2 dogs barking through a symphony
A bottle of red wine gone bad
Like a new king in early spring
One never knows what one had
I lost my youth in search of truth
But it got me here
I came so neat
I’m gonna fake my death
And find some peace
Just like Elvis did
I’ll walk away my pain in the Kentucky rain
Just another face in the crowd
I never knew what love was till you broke my heart
Now I’ve got it all down I don’t know where to start
K.D is gone. And Sisto too
Maybe our world ends one at a time?
So many things lost in translation
And disguised by poets’ rhymes
Distractions invented to confuse
By some other guy’s muse
Wearing a tattoo that says “Born To Lose”
I’ve clearly overstayed my welcome
By the look on your face
I didn’t hear the starting pistol
In this human race
Well I’ve walked with kings
And I’ve walked with fools
And I’ve treated him them all the same
I judge people on your spirit
I don’t need to know a name
But you on the other hand
When I was down
I heard you laugh at me
But now I’m back you reappear
Quoting lies like poetry
Do you think I’m dumb?
Do you think I’m smart?
Or a bit of both
Cursed with a heart?
Call me Einstein or Casanova
But give me credit for once
For knowin’ it’s over
You assassinated me
And poisoned my son
You polluted the lives
You’re a Shakespearean character
And this story ends in death
Cursed is the one
Who steals a dying breath
Because a good life
Has belittled their evil
They can’t live till I am gone
Gone, gone, gone
But in death we are everywhere
And cannot be conquered
The evil vote for evil ones
But God is on my side
And the love I leave behind
Not even fake news could distort or hide
I’m at the age when people die. I view life from the cluttered comforting living area of a mystical art space, going from room to room as inspiration strikes me. A song lyric here, a line of dialogue overheard from lunch, a painting or sketch there. It’s a very full solitary life and reduces everything to the minimalists’ joy of simplicity. I suppose I would be just as happy in a jail cell with my necessary tools, although I’d miss the occasional walk in the sun. And impromptu visit from a friend. My life has been crammed with so many adventures, tragedies, faces, external forces, Machiavellian plots, heartaches, silent joys, defeats and comebacks etc., that I sometimes feel I’m five hundred years old. Other times I forget and am back to feeling like that seventeen year old kid with it all before me. Sometimes Hercules, sometimes Norman Maine. Many memories occasionally stampede through my mind from what feels like another life. Friends and lovers long gone, but my heart still carries the weight of their memory. Although death may take a life it seems that the relationship continues for those left behind, excluded from the final mystery. Sometimes I resent the birds who are not chained to the ground like us confused humans. Our only soaring comes in those momentary waves of joy that are so overwhelmingly spectacular and personal that there are no words invented to accurately verbalise them so we walk them away in dark alleyways, alone – as alone as our birth and our death. The magic hours just before dawn. There is an exquisite sweetness in failure, just as there is a sour aftertaste in triumph. Perhaps only General Grant fully understood this when he allowed General Lee to savour the nobility of defeat in all its glory and, as Grant stood in his torn and dusty uniform, head bowed in humility, paying homage to his defeated opponent, denying himself the tacky opportunity to steal the thunder of victory from a long and vicious campaign where young boys died bewildered and despairing on battlefields made muddy from the blood of their comrades.
In my own line of work I too have known long campaigns that have left me too weary to celebrate the victory knowing how much it has cost myself and those that battled alongside to make a dream a reality. “Was it worth it?” The eternal question that is right up with Pilate’s “What is truth?”
David Lynch believes that life is just a dream. And perhaps he is right. And perhaps it does one no good to think too long and deep about such things, for to stare into the abyss too long may be as damaging as staring at the sun. You just become blinded in a different way.
Does it matter how one achieves creativity? Does anyone really care what price is paid for their entertainment? Scott Fitzgerald put something of himself into six novels and over a hundred short stories, until there was nothing left. He died a hollow, weary, flawed man, old before his time. Broken by Hollywood because he took it too seriously and led with his heart. And didn’t realise it was all just a game.
I too have worked for many people in my past that nether understood what I did, or how I did it. But that doesn’t stop them attempting to piss on the tree to claim ownership. A bet each way. If it’s a disaster it’s all my fault. If it’s a smash, it’s because of them. I don’t work for such people anymore, regardless of the dazzling upfront fees that are used to tempt you to go against your instinct. This donkey has been beaten too many times and won’t go down the dark mine shaft anymore. I now only work for people I truly trust and/or admire. I can’t be bought by money because experience has taught me that it’s a false god and to worship at its altar will never fully satisfy your hunger for more and more until there’s nothing of you left. You will die like Elvis having over-eaten, been overworked, misused and misunderstood, devalued, surrounded by carny promoters, backslapping sycophants, con artists and those who want to be you and secretly resent that they can’t be. The most desired man in the world died of loneliness. Now, if that doesn’t tell you something about our society, nothing will.
Success has to come on your terms or else you lose your identity. And to lose sight of who you are is to become a ghost ship wandering lost in that innermost night of the soul. Going through life mimicking the happy-go-lucky person others expect you to be lest you reveal that you’re haunted and thus damned from seeing too much. As my dear ol’ daddy used to tell me, “The best way to lose people is to tell ’em you have a problem.”
Those who don’t understand creativity will seek to belittle your contribution, downplay your involvement, and even humiliate you by praising everyone except you. This is a tactic and you are smart enough to recognise it. And, thankfully, so is the audience.
Wilhelm Reich once said, “The living are always under attack from the dead,” and so it is and will be till the end of days. All I know is this – it’s alright to love something, but you are damned if you love that thing too much.
What is truth? Well you sure as hell won’t find it in your newspaper or favourite news channel or the Internet. These days it seems to only exist in our hearts. Our in-built shit detector. Trust it. It’s all we have.
It’s always midnight in my school boy heart
Only the alleys have known my joy
For sometimes I have experienced a bliss that is so exquisite it can’t be verbalised to anyone
Not even to the few who would care
So I have walked it away
In the dark
Along empty city side streets
It’s a pity Oscar Hammerstein didn’t write the script for our lives.
He would’ve written it just right. It would’ve had its highs and lows, some humour, all the boring bits cut in Philadelphia, and ending, of course, on a note of hope
Instead here we are
What’s it all about, Alfie?
The Winner Takes It All?
A Change Is Gonna Come?
Or just 45s from our youth?
Is this the little boy I carried? We live in a world where everything we’ve been told for the past 50 years
Has been a lie
And those that come forth and tell us the truth
Get removed from this life
New leaders are elected on a platform of change
But usually it’s just a case of
Same car, different driver
Evil does indeed exist
And those who have sold their souls
Worship at the alter of a false God – Money
But all it buys them is emptiness
And if there is an eternity
What a hell it would be spent in that state of regret year in, year out – Arrogance comes before a fall The prophets told us – Yes, Wilhelm Reich was right And the weather report suggests a hard rain
The old men with their girls
Seated at the best table
The young girls treat the waitress
With a haughty disrespect
Because they are seated beside
Old men with more money than God
They so easily forget where they came from
Who they are
Because tonight they are queens
Making a huge effort to speak in an accent that doesn’t give away their back street upbringing
And it seems the first thing that dies is empathy
For someone who struggles
And serves in an honest job trying desperately to please
For that much needed tip at the end of the night
So she can walk home happy to be greeted by her young children
Who love it when mommy is in a good mood
Back at the best table
The young girls laugh at everything
The old well heeled men say
Even the serious stuff
One wonders whether they will be laughing long?
Until next month?
Perhaps until check out time tomorrow?
Sex is so easily given
When it means nothing
But care about certain women
And it is much harder to get them to part with their favours
Perhaps a kiss is way more intimate
Than sex anyway
And more revealing
Perhaps I don’t know anything
Everything I thought I knew
Was a sham
A play acting
And I was too young
To hear the hollowness
At the heart of her laughter
She got what she wanted
At the end of the day
And I got what I deserved
A table for one
For believing in Hollywood endings
My thoughts are broken
By the sound of laughter at the best table in the best restaurant in town
These young girls are trying very hard
To appear to be sincere to the Moneybags on their way to Life Support
I order a coffee
Just as it comes
I don’t want to disguise the taste of anything
It is as it is
The old men and the young girls laugh hysterically
And I feel sad for them somehow
Their eyes contradicting their open mouths and perfect teeth
Like those scary clowns with those insane smiles and eyes of terror
I know how their stories end
I’m a writer
With all the wisdom of a fool
And a life misspent
And no one to impress anymore
It’s a great relief in some ways
I need no sugar or milk
And as such have become an acquired taste
Not pleasing everyone
Not wanting to
But pleasing those who matter
The other acquired tastes
I pay my bill and leave
Giving the middle-aged waitress a tip that I hope helps contribute to her happy walk home to be greeted by those who genuinely love her
I will take the long way home down alleys that go round in circles
No need to rush
I am keeping no one waiting
My sweet Rosemary
She came to tea
She showed me
A thing or two
Before I showed her the door
We met again
By new year’s end
We kissed beneath our tree
Call me a fool
But I ain’t cruel
So once more I set her free
From her sacred chalice
I’ll never again sip
All my golden chances
I let ’em all slip
Now I’d lay down my life
If I could only see
Once more the smiling face
Of my sweet Rosemary
My sweet Rosemary
Come back to me
I’m broken and alone
I lay here
Beside you dear
And your grave of icy stone
I remember her words
She said, “We’ll always be together”
She knew that, somehow
You don’t know the cost
Till you’re hurt this deep
And cannot awaken
From the nightmare sleep
From her sacred chalice
I’ll never again sip
All my golden chances
I let ’em all slip
Now I’d lay down my life
If I could only see
Once more the smiling face
Of my sweet Rosemary
Why would anyone become a writer? Especially in a world that doesn’t seem to read anymore. Or go to the theatre, or go to the movies to see anything other than comic book heroes. Good question.
All the great writers were mostly drunks. Coincidence? Or is there a cost for looking too long into the abyss and reporting back to the good folk what they’re too timid to experience for themselves? Springsteen once wrote that there is a darkness at the edge of town. No, that darkness lies within us all. Each one of us has the latent potential to be a Hitler or a Christ. God has cleverly given us free will to choose our own poison. And the highly sensitive among us reach for the bottle, or the harder stuff, in order to numb ourselves to the responsibilities of that choice.
When I was at school I just couldn’t concentrate on anything. I was hopeless. Sometimes I feel sorry for those who attempted to teach me anything. Not sure if my undisciplined mind was a result of the trauma I witnessed most nights in my abusive family home, or I had what is now diagnosed as ADD. One day the headmaster of the school phoned my mother for a meeting to question her as to why her son had the highest I.Q at the school and the lowest grades. She was at a loss for words. But not me. Words always came easy to me. In fact I could talk myself out of any beating I was about to receive from a Christian Brother. That was quite a feat considering the relish they got from handing out such brutal punishment. These guys would’ve been more at home as members of the Third Reich than Jesus’ band of 12. But talk my way out I did. So, words became my friend, my salvation. And humour protected me from the cruel slings of other peer group bullies. I could always hysterically put myself down before anyone else had the chance to. Timing was everything. Playing the court jester got me through my troubled youth and shielded me from revealing my true self. And what was that? I was scared of everything and everyone. I felt like an alien most of the time in a strange world that only threw contradictions at you.
My refuge again and again were words. The only subjects at school that I attained any respectable grades for were Art, English and Religious Knowledge. The latter because I loved hearing all the Biblical stories and for some reason remembered every detail. They were filled with such amazing imagery and drama. Oh, and miracles. I guess I was depending on a miracle to happen in my life that would save me. And this Jesus character sounded like he might’ve been the only person who would’ve taken the time to understand me. Whether he was the Messiah or not is up for debate, but he sure sounded like a nice man. And like me, and all the other loners and misfits in the world, grossly misunderstood. I never forgot those stories and if nothing else they were great morality word plays.
Due to my restless mind I found it too difficult to persevere and read a book through to the end. But I tried again and again to achieve this. Thank God I did because I now must own over a thousand books that I cherish and have taught me more than I ever learnt at school. I always tell people I was self educated and that’s the truth of it. All my education took place in a class of one. In many ways, books saved my life.
My introduction to books began when I was a small child and my Irish grandmother would sit me on her lap and read aloud the adventures of Noddy in Toyland. We bonded through the whole Noddy series until she was taken from me when I was two.
The first book that hooked me enough to finish was, ironically, “Little Women” by Louisa May Alcott. I guess it proved that I had a fascination with the mystery of women from an early age. This of course led to much heartache and my premature death but that’s a whole other story. Either that, or Ms. Alcott was one helluva writer that captured my imagination and kept me turning the pages. By the end of the book I felt I knew all the characters and cared enough about them to shed some tears. The mark of a great writer.
After that I read Enid Blyton’s book series “The Famous Five” followed by “The Secret Seven.” Then I graduated to “Biggles,” and then many books about the Wild West that introduced me to such colourful characters as Davy Crockett. Kit Carson, Bat Masterson, Wyatt Earp, Jesse James, Billy The Kid etc., etc., etc. Yep, who needed to time travel or see the world when you had books?
Then in my late teen years I read “The Great Gatsby” by F. Scott Fitzgerald and my life really did change. A book about the ultimate loner always surrounded by a party of people. I savoured every word in that book – it’s prose was exquisite and the story heartbreaking. It foretold me that following the wrong dreams can get you killed. Reading Fitzgerald was like finding a new best friend. I understood him. And from what I read I knew he understood me. After that I read all six of his novels and every short story he ever wrote. I couldn’t get enough of his words and the insight he gave into the human heart. It really was like he’d read my letters or thoughts and knew me intimately. Of course being part Irish, like me, virtually every story ended in death or heartbreak. He painted such a romantic but dangerous world where his characters always paid a high price for caring too much.
Fitzgerald’s own life was cut short by too much booze and heartbreak topped off by rejection in Hollywood. But he remains my friend and I reread “Gatsby” every couple of years. It never fails to move me. Hollywood has never been able to pull off a wholly successful film treatment of it for the simple reason that most of the truly beautiful stuff in the book are the thoughts in the characters heads, and that’s impossible to shoot. Films are about action. Fitzgerald’s writing is about emotions. Unless you do endless voice-overs and that usually renders your movie as exciting as porridge. That’s why the great Fitzgerald had such a hard time of it in Hollywood trying to make it as a screenwriter in order to net enough money to keep his wife Zelda in a mental home and pay for his daughter’s schooling. He died a broken, despairing, weary man old before his time.
Like Gatsby, killed by the wrong dream.
I came to Charles Dickens late. Not sure why that was but come to him I did. The first book of his I chose to read was “Great Expectations” and was astounded. To me it remains one of the greatest novels of all time. And in my opinion he is right up there with Shakespeare.
I heard that Dickens original ending to “Great Expectations” was tragic and certainly all roads in the book are leading there. But his publisher leaned on him to come up with a more upbeat ending. Dickens listened, went away and rewrote it, and what he does is simply sublime. He gives it a happy ending that is so bitter sweet he moves us to tears as our damaged leading characters come together to try and seek a way forward, and into the sunlight. It is so beautiful my hands trembled as I read the final pages. This novel alone would’ve assured his place among the giants of literature, but he did it again and again, novel after novel – “Oliver Twist,” “David Copperfield,” “Nicholas Nickleby,” “Hard Times,” “A Christmas Carol,” and “A Tale of Two Cities” (another ending that is so exquisitely executed as our flawed hero rises to the most noble of acts, laying down his wasted life so that others may live and find the joy that had always eluded him. Death giving his meaningless life a meaning. If there’s a better speech than his final words, I would surely love to know about it.
After Dickens I discovered Hemingway, Steinbeck, Schulberg, Shakespeare, O’Hara, Maugham, Hammett, Greene, Wilde, Twain, Isherwood, Chandler, Huxley, Ephron and many others.
All complex people, flawed, contradictory, confused, and yet so much wiser in their work than in life. Perhaps the writing down of stories and emotions helped them understand themselves.
It’s interesting how great writing never dates. You may think that picking up something that was written a hundred years ago or, in some cases longer, couldn’t possibly be relevant to your life. But the surprising revelation is that the emotions felt are timeless. Just different scenery and choice of words. But at the heart of every great story is just another human being trying to solve the same problems, whilst dealing with the same heartaches, pressures and obstacles. The universal human emotion. If you write the truth in its naked honesty it will always connect – now, tomorrow, a thousand years from now.
It teaches us that we are not alone. We are all in this together, wandering around a desert seeking an answer to why we are here. And awaiting that opportunity to rise to the potential of who we could be.
John Wayne once said, “Courage is being scared to death…and saddling up anyway.”
Sorry for not seeing you but your beauty blinded me to who you really are. With each feature vying for attention it is easy to lose focus as to where perfection ends and heaven begins. Perhaps your beauty just confirms that there is such a thing as heaven, as well as the painful realisation that it will be denied to us on this earth. God allows us to make fools of ourselves in your presence by uttering the wrong word killing every perfect moment, and our chance to have had you. For the way to Him must truly be paved by our humility.
I have walked with wise men and none told how to handle you. Perhaps they were wise enough to know that such a thing cannot be handled as that would reduce it to the grubby conversations of hungry men. Like knowing dissipates the magic from a Houdini trick. But perhaps the truth to why they never prepared me for you was because you had broken them too on their journey to wisdom, stopping only briefly in bitterness – the platform on which we must all kill time, frantically searching the night for any sign of approaching light, waiting for a train that never comes.
I check my ticket stub and notice that I will be seated in carriage D with all the sad men. Old before their time, wearied to exhaustion from striving too hard and too long to have it all.
Why didn’t my mother warn me that I would always end up alone and that my mission in life was not to have love, but to write about it?