed, falling where we stood in the small talk and repressed resentment that neither of us got what we had wanted. The past can’t be repeated, excluding the bad bits, by acting out the good. There is no cutting room floor anymore. Gone. All gone. My youth. My dreams of love. My good will to others. My mistakes of the heart. My misplaced loyalty to all the wrong people. Gone. And soon I will be gone, and all that will remain will be words. And people’s rushed and conflicting judgement of who they thought I was.

Fortunately there will be no one to play act the glimpses of my failed Quixotic quests to harness some joy in myself, and in others.

 

(C) Frank Howson 2018

ANNOUNCING THE OZ INTERNATIONAL FILM FESTIVAL

In November of last year Richard Wolstencroft felt it necessary to resign as Director of the Melbourne Underground Film Festival. At that time he asked me to take the reins and chart M.U.F.F’s overhaul and new direction. I accepted because I felt that the festival is an important outlet for emerging film makers to find their feet and their audience.

My acceptance of the top position was on the basis that I would have total autonomy to make changes and lead the festival into a brave new future.

Unfortunately after prolonged negotiations it has become apparent that the severing of the past and what is needed to create a totally free new system proved more complex and time consuming than either Richard nor I could have possibly envisaged.

So, it is my decision to not continue as my feeling is that M.U.F.F should be handed back to Richard, its creator, who will run it as a free speech absolutist event.

But, on the other hand, having put a lot of time and energy into a new look festival, as well as commencing negotiations with several legendary international film identities to visit our shores to as festival guests and share their experience and wisdom with us, I have decided to go ahead with a totally new film festival that will be clear to create its own identity and reputation as well as serve as another much needed outlet for young local and international film-makers. This I hope is not seen to be in any way competition with M.U.F.F but quite the opposite, another important spotlight that will include some categories not covered by M.U.F.F. It will also be run at a later date, in our summer months, at some very prestigious venues already locked in.

The Oz International Film Festival can assure you of a very exciting premiere season.

We welcome film-makers here and abroad to visit our website and submit their latest works for consideration of inclusion in our inaugural festival.  Your films will not be judged on any bias to politics, race, gender, sexual preference or content, but purely on the execution of your film-making abilities, and a diverse and experienced jury of industry veterans will be announced within the next few weeks.

The festival will honour the bold, brave and adventurous new voices in the world of cinema and hopefully help some go on to be the new vanguard of the next generation of important film-makers.

I will be the Festival Director and ably assisted by Executive Producer Barry Robinson.  Other appointments will be announced shortly.

Good luck and welcome aboard what we feel will be an exciting new chapter. We look forward to your submissions and you can trust that they will be very carefully considered, each and every one.

Kindest,

Frank Howson
Festival Director.

THE PEOPLE OF DARKNESS

The living are always under attack from the dead. As night follows day so do those of darkness target those of light and stalk them with words of hero worship when,  the truth is, the mere existence of those with a spark irritates them and they consciously or, in some cases, subconsciously,  work toward the extinguishment of that flame. Wilhelm Reich writes about this condition in detail in his book The Murder of Christ.

The people of darkness use many tools to bring down the envied. Negative rumours, stories that are unfounded in fact, and a whole range of politically acceptable words to discredit their target i.e., Narcissist (this applies to anyone who is successful in showbiz who uses social media to promote their latest ventures) because the fact that someone may actually be getting off their fat ass and doing something reminds the person of darkness how meaningless and unfocused their own life is; Nazi (it is acceptable in today’s politically correct world to call anyone with an opposing opinion this and get away with it. This is disgustingly outrageous and unfair to their target whose only crime may be to have an original thought, as well as, obviously, making light of what the real Nazis did). But let me not bring logic into this lest I be called names. Anti-Semitic is a good one too in some cases. I have even witnessed Jewish people being called anti-Semitic because they dared to have an opinion that didn’t sit comfortably with the party line. Such is the out of control world we live in where the militant wheel gets oiled first and the logical debate is not only not considered it is condemned. Here we have a perfect storm for the people of darkness to not only hide within, but thrive.

Bob Dylan has predicted for some time now that we have entered the end game. Anyone who has studied theology and the predictions of the old prophets would have to concur. In my opinion we are currently engaged in the final war between good and evil, darkness and light, and the shadow people are only going to get more and more hysterical as things don’t go their way. They are currently very confused as to why things aren’t going the way of the Polls. Could it be divine intervention?

It is difficult to untangle yourself from a person of darkness because they are cling ons – spiritual vampires sucking your energy. And the more you give them the more resentful they will become towards you. For even your kindness is an irritation. A reminder of what they are not. They will insult you by praising strangers and even abusing and opportunistic ex-partners above your efforts to help, give and support. This is to make you crazy and so confused you will cease to be able to function and end up zombie like staring out a window into the light that was once your source. Do not under any circumstances feed them. Let well enough alone. Danger and madness this way comes.

(C) Frank Howson 2017

BOOZE AND DRUGS

There’s a great scene in “Breaking Bad” where Walt White and Hank, his DEA brother-in-law, discuss the thin line between what’s legal and what’s not. And that even good people can topple over sometimes onto the wrong side of the line for the simplest of things.

Much has been made of Robin Williams’ on and off drug problems and struggle with alcohol, but I would suggest when he decided to end it all he was straight.

On October 28, 1919 – a date that will live in infamy if not the annals of stupidity – the U.S. Congress passed the Volstead Act over President Wilson’s veto and prohibited the sale of alcohol to the public. And what was the effect of that? It made gangsters like Al Capone very wealthy men. By 1925, in New York alone, there were, estimated, between 30,000 and 100,000 speakeasy clubs. The moral of the story? If people want something bad enough they’ll get it. Making it illegal just insures that you have to pay inflated prices for it and deal with criminals and underworld characters that brings with it its own dangers.

When Hollywood previewed the Brian DePalma remake of “The Untouchables” they found they had a major problem with it. The audience were rooting for Al Capone over the do-good law enforcement Prohibition Agent Eliot Ness. And why not? The latter was hell-bent on denying the public booze. So the studio had to shoot an extra scene early in the movie that showed Capone’s men placing a bomb in a store that wouldn’t pay protection money and a little kid was killed, thus turning the audience’s sympathy from Capone to Eliot Ness.

So, in those dim dark ages, if you knocked three times on a speakeasy door and gave the right password, you were let in to have a scotch or a gin or whatever alcoholic beverage you were seeking. Oh, and you were considered a criminal.

Alcohol was banned to stop people over-indulging. That’s like banning food because some people over-eat. I think it’s always a very dark and sinister act when the government attempts to control what should be, in a free society, one’s personal choice and responsibility.

I would argue that cigarettes have killed more people than alcohol. Why don’t we ban those? And how ineffective would that be? Again, we’d just give a lot of criminals a new business opportunity and make them a fortune. And we’d end up paying $100 for a pack of cigarettes.

In 1922, during the alcohol prohibition years, cocaine was also banned and thus another substance, that had been legal and freely available, was given over to the underworld to boost their pockets.

The celebrated Austrian psychoanalyst Sigmund Freud, himself a cocaine user, prescribed the substance to his patients believing it was a cure for depression and sexual impotence. In 1884 he published an article “Uber Coca” which promoted the “benefits” of cocaine, calling it a “magical” substance.

In 1886 it got a further boost when John Pemberton included coca leaves as an ingredient in his new soft drink, Coca-Cola. This new drink was also considered to be, ironically, a cure for a hangover caused by an over-indulgence in alcohol.

During the early 1900s, cocaine and opium-laced elixirs (magical or medicinal potions), tonics and wines were broadly used by people of all social standings. Notable figures who promoted the “miraculous” effects of cocaine included inventor Thomas Edison and actress Sarah Bernhardt.

By 1905 it became popular to snort it. By 1912 The United States government reported 5000 related deaths in one year due to an over-use of cocaine. By 1922 it was officially banned, which, when news reached Sherlock Holmes it probably resulted in his suicide by throwing himself off the Reichenbach Falls.

So, like alcohol, it was not the substance itself that was lethal but rather some people’s over-use of it.

Did you know if you drink too much water you can die from it? All we need is 5000 of us to do that in any one year and perhaps they’ll ban that too.

What I’m getting at is where does one’s own personal responsibility come into it? And where’s the line where the government intervenes into our lives and criminalizes something because some people are over-indulging?

I used to listen to a talkback radio guy in L.A who was a Libertarian. Their political philosophy upholds liberty as the principal objective. Libertarians seek to maximize autonomy and freedom of choice, emphasizing political freedom, voluntary association and the primacy of human judgment.

A woman’s debate about the right to abortion is that “it is my body and the government does not own it and anything I wish to do with it should be my choice and not theirs.”

Well then, it you want to take that debate further, and not that much further, isn’t it also correct that if I own my own body then I should be allowed to do whatever I want with it? Is it not my own personal choice if I want to drink a gallon of scotch, or shoot up heroin, or snort cocaine, smoke a carton of cigarettes, or my smelly socks for that matter? And if I’ve had enough of this life isn’t it also my right to end it? Surely it only becomes a matter for law enforcement if we are intoxicated, or high or suicidal and get behind the wheel of a car? Because by doing that we are putting other people’s lives at stake. People who have chosen to want to live. Then, of course, it becomes a concern for society at large.

John Lennon once had a hit with a song that said, “Whatever gets you through the night is alright…”

I try to get through this life attempting to be as non-judgmental of others as possible. Unless of course they steal from me or attempt to harm me. If someone is struggling and needs prescription drugs to get through, or need to self-medicate themselves with something that makes them feel better, what business is it of ours? My sympathy is with those that need it, and also my prayers. But to judge Robin Williams or Jim Morrison or Heath Ledger or Elvis or any of the millions of people out there is an act of arrogance and shows a severe lack of empathy for the pain they may be carrying. Perhaps those people who sit in judgment in their ivory towers need to come down and fuck themselves.

How do you end the drug wars and get rid of the criminal element in one swift and effective move? You legalize it. At least then there would be some monitor on exactly what people are taking and what amount. And perhaps if it is noticed that some are in such pain they are over-indulging then maybe some counseling could be recommended. But again, it would be one’s personal choice as to whether they accepted that or not.

In California now and in some other U.S. states “pot” is legal with a medical prescription. Have people gone mad with it? Of course not. They buy what they need to get them through the week and go home. Like buying a 6 pack of beer.

Cannabis oil has also proven to be a great help in prolonging and enhancing the lives of cancer patients.

Believe it or not Richard Nixon was the first President that believed drug addicts should not be treated as criminals but instead needed counseling. It would certainly free up law enforcement officers to focus on more important crimes, like people murdering each other. Or the next terrorist attack.

And besides, I would’ve thought the Government would prefer us all to be medicated anyway, so that our anger would be numbed to what idiots they are.

Anyway, just thinkin’ out loud.

(c) Frank Howson 2014

NIGHT MOVES

 

 “The Cave” opened in 1912 and was located in the basement of the Gruenwald Hotel (later the Roosevelt) in New Orleans. It is now believed to be the first “nightclub” in the United States.

From the early 1900s working class Americans would frequent honky tonks or juke joints to meet people of the opposite sex and dance to music played on the piano or a jukebox. During the US Prohibition years when alcohol was made illegal the night clubs went underground and were controlled by the gangster element. These clubs were known as “speakeasys”, the name deriving from the fact that the clientele had to know a secret word in order for the doorman to allow you entrance into the place.

The banning of alcohol during these years should’ve been a lesson to governments that the banning of any substance is futile as those who want it bad enough will always be able to obtain it. All it does is give the product to the control of criminals and make them wealthy in the process.

 When the Prohibition law was repelled in February 1933 the night clubs really took off in a big way. Such iconic venues as New York’s Copacabana, the 21 Club, El Morocco and the Stork Club went all out to set a high standard and capture their share of the market. Many former gangsters became legitimate businessmen and went after the night-owl market. Maybe they liked the feeling of power that owning a top night spot gave you. In those days the entertainment music was supplied by big bands featuring New York’s top jazz players.

In Harlem, Connie’s Inn and the famous Cotton Club were hugely popular venues for white audiences.

The success of this formula soon swept across America and then the rest of the world.

 In Occupied France, jazz and bebop music, along with the jitterbug dance craze, were banned by the Nazis who saw it as a decadent American influence. I guess they thought killing men, women and children was acceptable but having a dance and a drink on a Saturday night was going too far. The French, not known for taking no for an answer, took to meeting in hidden, secret basements. These places became known as “discotheques” and the music was supplied by playing hit records on a single turntable. Even in Germany the Nazis were fighting an unwinnable battle trying to keep music, alcohol and “decadent” social gatherings away from their citizens. Underground discotheques popped up in Berlin basements and were patronized by anti-Nazi youth called the swing kids.

 After the war, in Paris, a club named the Whiskey a Gogo set into practice what would become  the standard elements of the modern night club by laying down a dance floor, suspending coloured lights and using two turntables so that there would be no breaks between the music.

By the 1970s the disco night clubs came into their own and record companies began producing long versions of songs that were ideal for keeping the patrons on the dance floor. Some of the most prestigious clubs were outfitted with elaborate lighting systems that throbbed to the thumping beat of the music.

There also began a thriving drug subculture that chose Cocaine to enhance the experience of music and lights. Amyl nitrite (also known as poppers) also became popular as did Quaaludes which affected motor coordination and turned your arms and legs to jelly. Again, these illicit substances attracted the gangster underworld and they were more than happy to supply to demand and make fortunes from the trend.

The environment and drugs also fuelled rampant promiscuity and the new age of night clubs, heralded by New York’s infamous Studio 54, became cocaine-filled hangouts for celebrities.

 For the wealthy, they slept all day and partied all night. The scene became their lives. And, in some cases, their deaths.  In the words of the Danny O’Keefe song of the time, “Good Time Charlie’s Got The Blues,, “…you play around you lose your wife, you play too long you lose your life.”

(c) Frank Howson 2013