2 dogs barking through a symphony
A bottle of red wine gone bad
Like a new king in early spring
One never knows what one had
I lost my youth in search of truth
But it got me here
I came so neat
I’m gonna fake my death
And find some peace
Just like Elvis did
I’ll walk away my pain in the Kentucky rain
Just another face in the crowd
I never knew what love was till you broke my heart
Now I’ve got it all down I don’t know where to start
K.D is gone. And Sisto too
Maybe our world ends one at a time?
So many things lost in translation
And disguised by poets’ rhymes
Distractions invented to confuse
By some other guy’s muse
Wearing a tattoo that says “Born To Lose”
I’ve clearly overstayed my welcome
By the look on your face
I didn’t hear the starting pistol
In this human race
Well I’ve walked with kings
And I’ve walked with fools
And I’ve treated him them all the same
I judge people on your spirit
I don’t need to know a name
But you on the other hand
When I was down
I heard you laugh at me
But now I’m back you reappear
Quoting lies like poetry
Do you think I’m dumb?
Do you think I’m smart?
Or a bit of both
Cursed with a heart?
Call me Einstein or Casanova
But give me credit for once
For knowin’ it’s over
You assassinated me
And poisoned my son
You polluted the lives
You’re a Shakespearean character
And this story ends in death
Cursed is the one
Who steals a dying breath
Because a good life
Has belittled their evil
They can’t live till I am gone
Gone, gone, gone
But in death we are everywhere
And cannot be conquered
The evil vote for evil ones
But God is on my side
And the love I leave behind
Not even fake news could distort or hide
I’m at the age when people die. I view life from the cluttered comforting living area of a mystical art space, going from room to room as inspiration strikes me. A song lyric here, a line of dialogue overheard from lunch, a painting or sketch there. It’s a very full solitary life and reduces everything to the minimalists’ joy of simplicity. I suppose I would be just as happy in a jail cell with my necessary tools, although I’d miss the occasional walk in the sun. And impromptu visit from a friend. My life has been crammed with so many adventures, tragedies, faces, external forces, Machiavellian plots, heartaches, silent joys, defeats and comebacks etc., that I sometimes feel I’m five hundred years old. Other times I forget and am back to feeling like that seventeen year old kid with it all before me. Sometimes Hercules, sometimes Norman Maine. Many memories occasionally stampede through my mind from what feels like another life. Friends and lovers long gone, but my heart still carries the weight of their memory. Although death may take a life it seems that the relationship continues for those left behind, excluded from the final mystery. Sometimes I resent the birds who are not chained to the ground like us confused humans. Our only soaring comes in those momentary waves of joy that are so overwhelmingly spectacular and personal that there are no words invented to accurately verbalise them so we walk them away in dark alleyways, alone – as alone as our birth and our death. The magic hours just before dawn. There is an exquisite sweetness in failure, just as there is a sour aftertaste in triumph. Perhaps only General Grant fully understood this when he allowed General Lee to savour the nobility of defeat in all its glory and, as Grant stood in his torn and dusty uniform, head bowed in humility, paying homage to his defeated opponent, denying himself the tacky opportunity to steal the thunder of victory from a long and vicious campaign where young boys died bewildered and despairing on battlefields made muddy from the blood of their comrades.
In my own line of work I too have known long campaigns that have left me too weary to celebrate the victory knowing how much it has cost myself and those that battled alongside to make a dream a reality. “Was it worth it?” The eternal question that is right up with Pilate’s “What is truth?”
David Lynch believes that life is just a dream. And perhaps he is right. And perhaps it does one no good to think too long and deep about such things, for to stare into the abyss too long may be as damaging as staring at the sun. You just become blinded in a different way.
Does it matter how one achieves creativity? Does anyone really care what price is paid for their entertainment? Scott Fitzgerald put something of himself into six novels and over a hundred short stories, until there was nothing left. He died a hollow, weary, flawed man, old before his time. Broken by Hollywood because he took it too seriously and led with his heart. And didn’t realise it was all just a game.
I too have worked for many people in my past that nether understood what I did, or how I did it. But that doesn’t stop them attempting to piss on the tree to claim ownership. A bet each way. If it’s a disaster it’s all my fault. If it’s a smash, it’s because of them. I don’t work for such people anymore, regardless of the dazzling upfront fees that are used to tempt you to go against your instinct. This donkey has been beaten too many times and won’t go down the dark mine shaft anymore. I now only work for people I truly trust and/or admire. I can’t be bought by money because experience has taught me that it’s a false god and to worship at its altar will never fully satisfy your hunger for more and more until there’s nothing of you left. You will die like Elvis having over-eaten, been overworked, misused and misunderstood, devalued, surrounded by carny promoters, backslapping sycophants, con artists and those who want to be you and secretly resent that they can’t be. The most desired man in the world died of loneliness. Now, if that doesn’t tell you something about our society, nothing will.
Success has to come on your terms or else you lose your identity. And to lose sight of who you are is to become a ghost ship wandering lost in that innermost night of the soul. Going through life mimicking the happy-go-lucky person others expect you to be lest you reveal that you’re haunted and thus damned from seeing too much. As my dear ol’ daddy used to tell me, “The best way to lose people is to tell ’em you have a problem.”
Those who don’t understand creativity will seek to belittle your contribution, downplay your involvement, and even humiliate you by praising everyone except you. This is a tactic and you are smart enough to recognise it. And, thankfully, so is the audience.
Wilhelm Reich once said, “The living are always under attack from the dead,” and so it is and will be till the end of days. All I know is this – it’s alright to love something, but you are damned if you love that thing too much.
What is truth? Well you sure as hell won’t find it in your newspaper or favourite news channel or the Internet. These days it seems to only exist in our hearts. Our in-built shit detector. Trust it. It’s all we have.
I applied for a government grant
But was knocked back on a technicality
They thought I had talent
Some asshole suggested I get a second opinion
I came wanting
Pushed into this world
A dark room
With much huffng and puffing
Blood and tears
Born into a religion
That gave me the assurance of heaven
If I followed the rules
(Made by man
To ingratiate himself to God)
I read much about this God
And learned that in his youth
He was like us
Quick tempered, revengeful, slow to forgive
But, also like us, he mellowed
In later years
And ordained a common man
As his adopted son
To bring us the good news
That God had changed
He was now non-judgmental
Forgiving, compassionate, and
Like your favourite grandfather at a Barbecue
A joy to be around
But when his chosen son
Was railroaded by a fixed jury
Of the envious and the threatened
And was killed in the most agonising and cruel death ever invented by man
God withdrew from the world
He had over estimated us
And like all those that do
We deeply disappointed him
Some say he died
Some say he’d never existed to begin with
Some say he was just sad
And a sad God cannot rule
In his absence we were left lost
And scared as to how to go on
This manifested itself
In self destruction
And we have since sought many unique ways to achieve this
For those with money
It was drugs
For those without money
It was drugs
The cowards way out
Because the burden of living
And doing the right thing by each other
Was too great a responsibility
So, like God,
We, in our own way,
Have become sad
And withdrawn from the world
Most of us can’t be bothered voting
And then complain about the leaders we are saddled with
Who, in their naive stupidity
Attempt to lead us out of the darkness, and try to sell us some strong medicine to heal our wounds
And, if they don’t succumb to compromise and side deals
The shadow people shoot them
Or they’re found hanging from doorknobs
Their deaths a question mark forevermore
In the file marked
“Believe It Or Not”
The weight of carrying the cross of responsibility
Is indeed great and we are not programmed to stand it long
Falling time and time again
On our lonely agonising walk to our own Calvary
And in those dizzy blindingly excruciating final hours we find ourselves confused and insecure and doubtful
Because we were promised
An assurance of Heaven, you see?
A free ticket
An escape route
A place where we’d be welcomed and loved and held
God shouldn’t be hated or blamed for spreading this dream
He meant well
He just forgot that we are human
And always looking for the easiest option
We have no loyalty
Other than to the junk man
And that’s because the junk man has something we want
But unlike heaven
We can see it, feel it, at a cost
It may not be paradise
But in those despairing moments
We have lowered our expectations of miracles
It numbs us and that’s enough
To get through another lonely night
But why burden ourselves
Worrying about it
When it brings momentary relief
Like a happy finish
It ain’t love
But it’ll do
Tomorrow we can wake to the aftermath nightmare
Let us just drift
Into our dreamtime
Our glimpse of grace
The small change
That we don’t deserve
But were born into
Like thieves in the temple
Women are not madonnas
And men are not messiahs
We have more in common with a sewer rat
And just as much cunning
They say rats will survive the end of the world
Perhaps we will too
Having brought about the ultimate destruction
It would be just if we were made to live in it
My own condition is of great concern to no one
Well, maybe someone in Rumania
Frets about me
But if so, I am unaware
And in this state of ignorance
In some year of our Lord
I begin this…
All I know of today
Is that dawn came on time
And that I have ruined dinner
And every chance I had to be free
I mistook sex for love
A handshake as a promise
An enemy as a friend
And money as happiness
Someone more mature
Should’ve had my life
They’d have known what to do with it
But they’d have never known the exquisite bitter sweet taste of loss
Of having no further to fall
Which in fact gives you some real security
I have been betrayed by many friends along the way
But at least I drew evil into the light so that I now recognise its face
If there’s no afterllife then why have we been made to learn all this wisdom that can never be put to use in this world that is built on false values?
But maybe God’s sadness has turned to boredom
And this is some kind of ironic game for his enjoyment
Come to think of it, if there is an afterlife why the fuck would God want us there?
Perhaps we have inherited our self destructiveness from him!
Freud stumbled upon this theory whilst smoking himself to Death on a cocaine binge.
Maybe you have to be stoned in order to see through the surface bullshit and glimpse the truth?
We on earth are angry.
We have awakened to find all our heroes dead. We didn’t win the lottery. Every war fought was just a lie. And the Vatican is run by Satanists.
But apart from that everything’s just fine after a few pills.
The most damaging drug I was addicted to was women. They quite clearly got me up and then nowhere. I’ve come to realise that two people can’t live one life. Unless there’s huge compromise and compromise breeds resentment. Both have to forfeit dreams in order to keep the relationship going. This leads to you both acting roles in each other’s company making out that this dire situation of strangulation is actually bringing each other bliss. After awhile you start telling bigger and bigger lies until you get caught out and it’s over.
As a child I loved the circus. In many ways it tells you everything you need to know about Life.
Cigarettes were my friend right up until the time they weren’t.
You were my friend too. Right up until the time you weren’t.
I die so hard each time I think of you. But never learn the easy route, always doomed to take the long way home. Alone.
Born into a world hellbent on bringing about its own destruction, what hope did we have?
I drive around
The desert is beautiful
The stars are so clear
The air is so thin
One can almost forget oneself
And sometimes on the wind I hear you calling my name. But from your lips it now sounds like a curse word. And in the mist of early winter I sometimes see your vision of who I imagined you were.
And our dissolving future.
So, it’s once around the clock we go. Our history of joy squeezed into a crowded hour, before the sun set for good.
If there is a heaven, will you be there? If so, I may have to make other plans.
The word enigma doesn’t come close to describing Bob Dylan. For a start he’s a Gemini – the sign of the twins. Duality. He once said he wakes as one person and goes to sleep as another. And that’s before we add all the different masks he’s worn, and the myths that have been woven by others, and by himself. This is no doubt an attempt by him to protect his true self – Robert Zimmerman. Bob Dylan was his invention and as such even his own autobiography “Chronicles Volume One” contains numerous things that are fictional. Again, adding to his own myth as a means of throwing people off the scent of this fiercely private man. He writes about Bob Dylan like the old Wild West reporters wrote about Billy The Kid, Davy Crockett or Jesse James. “When the legend becomes fact, print the legend.”
There must be many hundreds of books published about Bob Dylan. And why is that? Because he continues to fascinate us. We can’t work him out. Scratch the surface and you just come up with another surface. But I think this has always been his masterly plan. In the words of the late, great Alex Scott after seeing the movie about the life (or lives) of Bob Dylan, the aptly titled “I’m Not There,” Alex said, “I knew more about him before I saw this movie!” Precisely. Or did you? I’ve had the good fortune to know quite a number of people who have known Bob for many years as a friend. And the words they use about him are “kind,” “sweet,” “gentle,” “loyal,” and “sensitive.” And those qualities are precious and need protection. “They say every man needs protection.”
Last Monday and Tuesday nights in Melbourne, a troubadour playing the role of Bob Dylan took to the stage at the Margaret Court Arena. No grand entrance. He merely sauntered on as a member of his band and found his designated place at the piano. No hello and no goodbye. Just two hours of brilliant songs, some old, some new, that any writer would give their soul to have written just one of them. But here is a small man trapped in the spotlight that has a catalog of so many classics they are too numerous to name. He has given us so much, and continues to give, thank God. When so many of our music heroes are gone, some cruelly taken from us who had so much more to give, we truly should be thankful that Bob is not only still alive, but continues to spend the majority of each year on the road performing for our pleasure.
Some people complain that he just stands there and sings his songs. There are no “showy” effects. No scripted witty repartee. But I continually have to remind some disappointed patrons that that’s all he’s ever done.
Bob was once asked if he still gets nervous before a show, to which he replied, “No. Never be afraid of disappointing people.” At first when I read this quote, I laughed thinking it was just another example of Bob’s very dry sense of humour. But the more I thought about it, the more I realised the heart of what he was truly saying. There is no point worrying about a performance. It will either soar or it won’t. He is not slick, nor does he want to be. He is an improv artist. A method actor. He has the same inspired, spontaneous genius as Brando. Always reaching for that unplanned moment of pure magic. The trouble with being that bold is that sometimes you miss the mark totally and run the risk of being ridiculed and walked out on. All of the greatest innovators have at one time or another been ridiculed and hung out to dry. But they’re the ones we remember. The brave ones. To be totally unique is a very heavy cross to have to carry. A lot of people will not “get” what you’re doing. Or what you’re attempting. But if everyone played by the tried and proven formula, where would the excitement be?
Bob has literally never looked back. The range of material he has tackled is extraordinary and at the age of 77 when most artists are happy to coast on their back catalog, Bob is still taking chances. Spare a thought for the huge risk he took in attempting, at his age, five albums of crooning the American Songbook. Yet those albums have been big hits and in some cases even named among the Top Ten Jazz Albums of that year.
But this is the same man who, just as he reached the pinnacle of the folk music world, went electric and angered the majority of his then fans. Next, just as he won most of those fans back with the electric mercury sounding masterpiece that was “Blonde On Blonde,” he goes country music. More angst from fans. Then he rebounds with introspective “Blood On The Tracks” about the pain of his divorce. Then Jesus popped into his life and we had the Gospel Years! Then, just when everyone thought he was no longer relevant, and running on empty, he comes back with arguably his best album, the multi-Grammy Award winning “Time Out Of Mind.” Then the Christmas Album. Then the Sinatra inspired saloon song standards. This man deserves a medal for bravery.
Oh, and when people say they don’t like his voice, I always ask, “Which one? He’s had about 6 different voices over the journey.”
As his dear friend George Harrison once described him, “He is a friend to us all.”
It filled my heart with warmth and my eyes with tears to see him perform such a spirited and brilliant concert last Tuesday night. It certainly was the inspired spontaneous magic he strives for.
And then, without a word of farewell, he was gone. But rest assured, he’s still on the road, headin’ for another joint.
It’s always midnight in my school boy heart
Only the alleys have known my joy
For sometimes I have experienced a bliss that is so exquisite it can’t be verbalised to anyone
Not even to the few who would care
So I have walked it away
In the dark
Along empty city side streets
It’s a pity Oscar Hammerstein didn’t write the script for our lives.
He would’ve written it just right. It would’ve had its highs and lows, some humour, all the boring bits cut in Philadelphia, and ending, of course, on a note of hope
Instead here we are
What’s it all about, Alfie?
The Winner Takes It All?
A Change Is Gonna Come?
Or just 45s from our youth?
Is this the little boy I carried? We live in a world where everything we’ve been told for the past 50 years
Has been a lie
And those that come forth and tell us the truth
Get removed from this life
New leaders are elected on a platform of change
But usually it’s just a case of
Same car, different driver
Evil does indeed exist
And those who have sold their souls
Worship at the alter of a false God – Money
But all it buys them is emptiness
And if there is an eternity
What a hell it would be spent in that state of regret year in, year out – Arrogance comes before a fall The prophets told us – Yes, Wilhelm Reich was right And the weather report suggests a hard rain
Why would anyone become a writer? Especially in a world that doesn’t seem to read anymore. Or go to the theatre, or go to the movies to see anything other than comic book heroes. Good question.
All the great writers were mostly drunks. Coincidence? Or is there a cost for looking too long into the abyss and reporting back to the good folk what they’re too timid to experience for themselves? Springsteen once wrote that there is a darkness at the edge of town. No, that darkness lies within us all. Each one of us has the latent potential to be a Hitler or a Christ. God has cleverly given us free will to choose our own poison. And the highly sensitive among us reach for the bottle, or the harder stuff, in order to numb ourselves to the responsibilities of that choice.
When I was at school I just couldn’t concentrate on anything. I was hopeless. Sometimes I feel sorry for those who attempted to teach me anything. Not sure if my undisciplined mind was a result of the trauma I witnessed most nights in my abusive family home, or I had what is now diagnosed as ADD. One day the headmaster of the school phoned my mother for a meeting to question her as to why her son had the highest I.Q at the school and the lowest grades. She was at a loss for words. But not me. Words always came easy to me. In fact I could talk myself out of any beating I was about to receive from a Christian Brother. That was quite a feat considering the relish they got from handing out such brutal punishment. These guys would’ve been more at home as members of the Third Reich than Jesus’ band of 12. But talk my way out I did. So, words became my friend, my salvation. And humour protected me from the cruel slings of other peer group bullies. I could always hysterically put myself down before anyone else had the chance to. Timing was everything. Playing the court jester got me through my troubled youth and shielded me from revealing my true self. And what was that? I was scared of everything and everyone. I felt like an alien most of the time in a strange world that only threw contradictions at you.
My refuge again and again were words. The only subjects at school that I attained any respectable grades for were Art, English and Religious Knowledge. The latter because I loved hearing all the Biblical stories and for some reason remembered every detail. They were filled with such amazing imagery and drama. Oh, and miracles. I guess I was depending on a miracle to happen in my life that would save me. And this Jesus character sounded like he might’ve been the only person who would’ve taken the time to understand me. Whether he was the Messiah or not is up for debate, but he sure sounded like a nice man. And like me, and all the other loners and misfits in the world, grossly misunderstood. I never forgot those stories and if nothing else they were great morality word plays.
Due to my restless mind I found it too difficult to persevere and read a book through to the end. But I tried again and again to achieve this. Thank God I did because I now must own over a thousand books that I cherish and have taught me more than I ever learnt at school. I always tell people I was self educated and that’s the truth of it. All my education took place in a class of one. In many ways, books saved my life.
My introduction to books began when I was a small child and my Irish grandmother would sit me on her lap and read aloud the adventures of Noddy in Toyland. We bonded through the whole Noddy series until she was taken from me when I was two.
The first book that hooked me enough to finish was, ironically, “Little Women” by Louisa May Alcott. I guess it proved that I had a fascination with the mystery of women from an early age. This of course led to much heartache and my premature death but that’s a whole other story. Either that, or Ms. Alcott was one helluva writer that captured my imagination and kept me turning the pages. By the end of the book I felt I knew all the characters and cared enough about them to shed some tears. The mark of a great writer.
After that I read Enid Blyton’s book series “The Famous Five” followed by “The Secret Seven.” Then I graduated to “Biggles,” and then many books about the Wild West that introduced me to such colourful characters as Davy Crockett. Kit Carson, Bat Masterson, Wyatt Earp, Jesse James, Billy The Kid etc., etc., etc. Yep, who needed to time travel or see the world when you had books?
Then in my late teen years I read “The Great Gatsby” by F. Scott Fitzgerald and my life really did change. A book about the ultimate loner always surrounded by a party of people. I savoured every word in that book – it’s prose was exquisite and the story heartbreaking. It foretold me that following the wrong dreams can get you killed. Reading Fitzgerald was like finding a new best friend. I understood him. And from what I read I knew he understood me. After that I read all six of his novels and every short story he ever wrote. I couldn’t get enough of his words and the insight he gave into the human heart. It really was like he’d read my letters or thoughts and knew me intimately. Of course being part Irish, like me, virtually every story ended in death or heartbreak. He painted such a romantic but dangerous world where his characters always paid a high price for caring too much.
Fitzgerald’s own life was cut short by too much booze and heartbreak topped off by rejection in Hollywood. But he remains my friend and I reread “Gatsby” every couple of years. It never fails to move me. Hollywood has never been able to pull off a wholly successful film treatment of it for the simple reason that most of the truly beautiful stuff in the book are the thoughts in the characters heads, and that’s impossible to shoot. Films are about action. Fitzgerald’s writing is about emotions. Unless you do endless voice-overs and that usually renders your movie as exciting as porridge. That’s why the great Fitzgerald had such a hard time of it in Hollywood trying to make it as a screenwriter in order to net enough money to keep his wife Zelda in a mental home and pay for his daughter’s schooling. He died a broken, despairing, weary man old before his time.
Like Gatsby, killed by the wrong dream.
I came to Charles Dickens late. Not sure why that was but come to him I did. The first book of his I chose to read was “Great Expectations” and was astounded. To me it remains one of the greatest novels of all time. And in my opinion he is right up there with Shakespeare.
I heard that Dickens original ending to “Great Expectations” was tragic and certainly all roads in the book are leading there. But his publisher leaned on him to come up with a more upbeat ending. Dickens listened, went away and rewrote it, and what he does is simply sublime. He gives it a happy ending that is so bitter sweet he moves us to tears as our damaged leading characters come together to try and seek a way forward, and into the sunlight. It is so beautiful my hands trembled as I read the final pages. This novel alone would’ve assured his place among the giants of literature, but he did it again and again, novel after novel – “Oliver Twist,” “David Copperfield,” “Nicholas Nickleby,” “Hard Times,” “A Christmas Carol,” and “A Tale of Two Cities” (another ending that is so exquisitely executed as our flawed hero rises to the most noble of acts, laying down his wasted life so that others may live and find the joy that had always eluded him. Death giving his meaningless life a meaning. If there’s a better speech than his final words, I would surely love to know about it.
After Dickens I discovered Hemingway, Steinbeck, Schulberg, Shakespeare, O’Hara, Maugham, Hammett, Greene, Wilde, Twain, Isherwood, Chandler, Huxley, Ephron and many others.
All complex people, flawed, contradictory, confused, and yet so much wiser in their work than in life. Perhaps the writing down of stories and emotions helped them understand themselves.
It’s interesting how great writing never dates. You may think that picking up something that was written a hundred years ago or, in some cases longer, couldn’t possibly be relevant to your life. But the surprising revelation is that the emotions felt are timeless. Just different scenery and choice of words. But at the heart of every great story is just another human being trying to solve the same problems, whilst dealing with the same heartaches, pressures and obstacles. The universal human emotion. If you write the truth in its naked honesty it will always connect – now, tomorrow, a thousand years from now.
It teaches us that we are not alone. We are all in this together, wandering around a desert seeking an answer to why we are here. And awaiting that opportunity to rise to the potential of who we could be.
John Wayne once said, “Courage is being scared to death…and saddling up anyway.”
He had no name
Let’s call him Homeless 20146
He was once called something
But it was long ago
There’s a rumour he had a sister and a brother
But they’re missing from our records
So let’s call them nameless
People lose touch
It happens a lot these days
Families can kill you
In so many ways
He was just another victim
Of our coldest winter on record
We keep a note of these things On our records
Important data for something
He seems to have otherwise
Been in good health
So the cause of death seems to be
The lack of a blanket
A pair of gloves
A hot cup of coffee
Which of these should I note
On our records?
Our fucking records
Our arse covering records
That no one ever looks at
No one ever learns from
And you who sit in your homes
By your warm fire
Sipping your hot chocolate
And laughing at TV shows
That aren’t really funny
But make you feel smart
And it takes your mind off
Feeling ashamed that you don’t care
No, you don’t even think
About those with no names
And no faces
The ones you don’t make eye contact with
In case you may feel something
And that feeling could spread like a cancer
And spoil a perfect day
From your perfect life
So you mutter under your breath
“Get a job”
To justify your ill feeling
It saves you asking their name
Or finding out their story
And what bad luck led them to bad things
That led them here
You hate them for making you feel guilty
And wish the police would move them along
But where to?
Just out of the way
Of us good people
Who have somewhere to go
And a schedule
And a plan
And mummy and daddy
With a safety net
Lest you stumble
Well, there’s some good news
There’s one more
But you won’t remember him
Because you never looked at his face
And the deep etched lines
That were a road map of where he’d been What he’d survived
And how far he had fallen
From the life his parents had hoped for
And those haunted eyes of his
That expected nothing
And saw that the world was naked
Perhaps he was Jesus on the make
And you missed him
You are safe now
The nameless man on the corner Of Lonsdale and King
Has ended his journey
Tonight he sleeps warm
In a place where names are not important
Or the cut of your clothes
Or how many figures you make a year
It’s a shame you never got to know Him
He knew things Perhaps you were scared of what he knew?
And his story may have made you weep
It was in fact he who could’ve given something to you
But you were in such a rush