REMEMBERING

It was one of those days neither here nor there in the life of Felix Appleton. He had experienced the dizzying heights and the devastating plummets of a life lived in the circus ring of the performing arts. He was often praised as a born performer but wasn’t sure of the truth in that. He hadn’t sprung from the womb singing and uttering funny one-liners. Perhaps his screaming was in tune? He didn’t know and was not about to reinvent his life for the joy of some hungry reporter. If he had a talent to amuse, it had come from pain and the ability to live with it. He used to say, “Show me an artist who hasn’t suffered, and I’ll show you a phoney.”

He was born in a public hospital and taken home in a taxi to a single-fronted weatherboard house in a street not many people walked down. It was in this small modest home that he got to know his parents, both workers who had struggled for their existence and carried the scars of their battles and defeats on their faces as proudly as old soldiers displayed their medals. They smiled with sad faces.and their eyes brimmed with the waters of a joy that’d rarely found the opportunity to flow. Felix instantly fell in love with them and knew he’d found the right home. His parents were that dying breed called good people. Yes, they were tremendously flawed if one was to appoint a critic to write a cold and detached review of their lives, but that critic would’ve missed the value entirely. Like the first critics to review “Citizen Kane” and “Sergeant Pepper’s Lonely Hearts Club Band” they would’ve been dismissed as “irrelevant,” “a misstep,” a disaster of epic proportions.” But what do critics know? Because of deadlines they have to rush to judgement and, more times than not, in their haste they miss the point. The true worth of something is judged in time and weighed by the impact it leaves behind in all those changed by having experienced it.

Thus Felix was nurtured through his first steps into this world by two unsung national treasures. He inherited from them the gifts to love with all the loyalty of the poor; the joy in giving away his last coin, cigarette or piece of advice to someone in greater need; the strength to stand by your friend through their mistakes, no matter how unpopular that stance may be. For who among us is not flawed when day is done. As long as there is no meanness in it, all is forgiven. Like the Irish mantra, “No fear, no spite, no envy.”

Oh, and never show your enemies you’re hurting. No one should be
rewarded for their dark actions.

So it was from this environment that Felix went forth into the world. His parents had taken him to Luna Park, and the circus, and to Hollywood movies many times. He had grown to love the lights and the laughter and the collective tears of a reinvented world so much so that he joined it. “Hi diddle-ee dee an actor’s life for me.” He became an actor and acted out all the emotions he had experienced in his little childhood home – all the anger, the heartache, and the humour that can be found in any awkward situation that Life can throw at one.

Felix was praised for his talent to wring insight from any character he portrayed. Was he born with this gift? No, he was born into it. And how could it be called a gift when it comes at such a cost?

He never developed an arrogant ego, for his parents had clothed him in humility. He never cut down a rival due to envy, for he was sure that person’s journey had been as difficult as his. And he never said goodbye to any friend (whether it be man, woman or child) without tagging it with the words “I love you” for he had learnt that in this life we are never guaranteed of seeing that person again.

Felix was now an old man who kept to himself. He hated few things in Life but moving was one of them. It always signalled the end of an era and the beginning of a new one. And as such he not only found it physically exhausting but emotionally draining. He was hoping this last move would be his last. Not that he was morbid. Far from it. He saw a joke in everything, and put that down to the Irish blood from his mother’s side. The ability to get through even the darkest defeat with a funny line. He thought one shouldn’t take this life too seriously, after all, it’s just a long elongated dream. And dreams come and go. He was just about through this dream and hoped he’d performed as well as he could, given the extraordinary circumstances that had occasionally rained on him. And that he’d given more than he’d taken from this world, for he understood that there was a delicate balance to everything and most of the problems in this world are caused by man’s ego arrogantly tampering with that balance. He’d learnt to let it be. To leave affairs of the heart well enough alone. To respect what you don’t understand. And to do no one any purposeful harm.

When he looked back at his life he was now able to smile at not only the good parts but also the bad. For out of every disaster he had learned a huge lesson. And from great lessons learned comes great wisdom. Yes, if there is a God, he thought, he’s a very clever bastard.

Felix didn’t know if he’d be remembered. It didn’t much matter because he’d be dead. And so would all those whose opinions meant something to him. Anyway, who wants a whole bunch of strangers talking about you and dissecting you after you’re gone, and getting it all wrong?

Still, he hoped, if there was another dimension or heaven or universe one goes to, he’d still be able to remember his parents. They were good people. They had given him valuable parts of themselves. And they were worth remembering.

 

(C) Frank Howson 2018

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THE SEX LIVES OF MONKEYS

I wish you could’ve caught me in my prime. I cared. If you’d known me then you may have stayed. But I ripped my heart out and gave it to others. And they never returned it. Proving they didn’t have one of their own.

Like many young male idiots I was driven by sex to destinations unknown. Then one day I grew up to realise that a lot of energy is expended on so little in return. Kings have abdicated their kingdoms, presidents have lost their power, and mere mortals have squandered their wealth, their homes, their families, their reputations, their sanity – for what? Sexual relief in the arms of someone you will lose along with everything else you held so dear. It’s a funny little game isn’t it? But if it grants you a brief solace in a mad world I won’t be throwing the first stone. Or the last.

There are those who gain power by being desired. For a time, until gravity ends their reign. I no longer play the game so I can objectively appreciate their performance for what it is.

“It done been beaten outta me, masta, and you can have your heavyweight crown back while I lay on this canvas and block the sun from my eyes.”

It seems the path to God is through defeat and humility. So having all our childish dreams killed one by one is ultimately good for us. Is that how it works?

There are those of us who evolve, painfully, past this. But all wisdom comes at a cost. Those who resist it are forevermore locked in a futile dance finding comfort in the all too familiar steps but haunted by the sad drum beat realisation that it all means nothing and nobody really cares anymore.

In fact you may as well be speaking about the sex lives of monkeys for all anybody cares.

I was reluctantly and violently thrust into this world. Welcomed into this cold unfriendly place with huffs and puffs and blood and screaming. I didn’t ask for all this fuss and, if the truth be known, have spent most of this life looking for an exit door. At parties or events I never say goodbye. I like to just slip away. Like my mother before me. No prolonged goodbyes or grand farewells. No fuss.

When my time comes and the lights dim on whatever this was, I may look around with the excited expectancy of a child on Christmas morn, to see if you’re there. Of course, you won’t be. But it’s okay as you have hardened my heart to disappointment. I guess that was the lesson you brought me. All is forgiven. All is forgiven. For it was hard to be wise and in love at the same time, wasn’t it? Let’s just say we played our parts well in this fucked scenario written and conceived by a higher power when they were drunk. The plot had its holes and we fell through most of them and landed, arguably, as better people. Broken, but better. Maybe we will meet again on another stage and realise that everything that went before was just a rehearsal and that this time we’ll get it right, performing without masks or baggage or ego or all those things that got in the way of who we really were.

“What if you could have any woman in the world but you only wanted one and without her Life wasn’t much good anymore?”

Well buddy, to put it bluntly, you’re fucked. Humbled, but fucked. But come on in the water’s fine and you’ll find most of us here. Trapped in the stilted delusional conversations about something and someone that wasn’t real. You’ll find that your mind has worked overtime adapting what really happened to something you can vaguely live with. Repairing the stab wounds to your heart, and back, and ensuring that you only remember the good parts from a movie that at the time proved to be unsatisfactory and a time waster, but has grown in stature through repeated viewing. If you allow your mind to rewrite too much you will eventually cross over into insanity from whence there is no return. So forget your troubles come on get happy and join all the sad old men at the far end of the alley. We have no families anymore other than the family of man. No one seeks anything in our eyes and in return we search for nothing in theirs. Accept the truth and you are free of the chains that bind us to this groundhog existence. Being alone will not kill you. Being lonely will. And all that uncashed joy you held in reserve for that mirror partner that never came, try and spend it finding small joys in the simplest of things. A cup of coffee, a conversation with an old loyal friend, the smile from a child, an act of kindness, a sunny day, and a pretty young woman that you want nothing from other than her faith that are one of the good guys.

Yes, all is forgiven. But take the time to forgive yourself too. You owe it to your mind and your spirit to do that.

And as for that delusional movie that you keep replaying in your mind? In reality it wasn’t that good. Tape over it.

(C) Frank Howson 2018

painting by Frank Howson

TWIN PEAKS

Without doubt the most anticipated television series of all time has been David Lynch’s latest instalment of Twin Peaks. And therein lies the problem. That obsessive anticipation and expectation blinkered many to what they were actually seeing. Myself included. I had hoped that the series would go in a certain direction and it went the complete opposite route. But hasn’t Lynch always done this to us? He is obviously not creatively inspired unless he is taking risks and going where no one has dared ventured before.

Watching the new series I got to episode four before cashing my chips in. To me the main problem was that Special Agent Dale Cooper, the story’s protagonist, the character that is supposed to be propelling the action, was catatonic for those episodes and would remain so almost all of the series. I was brought up to believe that if your main character sat down too long, so did your show. Of course I was aware that Lynch doesn’t follow conventional story development, and I, most times, find that very exciting. But this was really testing the viewer. Almost in a cruel way. Many, like me, simply tuned out.

It has been rumoured that this was Lynch’s last project as director, so perhaps he didn’t really care about ratings and was experimenting with Showtime’s money.

This would’ve remained my opinion only for Richard Wolstencroft loaning me his blu-ray boxed set edition of the new season. Reluctantly, I put it on and started again at the very beginning. This time no anticipation. No expectations. And guess what? The slow burning magic revealed itself.

The famous first season of Twin Peaks changed television forever. But at the heart of the small town weirdness there was the narrative coat hanger of “Who killed Laura Palmer?” Lynch has admitted that the big mistake he and co-writer Mark Frost made was revealing at the end of the first season who the killer was. Once it was known, viewers lost interest in a second season. Lynch has said that “the mystery and investigation should’ve gone on forever revealing other smaller mysteries.”

Which brings us to the latest instalment. It is my opinion that Lynch has progressed far beyond a murder mystery in a small town. He is exploring the ultimate mystery – Who are we? Why are we here? Why do we do the things we do? And, do we sometimes stumble blindly into another dimension in a parallel universe?

Like the world, Twin Peaks is scary, frustrating, absurd, baffling, funny, provocative and harsh.

The darkness at the edge of town has moved into us. We are the mystery that defies reason and clarification. Each of us carrying our own hell and heaven within us. The more we delve the deeper the confusion driving many into the shelter of ignorance and small talk, sounding all the more bizarre and comical amidst the backdrop of impending evil.

Mention must be made of Laura Dern’s performance. She and Lynch have collaborated many times now and the ease and understanding of their relationship shines through. She is riviting in every scene she is in and her talent and instinct makes her one of the most versatile actors working in present day film. She is grossly underrated.

When Special Agent Dale Cooper finally wakes and re-enters this dimension in one of the final episodes it is almost a religious experience. Suddenly energised and coherent he is eager to continue his investigation. But what does Lynch do? Just as the pace is moving like a runaway train, he ends the series on what is possibly the biggest cliff hanger of them all. Will there be another season? Will we have an explanation? Possibly not. There are no happy endings in Twin Peaks. Only mysteries. And, true to life, many of them have no comfortable resolution. And so they go on. And so do we, fumbling around in the dark, drinking coffee, and looking for answers where there are none.

 

(C) Frank Howson 2018

ANNOUNCING THE OZ INTERNATIONAL FILM FESTIVAL

In November of last year Richard Wolstencroft felt it necessary to resign as Director of the Melbourne Underground Film Festival. At that time he asked me to take the reins and chart M.U.F.F’s overhaul and new direction. I accepted because I felt that the festival is an important outlet for emerging film makers to find their feet and their audience.

My acceptance of the top position was on the basis that I would have total autonomy to make changes and lead the festival into a brave new future.

Unfortunately after prolonged negotiations it has become apparent that the severing of the past and what is needed to create a totally free new system proved more complex and time consuming than either Richard nor I could have possibly envisaged.

So, it is my decision to not continue as my feeling is that M.U.F.F should be handed back to Richard, its creator, who will run it as a free speech absolutist event.

But, on the other hand, having put a lot of time and energy into a new look festival, as well as commencing negotiations with several legendary international film identities to visit our shores to as festival guests and share their experience and wisdom with us, I have decided to go ahead with a totally new film festival that will be clear to create its own identity and reputation as well as serve as another much needed outlet for young local and international film-makers. This I hope is not seen to be in any way competition with M.U.F.F but quite the opposite, another important spotlight that will include some categories not covered by M.U.F.F. It will also be run at a later date, in our summer months, at some very prestigious venues already locked in.

The Oz International Film Festival can assure you of a very exciting premiere season.

We welcome film-makers here and abroad to visit our website and submit their latest works for consideration of inclusion in our inaugural festival.  Your films will not be judged on any bias to politics, race, gender, sexual preference or content, but purely on the execution of your film-making abilities, and a diverse and experienced jury of industry veterans will be announced within the next few weeks.

The festival will honour the bold, brave and adventurous new voices in the world of cinema and hopefully help some go on to be the new vanguard of the next generation of important film-makers.

I will be the Festival Director and ably assisted by Executive Producer Barry Robinson.  Other appointments will be announced shortly.

Good luck and welcome aboard what we feel will be an exciting new chapter. We look forward to your submissions and you can trust that they will be very carefully considered, each and every one.

Kindest,

Frank Howson
Festival Director.

I WENT TO TOWN

I went to town
And had some fun
I'd spent all my money
Before day was done
The buildings were tall
And they blocked the sun
I went to town
And had some fun
I returned home
Before night fell
I kissed all the women
But I won't tell
They said they loved me
Must've thought I was dumb
I went to town
And had some fun






(C) Frank Howson 2018

 

FINIS

You tell a story about an old cowboy's kindness
And they will ask you
"What was his agenda?"
This reveals to you that their concept of kindness
Is that it's a tool of opportunism 
They are bitter that they are unknown
And yet they don't do anything
That would warrant attention
For it is too scary to tread where only the brave venture
As they may well be exposed
And the reality that their dream may just be an delusion
Is too confronting To think about
When they have the safety of resenting others
And hold the weaponry to ruin what should've been
Your most joyful night
Anyone's triumph makes them angry
But they can't admit that to anyone
As that would expose them
So they invent an excuse
But still want to get into the exclusive party
So that they can lose you and work the room
How they can submerge their hypocrisy
From themselves takes a lot of practice
And denial
They will tell those in attendance that they are not with you
Unless of course that excludes them from an opportunity
They are unwilling to learn where they go wrong
So they are doomed to never change
Living off others' kindness
Taking it
But then putting it down when it suits
Scavengers 
Parasites
Hawks do not share
As we've been told
Even changing their faith if they think that will buy
Them an opportuntity
So, lying in the face of God confirms
Their true underlying belief in nothing
And no one
Other than themselves
They will succeed in taking all the joy from your life
And rendering you to being catatonic
Sitting staring out a window 
Watching the birds in free flight
There is no insurance for those
Who allow the Lloyds to put a value on their existence
And the night is long
And you are so confused
In this joyless space


(c) 2018 Frank Howson 

 

DON’T TAKE NO FOR AN ANSWER

In this business of show
The best advice I can give is
Don't take no for an answer
Your work will be judged by idiots
And by genius
And guess what?
Sometimes they all get it wrong
And if all these experts know everything
Then how come they make so many flops?
Your greatest guide 
And you must protect it
Is your instinct
For those of us who believe in a higher power
I believe our instinct is God talking to us
But guess what?
Most times we second guess ourselves
And go against it
Or allow ourselves to be talked into doing
Something that doesn't feel right
And the end result is always disaster
And recriminations
If everyone followed sound advice
And stuck to the tried and true formula
We'd have had no DaVinci
Or Glenn Gould
Nikola Tesla
Or Picasso
Marlon Brando
Beatles
Elvis
Hitchcock
Bob Dylan
David Lynch
Breaking Bad
And so on and so on...
The Beatles were told that "Guitar bands are out of fashion"
Tesla was told that "his ideas wouldn't fly"
Yet he lit up the world
And in return it broke his heart
Elvis was threatened with jail if he continued to rock the boat
And Dylan was laughed at as a freak
I'm not saying that sticking to your inner voice
Wont be a difficult road
It will be
But when was anything worth having easy?
All the people I have mentioned had only one thing in common
Persistence
Fuelled by a total self belief
Don't get me wrong
I'm not saying don't listen to good advice
Do
For only a fool turns their back on a good idea
But trust your own instinct as to what is right for you
And what isn't
My mother once told someone that if you want Frank to do
Something for you just ask him and he will
But order him to do it
And he'll do the opposite just to piss you off
So I guess I was born with a rebel soul
And all I know is this
Every time I was told 
"You'll never make a film because you haven't made one before.
So go home and forget about it, sonny, and leave it to the experts"
It somehow made me stronger and more determined to prove them wrong
Every time I was told "Don't bother trying to get that big name star 
For your movie, because it won't happen"
It did
Or "You can't make a film about that because it's too personal and no one 
will get it other than you"
That was the one the people responded to
In an era that I believe is the darkest age for movies
When they are only making films about comic books
Don't give up
Where some see a wasteland 
Others sees a golden opportunity
Never before has an original idea been such a valuable commodity
Be bold and mighty forces join you
The future belongs to you
If you are brave enough
And strong enough
And stubborn enough to grasp it
And to those who are
We at the Melbourne Underground Film Festival
Salute you

(SPEECH DELIVERED AT THE 2017 MELBOURNE UNDERGROUND FILM FESTIVAL)
(c) Frank Howson 2017