THAT LONG TRAIN RIDE

I was right
About all the little things that didn’t matter.
I was wrong about all the big things that did.
But youth is for foolishness and mistakes.
The concept being that you will eventually learn from mistakes and your heart will grow a harder layer of protection. This can be a lifelong education of regrowth if you don’t pay enough attention to details.
One theory is that we keep falling in love with the same person, over and over, like some weird drunkard’s dance in a Groundhog Day scenario. Even if that person was all wrong for us in the first place. So is it familiarity that attracts? The devil we know is better than the saviour we don’t? Perhaps we just tire from the waiting and settle for what we know. Attracted to those who remind us of ourselves? Or marry for money and security even though that brings in its train a lifetime of boredom and unrequited dreams and hopes? But surely that is not a living, but a dying? For money proves to be a cold companion and takes more than it gives. Doomed to buy all the toys and trinkets to impress others whilst your subsequent depression stemming from your inner knowledge that nothing purchased brings any lasting pleasure. You are a compromised person and although you can lie to your conscience your sub-conscious knows the truth, and forces you to spend most of your days sleeping. Hiding from life. Avoiding waking to the horror of who you really are. A prisoner trapped in a cell of your own making. Spending all your approved allowance on the best drugs to dull yourself to the harsh reality that you are already dead.
I took myself to Disneyland today.
Why?
I wanted to return to a simpler, safer time when I believed in dreams and heroes.
All around me was the sound of the laughter of children and the look of wonderment in their eyes.
They are years from cynicism and reducing the world to something they can understand.
I had a photo taken with Mickey but my idol Donald Duck was nowhere to be seen.
Disneyland was conceived and built by a sad and lonely man who acted childish at times. Because the truth is he was still a child and needed to build a romanticised version of his childhood town – a place where it was always clean, and wholesome and safe. And contained no tyrannical father. Ironic huh? Was he insane? In most people’s terms, yes. But at least his dreams were safer than those of young Adolf Hitler, a failed painter from Austria. Y’know, if young Adolf had’ve sold three or four landscape paintings the whole Second World War may have been avoided. I always say, “Be careful about pissing off creative people. That creative light force once turned back on itself can become very dark and destructive.”
On the other hand, all of the world’s great accepted visionaries were a little looney tunes. Some, very much so. Fortunately their insanities were focused towards something more publicly palatable than the Third Reich or the NWO. They risked everything thinking outside the box. Their own lives became secondary to their dream. And many died in their footsteps upon that lonely highway. They sacrificed romantic relationships, friendships, their dignity (as many were publicly ridiculed), their personal happiness, and a comfortable safe life. Why? And what for? A higher calling? Immortality? If there is no God and no afterlife why do people do this to themselves? If we’re just here marking time until the long darkness, why not just put the tools down and embrace the fairly interesting train ride to nowhere?
It’s the same with love. If it’s not a God-given gift to share then what exactly is it? Why care so much about it? Or anyone else?
I pondered all these things as I sat in my chair looking out the window that was shaped like Mickey’s head on the Disneyland Express on my train ride back to somewhere.

(C) Frank Howson 2018

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THE OLD MEN AND THEIR GIRLS

The old men with their girls
Seated at the best table
The young girls treat the waitress
With a haughty disrespect
Why?
Because they are seated beside
Old men with more money than God
They so easily forget where they came from
Who they are
Because tonight they are queens
Reinvented
Making a huge effort to speak in an accent that doesn’t give away their back street upbringing
And it seems the first thing that dies is empathy
For someone who struggles
And serves in an honest job trying desperately to please
For that much needed tip at the end of the night
So she can walk home happy to be greeted by her young children
Who love it when mommy is in a good mood
Back at the best table
The young girls laugh at everything
The old well heeled men say
Even the serious stuff
One wonders whether they will be laughing long?
Until next month?
Next week?
Perhaps until check out time tomorrow?
Sex is so easily given
When it means nothing
But care about certain women
Really care
And it is much harder to get them to part with their favours
Perhaps a kiss is way more intimate
Than sex anyway
And more revealing
Than nudity
Perhaps I don’t know anything
Anymore
Everything I thought I knew
Was a sham
A pantomime
A play acting
And I was too young
To hear the hollowness
At the heart of her laughter
She got what she wanted
At the end of the day
And I got what I deserved
A table for one
For believing in Hollywood endings
My thoughts are broken
By the sound of laughter at the best table in the best restaurant in town
These young girls are trying very hard
To appear to be sincere to the Moneybags on their way to Life Support
I order a coffee
No sugar
No milk
Just as it comes
I don’t want to disguise the taste of anything
Anymore
It is as it is
The old men and the young girls laugh hysterically
And I feel sad for them somehow
Their eyes contradicting their open mouths and perfect teeth
Like those scary clowns with those insane smiles and eyes of terror
I know how their stories end
I’m a writer
With all the wisdom of a fool
And a life misspent
And no one to impress anymore
It’s a great relief in some ways
I need no sugar or milk
And as such have become an acquired taste
Not pleasing everyone
Not wanting to
But pleasing those who matter
The other acquired tastes
Of humankind
I pay my bill and leave
Giving the middle-aged waitress a tip that I hope helps contribute to her happy walk home to be greeted by those who genuinely love her
I will take the long way home down alleys that go round in circles
No need to rush
I am keeping no one waiting

 

(C) Frank Howson 2018

SWEET ROSEMARY

My sweet Rosemary
She came to tea
In 1994
She showed me
A thing or two
Before I showed her the door
We met again
By new year’s end
We kissed beneath our tree
Call me a fool
But I ain’t cruel
So once more I set her free

From her sacred chalice
I’ll never again sip
All my golden chances
I let ’em all slip
Now I’d lay down my life
If I could only see
Once more the smiling face
Of my sweet Rosemary

My sweet Rosemary
Come back to me
I’m broken and alone
I lay here
Beside you dear
And your grave of icy stone

I remember her words
Devoutly now
She said, “We’ll always be together”
She knew that, somehow
You don’t know the cost
Till you’re hurt this deep
And cannot awaken
From the nightmare sleep

From her sacred chalice
I’ll never again sip
All my golden chances
I let ’em all slip
Now I’d lay down my life
If I could only see
Once more the smiling face
Of my sweet Rosemary

(C) Frank Howson 2018

(c) 2018 photograph by Raija Sunshine

I DON’T DANCE ANYMORE

I was fooled by the mystery of women
Until I realised there is no mystery at all
Only myth
Invented by men so they could
Fall in love with the Virgin Mary
And partner with her to give life
To their boy child Jesus
But like Joseph us men don’t last the distance
We leave to give our saviour a chance
Not even returning to witness
His crucifixion
One overcast day
On a mount somewhere east
In our guilt
Sacrificing his life
To try and live up
To our destructive hopes
I once was a child dancer myself
Early in my journey
Spending hours
Polishing the steps made famous
By others before me
Too shy to speak to girls
In case they saw right through me
And realised any charm I possessed
Only hid my fear
That the problems of my life
Could not be cured by a slick dance routine
And a few witty lines
I was married three times
To three absolutely charming women
Who took everything I had
Except the will to go on
Still, the romantic fool
Remained hopeful
And God was exasperated
By my lack of ability to learn
Anything
So I endured many hardships
And trauma
Smashing my spirit
And voice
I then judged my true friends
By those still willing to listen to me
Patient enough to judge the message
And not the flawed messenger
Thus I found Saints
Where others found fault
I found angels
Where others found beggars
I found God
In the humility of affliction
No one is born with empathy
You are gifted it
After walking many miles
In the shoes of the suffering
Having lived it
How could you turn your back on another?
Young women are very well mannered
When they remind you that you are too old
It’s in their eyes
Their smile
Their giggle
Their changing of the subject
It is appreciated
For otherwise us foolish romantics
May think we are still 18 years old
And that life is still before us
But it is I that also pity them
For I know what their road beholds
And such outer beauty
Is a hard thing to live without
On their journey to inner beauty and humility
And empathy
Aloneness
And the higher purpose
Of a life
For sex leads to the entrapment of both parties
And longing is replaced by the desire to not belong
So just say that I don’t dance anymore
For my heart and my legs ache
And perhaps like Doc Pomus
Someone special
Will save the last dance for me
And although now
Wiser
I will decline it
But will be touched
And moved
By the invitation
As I think back
And remember
The days when I danced

(C) Frank Howson 2018

 

 

BORN GUILTY

Some make a livin’ out of shootin’ people down
Some people burn down steeples
Others kill for crown
I was born guilty
For somethin’ I never done
I see my rejection
On the faces of everyone
If you don’t think like others
They’re gonna hunt you down
I hear they’re takin’ names
All over this town
This world’s an angry place
And it’ll kill you in time
And if you preach love
They’ll take you in your prime
So love the ones you love
No matter what the cost
And don’t try to save the world
Or what’s already lost
I’ll see you at the stop sign
You’ll pass me on the street
I’ll be with the nameless men
Discussing the finer points of defeat

(C) Frank Howson 2018

HOMELESS 20146

He had no name
Let’s call him Homeless 20146
He was once called something
But it was long ago
There’s a rumour he had a sister and a brother
But they’re missing from our records
So let’s call them nameless
Blameless
People lose touch
It happens a lot these days
Families can kill you
In so many ways
He was just another victim
Of our coldest winter on record
We keep a note of these things    On our records
Important data for something
He seems to have otherwise
Been in good health
So the cause of death seems to be
The lack of a blanket
A pair of gloves
A hot cup of coffee
A friend
Which of these should I note
On our records?
Our fucking records
Our arse covering records
That no one ever looks at
No one ever learns from
And you who sit in your homes
By your warm fire
Sipping your hot chocolate
And laughing at TV shows
About idiots
That aren’t really funny
But make you feel smart
And superior
And it takes your mind off
Feeling ashamed that you don’t care
No, you don’t even think
About those with no names
And no faces
The ones you don’t make eye contact with
In case you may feel something
And that feeling could spread like a cancer
And spoil a perfect day
From your perfect life
So you mutter under your breath
“Get a job”
To justify your ill feeling
It saves you asking their name
Or finding out their story
And what bad luck led them to bad things
That led them here
You hate them for making you feel guilty
And wish the police would move them along
But where to?
Anywhere
Just out of the way
Of us good people
Who have somewhere to go
And a schedule
And a plan
And mummy and daddy
With a safety net
Lest you stumble
Well, there’s some good news
There’s one more
Deplorable gone
But you won’t remember him
Because you never looked at his face
And the deep etched lines
That were a road map of where he’d been                                       What he’d survived
And how far he had fallen
From the life his parents had hoped for
And those haunted eyes of his
That expected nothing
And saw that the world was naked
Perhaps he was Jesus on the make
And you missed him
You are safe now
The nameless man on the corner Of Lonsdale and King
Has ended his journey
Tonight he sleeps warm
And safe
In a place where names are not important
Or the cut of your clothes
Or how many figures you make a year
It’s a shame you never got to know Him
He knew things                       Perhaps you were scared of what he knew?
And his story may have made you weep
It was in fact he who could’ve given something to you
But you were in such a rush
Going nowhere
But
Down

 

(C) Frank Howson 2018

SORRY FOR NOT SEEING YOU

Sorry for not seeing you but your beauty blinded me to who you really are. With each feature vying for attention it is easy to lose focus as to where perfection ends and heaven begins. Perhaps your beauty just confirms that there is such a thing as heaven, as well as the painful realisation that it will be denied to us on this earth. God allows us to make fools of ourselves in your presence by uttering the wrong word killing every perfect moment, and our chance to have had you. For the way to Him must truly be paved by our humility.

I have walked with wise men and none told how to handle you. Perhaps they were wise enough to know that such a thing cannot be handled as that would reduce it to the grubby conversations of hungry men. Like knowing dissipates the magic from a Houdini trick. But perhaps the truth to why they never prepared me for you was because you had broken them too on their journey to wisdom, stopping only briefly in bitterness – the platform on which we must all kill time, frantically searching the night for any sign of approaching light, waiting for a train that never comes.

I check my ticket stub and notice that I will be seated in carriage D with all the sad men. Old before their time, wearied to exhaustion from striving too hard and too long to have it all.

Why didn’t my mother warn me that I would always end up alone and that my mission in life was not to have love, but to write about it?

 

(C) Frank Howson 2018