TELL ME STORIES ABOUT OUR LIFE

Tell me stories about our life
Did we have fun?
Were you truly happy when you told me you were?
Because, you see, I was happy when I thought that to be so
And if you take that back now my life suddenly means nothing
And the doctors have nothing to give you to treat wasted years
And it breaks so many
To fall so far
So, let us just sit in the sun
On our favourite bench
Surrounded by the trees we named
And chat
Like we used to
When we held hands
Like each other was the most precious thing in the world
And it was
Or so I thought
Please tell me now
Was it true for you?
Or were you just being kind
When you said you were mine?
Were you settling for less
Than you believed the world owed you?
Do you feel that you threw away your life
And beauty
So I could live?
Because if you did
You have killed us both
And our life was just a one-sided
Delusional dream
Perhaps I worry too much
In these September years
But you’re all I have
My only constant
In a world that has lied about everything we’ve been told
For the last 50 years
A governmental plan to confuse us But enough about lies
I surrender
To whatever it was that got us through
Let us take some time out
And sit in this park
And you do the talking
Hold my hand
And tell me stories about our life

(C) Frank Howson 2018

 

painting by Frank Howson

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THAT LONG TRAIN RIDE

I was right
About all the little things that didn’t matter.
I was wrong about all the big things that did.
But youth is for foolishness and mistakes.
The concept being that you will eventually learn from mistakes and your heart will grow a harder layer of protection. This can be a lifelong education of regrowth if you don’t pay enough attention to details.
One theory is that we keep falling in love with the same person, over and over, like some weird drunkard’s dance in a Groundhog Day scenario. Even if that person was all wrong for us in the first place. So is it familiarity that attracts? The devil we know is better than the saviour we don’t? Perhaps we just tire from the waiting and settle for what we know. Attracted to those who remind us of ourselves? Or marry for money and security even though that brings in its train a lifetime of boredom and unrequited dreams and hopes? But surely that is not a living, but a dying? For money proves to be a cold companion and takes more than it gives. Doomed to buy all the toys and trinkets to impress others whilst your subsequent depression stemming from your inner knowledge that nothing purchased brings any lasting pleasure. You are a compromised person and although you can lie to your conscience your sub-conscious knows the truth, and forces you to spend most of your days sleeping. Hiding from life. Avoiding waking to the horror of who you really are. A prisoner trapped in a cell of your own making. Spending all your approved allowance on the best drugs to dull yourself to the harsh reality that you are already dead.
I took myself to Disneyland today.
Why?
I wanted to return to a simpler, safer time when I believed in dreams and heroes.
All around me was the sound of the laughter of children and the look of wonderment in their eyes.
They are years from cynicism and reducing the world to something they can understand.
I had a photo taken with Mickey but my idol Donald Duck was nowhere to be seen.
Disneyland was conceived and built by a sad and lonely man who acted childish at times. Because the truth is he was still a child and needed to build a romanticised version of his childhood town – a place where it was always clean, and wholesome and safe. And contained no tyrannical father. Ironic huh? Was he insane? In most people’s terms, yes. But at least his dreams were safer than those of young Adolf Hitler, a failed painter from Austria. Y’know, if young Adolf had’ve sold three or four landscape paintings the whole Second World War may have been avoided. I always say, “Be careful about pissing off creative people. That creative light force once turned back on itself can become very dark and destructive.”
On the other hand, all of the world’s great accepted visionaries were a little looney tunes. Some, very much so. Fortunately their insanities were focused towards something more publicly palatable than the Third Reich or the NWO. They risked everything thinking outside the box. Their own lives became secondary to their dream. And many died in their footsteps upon that lonely highway. They sacrificed romantic relationships, friendships, their dignity (as many were publicly ridiculed), their personal happiness, and a comfortable safe life. Why? And what for? A higher calling? Immortality? If there is no God and no afterlife why do people do this to themselves? If we’re just here marking time until the long darkness, why not just put the tools down and embrace the fairly interesting train ride to nowhere?
It’s the same with love. If it’s not a God-given gift to share then what exactly is it? Why care so much about it? Or anyone else?
I pondered all these things as I sat in my chair looking out the window that was shaped like Mickey’s head on the Disneyland Express on my train ride back to somewhere.

(C) Frank Howson 2018

GINGER BISCUITS

We told each other we had a good life full of ginger biscuits and roast dinners. I suppose it reminded me of my youth waking up Sunday mornings to the smell of something cooking and the excited anticipation of a family gathering.

I’m all that exists of that family now. So, in my defence, I will plead guilty to attempting to bring this ritual into our lives in the hope of a shared familiarity or perhaps the conjuring up of ghosts from the past. Futile dreams were our dessert. Big serves to disguise the cold reality that the best in us was gone. All that remains are the broken pieces of empty dishes. And the broken after dinner stories of broken lives that harbour in my memory and things I dream at night.

There were glimpses of great love in my family but thinly wedged between slabs of anger, recriminations, abuse, guilt and tears. Perhaps that’s what makes those glimpses glow so warmly in my heart.

You wanted a feeling of family and so did I but we were loveless refugees on the run and our pantomime of make-believe was a farce that didn’t hold up to intelligent scrutiny. But the first thing to die in such a delusion is intelligence. We played our roles with conviction but were hopelessly miscast, or perhaps just too old for believability.

We had a life of ginger biscuits and roast dinners but that was all. There we were, unarmed, falling where we stood in the small talk and repressed resentment that neither of us got what we had wanted. The past can’t be repeated, excluding the bad bits, by acting out the good. There is no cutting room floor anymore. Gone. All gone. My youth. My dreams of love. My good will to others. My mistakes of the heart. My misplaced loyalty to all the wrong people. Gone. And soon I will be gone, and all that will remain will be words. And people’s rushed and conflicting judgement of who they thought I was.

Fortunately there will be no one to play act the glimpses of my failed Quixotic quests to harness some joy in myself, and in others.

 

(C) Frank Howson 2018

ANNOUNCING THE OZ INTERNATIONAL FILM FESTIVAL

In November of last year Richard Wolstencroft felt it necessary to resign as Director of the Melbourne Underground Film Festival. At that time he asked me to take the reins and chart M.U.F.F’s overhaul and new direction. I accepted because I felt that the festival is an important outlet for emerging film makers to find their feet and their audience.

My acceptance of the top position was on the basis that I would have total autonomy to make changes and lead the festival into a brave new future.

Unfortunately after prolonged negotiations it has become apparent that the severing of the past and what is needed to create a totally free new system proved more complex and time consuming than either Richard nor I could have possibly envisaged.

So, it is my decision to not continue as my feeling is that M.U.F.F should be handed back to Richard, its creator, who will run it as a free speech absolutist event.

But, on the other hand, having put a lot of time and energy into a new look festival, as well as commencing negotiations with several legendary international film identities to visit our shores to as festival guests and share their experience and wisdom with us, I have decided to go ahead with a totally new film festival that will be clear to create its own identity and reputation as well as serve as another much needed outlet for young local and international film-makers. This I hope is not seen to be in any way competition with M.U.F.F but quite the opposite, another important spotlight that will include some categories not covered by M.U.F.F. It will also be run at a later date, in our summer months, at some very prestigious venues already locked in.

The Oz International Film Festival can assure you of a very exciting premiere season.

We welcome film-makers here and abroad to visit our website and submit their latest works for consideration of inclusion in our inaugural festival.  Your films will not be judged on any bias to politics, race, gender, sexual preference or content, but purely on the execution of your film-making abilities, and a diverse and experienced jury of industry veterans will be announced within the next few weeks.

The festival will honour the bold, brave and adventurous new voices in the world of cinema and hopefully help some go on to be the new vanguard of the next generation of important film-makers.

I will be the Festival Director and ably assisted by Executive Producer Barry Robinson.  Other appointments will be announced shortly.

Good luck and welcome aboard what we feel will be an exciting new chapter. We look forward to your submissions and you can trust that they will be very carefully considered, each and every one.

Kindest,

Frank Howson
Festival Director.

THE PAINTER

Out of the darkness
And into light
We face a blank canvas
And call it a life
Our hand tracing lines
Adding colour here and there
Some of us choose to be bold
While some of us never dare

So how much am I bid
For this crazy life I've lived?
Do you find it too frivolous or too bleak?
Does it move you to tears?
Or does it look like wasted years?
This painting has cost me more than I dare speak

Lost in a city
Lost in a crowd
I don't speak till I get drunk
And then I get too loud
Your beautiful face
I have captured it by hand
But you denied me your heart
And cut me down where I stand

I have painted sorrow
And sometimes joy
But cocktails in a gallery
Won't bring back my boy
So I'll paint him from memory
From the time he called me dad
Some of us paint our mistakes
While some of us just go mad


(c) Frank Howson 2018

Painting by Frank Howson. 

THE PEOPLE OF DARKNESS

The living are always under attack from the dead. As night follows day so do those of darkness target those of light and stalk them with words of hero worship when,  the truth is, the mere existence of those with a spark irritates them and they consciously or, in some cases, subconsciously,  work toward the extinguishment of that flame. Wilhelm Reich writes about this condition in detail in his book The Murder of Christ.

The people of darkness use many tools to bring down the envied. Negative rumours, stories that are unfounded in fact, and a whole range of politically acceptable words to discredit their target i.e., Narcissist (this applies to anyone who is successful in showbiz who uses social media to promote their latest ventures) because the fact that someone may actually be getting off their fat ass and doing something reminds the person of darkness how meaningless and unfocused their own life is; Nazi (it is acceptable in today’s politically correct world to call anyone with an opposing opinion this and get away with it. This is disgustingly outrageous and unfair to their target whose only crime may be to have an original thought, as well as, obviously, making light of what the real Nazis did). But let me not bring logic into this lest I be called names. Anti-Semitic is a good one too in some cases. I have even witnessed Jewish people being called anti-Semitic because they dared to have an opinion that didn’t sit comfortably with the party line. Such is the out of control world we live in where the militant wheel gets oiled first and the logical debate is not only not considered it is condemned. Here we have a perfect storm for the people of darkness to not only hide within, but thrive.

Bob Dylan has predicted for some time now that we have entered the end game. Anyone who has studied theology and the predictions of the old prophets would have to concur. In my opinion we are currently engaged in the final war between good and evil, darkness and light, and the shadow people are only going to get more and more hysterical as things don’t go their way. They are currently very confused as to why things aren’t going the way of the Polls. Could it be divine intervention?

It is difficult to untangle yourself from a person of darkness because they are cling ons – spiritual vampires sucking your energy. And the more you give them the more resentful they will become towards you. For even your kindness is an irritation. A reminder of what they are not. They will insult you by praising strangers and even abusing and opportunistic ex-partners above your efforts to help, give and support. This is to make you crazy and so confused you will cease to be able to function and end up zombie like staring out a window into the light that was once your source. Do not under any circumstances feed them. Let well enough alone. Danger and madness this way comes.

(C) Frank Howson 2017

MY HOME

My home felt like a home to me. My mum and dad were there. And frequent visits from Uncle Arthur, Auntie Gladys, Uncle jack, Auntie Dagmar, Uncle Alf, Auntie Daf, Uncle Bill, Auntie Mary, Uncle Barney, Auntie Terri, and Uncle Charlie (who wasn’t really an uncle but was an honourary member of our family), who all added colour and laughter to our home at 51 Fawkner Street, St. Kilda.

From my child’s point of view our house was like Graceland and I was very proud of it. Today, I stand outside that same house and see a place so small and modest it resembles a doll’s house for grown-ups. Amazing that so small a space can house so many memories. To those who wander passed it would probably at best be considered “quaint.” To me it is a museum of my youth and I can still hear the distant echoes of laughter from my family, now all long gone.

My personality was formed in that house by those people. Life was simple and there was no need to be afraid of anything because my mum and dad held all the answers to Life.

It was a nicer world. People trusted each other. When we were having a poor week, Mr. and Mrs. Kilpatrick who owned the corner store would put the cost of groceries down on a piece of paper behind the counter and we’d pay them when we could. In those days to be able to wander up the street and buy an ice cream on the good of your name gave a small kid a lot of pride in who we were.

I learned the meaning of generosity and trust and the value of reputation in those bygone days. Your word was your word and your reward was the warm glow of pride when you were able to settle your meager debts.

From my mother I learned the meaning of kindness and never turning anyone in need away. I would sometimes wake in the morning and toddle down the corridor to find a stranger sleeping on our couch in the living room. When I’d ask my mum who this person was, she’d reply, “Oh that’s Tom, he’s from Hobart and didn’t have anywhere to stay so he’ll be here for a few days until he finds some place of his own.” People did what they could for each other.

From my father I learned that we all battle our own internal demons and that alcohol can sometimes make you say things you don’t mean. Hurt people hurt people. Sometimes in that house a kid got to hear and see things that ruined the dream world of Disneyland and Father Knows Best forever. But I learned forgiveness – knowing that at the heart of it my father didn’t mean what he said. He was not lashing out at us, but at the world. He’d had a much harder childhood than I could imagine and who knows what innermost regrets and sorrows his poor heart held and had to deal with every day. All I know is that he was the nicest man in the world up to 10 drinks. And that’s the man I choose to remember.

From my elder sisters I learned that envy can drive people to be cruel and mean-hearted and after many attempts over the years to forgive their actions towards me I had to cut them out of my life for good.

We were the last house in our street to get a television set and in the end we only got one by an Act of God. One day a delivery man from Steele’s dropped one off to us by mistake. Steele’s department store only realized their mistake two years later and dispatched another delivery man to pick it up. But by then we were seriously addicted to the weekly TV series The Adventures of Robin Hood, starring Richard Greene, and there was no way my dad was giving it back. When the delivery man sensed that my dad was willing to fight to the death to protect his family’s entertainment, the man from Steele’s swiftly departed and our ownership of the small mahogany television set was never contested again. My dad was a hero that day.

Before God granted us a television set, a boy had to invent his own entertainment. So each day after school, I’d rush home, change out of my school clothes, get dressed, grab a football and stroll out onto Fawkner Street and start bouncing it up and down on the pavement. It didn’t take long before boys from other houses would hear the familiar sound and start piling out onto the street for a kick to kick football match until night fell and we were all called home for dinner.

I used to try and take skyscraper marks, sometimes climbing up onto the backs of my opponents, like my football idol Big Bill Stephenson of St.Kilda. My mum and dad had taken me to every St.Kilda match from the time I was a baby in their arms, and as a young boy I had marveled at Big Bill’s genius at full forward. Then, one day when the Saints played Essendon, Big Bill had climbed into the stratosphere for a mark and came down landing badly and ruptured his knee. When he collapsed to the ground, he uttered the words, “I’m buggered” to which his opponent Don McKenzie replied, “Thank Christ for that!” So far that year Bill Stephenson had kicked 20 goals in just three and a half games and at that rate would’ve scored 102 goals for the year at a time when the leading full forwards averaged 54. He never played again. To me, it was a tragedy on the scale of the JFK assassination.

It’s funny the things that mean so much to us along the way and shape us as human beings. I still sometimes get teary eyed when I recall the long forgotten football hero Big Bill Stephenson. He passed away in 2010 with hardly a mention in the newspapers. But it meant something deep and profound to me. From Big Bill Stephenson I learned that no matter how high you soar, there is a still a price to be paid.

When I was born my mother wanted to name me Peter. My sisters wanted to name me Michael. And my Irish grandmother demanded I be called Frank. Guess who won out. A short time later we got a dog and he became Peter. Oh my, how I loved that dog. My first best friend. My confidante who never snitched on me if I did something wrong; who continued to smile at me even when I disappointed him and proved I was only human. From Peter, my rock, I learned loyalty.

One day I came home from school to be told the tragic news that Peter had run away from home. What? My best friend had run out on me? Had abandoned me for greener pastures? How could this be? It didn’t make sense. I grieved for many years over this and never got another dog. Perhaps deep down I still grieve in my schoolboy heart. Not that long before my mum passed away she told me the true story. Peter had not run away. The neighbor across the road had thrown chicken bones over our fence thinking the dog would like them. But Peter got one caught in his throat and choked to death. My mum invented the story that the rest of the family stuck by thinking it would be less traumatic for me if I thought he’d run away. I wonder if they still felt that when every evening after school I’d stand at the front gate looking up and down each end of the street for my best friend to come home. To me. It has probably instilled in me abandonment issues I carry to this day. If you love something too much, God takes it away.

Anyway, that was my first home. Sometimes I stand outside it today and fantasize that one day I’ll knock on the door and offer the people who live there a huge sum of money to give it back to me. I need somewhere to house these memories and am weary of carrying them for so long from one place to another.

And when I have it back, there’ll always be the kettle on for a visitor, a spare couch for someone in need, and if you have a dog with you, a big hug as I close my eyes and imagine Peter has come home.

 

(c) Frank Howson 2017