THE HUMBLED

I stumbled and fell into this. It was not of my doing as the road 
I was forging went in a different direction to the dreams of the boy 
I was. This caused me great confusion and suffering as I wandered
lonely as a cloud through school poetry and beatings. My pain became
my shield and protected me from the salt of their laughter. I learned to 
make them laugh before they had the chance to laugh first. Several women 
attempted to wash my feet before my crucifixion one grey day in history
when our father forsaken me because of his drinking. I cried in agony with
a thief each side of me, one believing in me, and one to ridicule me for a
life that ended so. Somehow I rose from the dead and since then I have had 
several resurrections. In fact, the more times people write me off, the 
stronger I come back. My enemies have unwittingly made me indestructible. The shock 
realisation of this has killed many of them. The rest I have dealt with. 
People now stop me in the street and ask for my wisdom. But this wisdom was 
not my doing, and has come from the undoing of everything I wanted and loved.
It was fired by pain and made as strong as steel through humiliation and 
injustice. But still I go on. And those who have spoken against me have
been struck down by God or are dying in the poisoned bile of their lies.
I visit their graves at night to laugh. For nothing is forgotten or 
forgiven at this train stop on the way to Armageddon. I choose to travel
economy for my instinct tells me that God only welcomes the humbled. The man
who brags may get ahead in this life, but suffers a thousand years in the
next. The ignorant fool who never stops talking and always distorts the
third hand facts will be the next to fall on his sword and death
waits patiently in his gallery of art to silence his unrepentant and envious
ways. I am coming for him. Coming in the night. Coming in the dead end
street. Coming in his busy schedule. Coming for rightful correction. Coming.
Every hurtful snide remark is etched on my heart. Every belittling lie
is another stab wound he will suffer. Another thousand years to linger 
at the abyss. And the hellish realisation that it was all for nothing. 

(c) Frank Howson 2017

Photograph by Raija Sunshine (c) 2017



Advertisements

TO WHOM IT MAY CONCERN

Once I saved 
While others played
I came fresh faced
In a suit of blue
Sacrificed on the altar 
Of others' agendas
Sent scurrying to find
Things that were never there
Was given love
Only to have it taken away
Was made to laugh
Until I cried
A man of peace
Hardened enough to kill
I always went crazy
In the final reel
"Since I lost my baby"
Is all I play
On every jukebox
That I find
In this burnt out wasteland
Of broken hearts
Paperback dreams
Second hand lives
Mercy murders
The billboards tell the truth
There's nothin' down here worth savin'
We've filled our lives with shit
Auctioned off paradise
And gambled away the money
The writers get degraded
And then ignored
They're resented for knowing too much
About what makes things tick
Now there's a lonely kid
Livin' on the street
With dreams of makin' it big
But little does he know
He's already dead
Dead to the world
Dead on arrival
At the feet of the paedophiles
And the worshippers of Satan
Who shape shift
Into human beings
Regret is my supper
For turning my face away
From all the horrors I have witnessed
That killed me
Piece by piece
Believing politicians
That didn't even believe themselves
Until it was too late

(c) Frank Howson 2017





 

WE ARE ALL IN THIS TOGETHER

fake reporters
pushing their opinions into fake news
fake views disguised as news flashes
fake polls
reported by fake news outlets
designed to discourage people from voting
how many lines have to be crossed
before something is recognised as what it is
and a light is shone on the darkness
so that we may know its face when we see it
or does it really matter?
win at any price?
fake scandals
fake quotes
fake candidates
in a fake world
of fake feelings
and photo opportunity expressions of concern
fake headlines that take the focus away
from the real issues and the real scandals
and nobody really cares
as long as their team wins
but at what price?
and who do you wake to see in your mirror
after such a triumph?
and what is the statement you are really making?
where is objectivity in a dying world
rendered impotent by our naivety
as we dance to the tune selected by our puppet masters
thinking our opinion means anything 
to the NWO guys
but their vision of a new world
will sink as surely as Atlantis
taking us all with it
into the depths and darkness
of a hell
of our own making
where is Paul Revere when you need him?
silenced like them all
or assassinated by a bullet from a lone crazed gunman
a plane crash
a sudden heart attack
or a scandal
or jail
people keep voting for change
and parties keep running on that promise
only to deliver the same ol' same ol'
same car, different driver
and yet we complain when any change comes
as we are not used to it
and our stupidity even angers God
and Mother Nature
and not even the worst disasters can wake us
from our sleep
we no longer dream
as our nightmares have become comforting
and the great nothingness of indecision
is all we are used to
and crave
and so we live
until we don't


(c) Frank Howson 2017

SPIRITUAL VAMPIRES

So many fucked up people in the world
Monstrously negative feelings about every living person
Every word from their mouths another poison bullet
Aimed at someone, anyone
Most times they actually kill the person who was attempting 
To help them
But I guess to them we all look the same
Eventually they implode and eat themselves
But don't breathe easy
There are many who will follow
They weren't loved enough by daddy
So now they reach out frantically to everyone they meet
To give them the loving family they were denied
But when such immediate desperation hits 
They frighten off their targets
And their baby love turns to a cold-hearted hate 
Within a blink of an eye
They hit out at the world 
For not giving them what they wanted
Yet they can't tell you what that is
They want to be celebrities 
Without doing the hard work
They want to be successful writers 
Without facing the pain
They want to top the charts with songs
That touch us without ever exploring themselves
They want babies 
But marry those who don't
Almost as though this self-fulfilling prophecy
Will forever more be their excuse 
For not having to love anyone
Or give of themselves
Or try
If you are trapped by them
There is no escape
Only a small room where death awaits
The living are always under attack from the dead
The spiritual vampires
Of the new millennium
Sucking off your light force
Until you are done
And then they will mourn you
Because now you are safe to be
Whoever they choose to invent
As their next excuse


(c) Frank Howson 2017




THE RIGHT PLACE AT THE WRONG TIME

How did you get so pretty?

How did I get so old?

I never combed my hair

Or did what I was told

Do you believe in magic

Like I believe in you?

I wanna curse these years

That took me away from you

 

You’re the price I paid

For being born too soon

I  touched the stars

But missed the moon

I was the motherless child

Of a victim-less crime

Tell ’em…

I was in the right place

But at the wrong time

 

Why did my world stop spinning?

Why did the sky turn grey?

I never dreamed at night

All my dreams were by day

What do you see in my eyes

When I’m looking at you?

Romeo in decline?

Or a man you never knew?

 

Oh what a price I’ve paid

For living far too long

I broke my heart

To write this song

I’m like Buffalo Bill

In a five and dime

Tell ’em

I was in the right place

But at the wrong time

 

I’m the invisible man

Nobody sees me anymore

That’s me in the rain

Outside your door

I once was something

And everybody knew my name

Now I live in Regret

On the outskirts of Blame

 

Oh what a price I’ve paid

For loving you too much

I lost my mind

And now my touch

One day you’ll understand

But your words won’t rhyme

Just tell ’em…

You’re in the right place

But it’s the wrong time….

 

(c) Frank Howson 2017

 

 

 

 

NEW IDEA FOR MOVIE

A new film about giant dildos taking over the world. People running terrified through the streets because if they get you they fuck you up real bad.

(C) Frank Howson 2017

THE MAN IN THE BLACK HAT AND THE LONG BLACK COAT.

When I was a small boy living in St. Kilda, both my dad and mum would point out a man in a black hat and a long black coat to me. “You see that man, son?…Well he has been walking around St. Kilda for years. Long as we can remember. And he never seems to age. He must be a hundred years old!” Always intrigued by a good mystery, I from then on took great notice of this man. Over the years, as I grew to be a man, I would always look around at local markets, street performances, Luna Park, crowded Saturday night boulevards, and sure enough, there he would be. And as I aged, he always appeared to look the same. A middle aged man, neither smiling or frowning, just there. A face in the crowd. Being a romantic, I thought maybe he was the eternal wanderer. A soul who was chained to this life and the suburb he loved, and his limbo was to forevermore, or until God’s forgiveness was granted, wander aimlessly these streets in search of a meaning he had failed to dis-cipher in his life here.

When I’d see him, I’d always stand transfixed waiting to see if he’d return a smile, or a nod of the head, or just an icy stare. But no. Nothing. Expressionless. No eye contact. This was a man well used to being alone. His face looked like he was a foreigner. Perhaps from somewhere in Europe. Germany?…France?…Vienna?…Maybe he’d escaped the war and had left behind his loved ones, his home, his belongings…and like his friends he too had become a ghost. A shadow. A man cursed to wander this life as punishment for running away from his true destiny.

I too ran away from my loved ones, my home, my belongings…and for the same reason, perhaps. There were dark clouds forming and I’d been advised that I could be dragged into a swamp that, although masterminded by others, justice could be blind in such circumstances. I went to Los Angeles as, in some circles, my work was still respected there and possibly some jobs could come my way, which they did. For nine years. I became a physician. A script doctor. Re-writing other people’s screenplays to make them better. No credit but the money was a living. Occasionally writing some songs that got into some movies. Writing my memoirs on my life in the movie business, well, all the parts that weren’t too painful to regurgitate at that time. The wounds were still too open and although time does heal, one’s heart does remain bruised. It’s stated in the small print when we signed on for this life but one is always too preoccupied with excitement and hope to notice.

Although I had amassed a great deal of experience making 12 movies in Australia, the experience I received in L.A working with the legendary Arthur Hiller, Joe Eszterhas, Amy Ephron, Michael Richards, Martin Landau, Mark Rydell, Sally Kirkland, P.F. Sloan, John Grimaldi, Heath Ledger, Eric Burden, Bernard Fowler, Terry Reid, Waddy Wachtel, Rick Rosas, Sherry Lansing, Phil Jones, Michael J. Pollard, Stacy Michelle, John Savage, Helen Mirren, Jackie Lomax, Wade Preston, Creed Bratton, Damion Damizza Young, Peter Burke, Eric Idle, John Capek, Barry Robinson, Mike Smith, William Friedkin, Thea Gill, Jack Tempchin, Patricia Clarkson, etc., etc., etc., took me to a whole other level. How could you not learn something?

Nine years went by like nine months. The last two years in a haze of a personal heartache, the theft of an idea that I lived to see the thief make millions from as well as get honoured with the highest award a country can give for such an original idea, and the subsequent spiral from meeting too many people who weren’t really there.

If it hadn’t been for the kindness and humanity of Barry Robinson and Mike Smith, I most likely wouldn’t be here today. So if you want to blame anyone, you have their names.

So one day,  as the result of a turn of events, I returned from across the sea to my birthplace, St. Kilda. The first lyric I wrote as a result was…

This is my country, these are my friends, this is the place my journey ends, I stand before you my heart in my hand, a refugee in my homeland, I did my best, I fought my war, I’ve seen enough to want no more, May I lay my weary baggage down to walk inside your door? Send out the word that I’ve returned, my face is lined with lessons learned, I thought my day was almost done, but here I am, your prodigal son…”

Some time later, encouraged by my friend Richard Wolstencroft to dip my toe into the icy water again, I began a new film, “Remembering Nigel” – a film about a group of people remembering a man they once knew who is now deceased. Trouble is, everyone’s opinion of this man and their recollections of him are so diverse and conflicting you soon realise nobody knew the poor bastard at all! And the more they speak of him, the more they reveal about themselves. It is still deemed too original for most distributors to release into a marketplace filled with movies for 14 year olds.  It is an epic account loosely based on my life, heightened here and there for either comedy relief or dramatic punch. It is also a movie that connects with most people on a very deep, profound spiritual level. Well, that is, if you still have a spirit in this mad world we survive in.

When making this film, it became obvious that we’d have to see some funny flashbacks of Nigel. But in order to retain that underlying message that we are all Nigel, how best to capture that? Well, seeing I was directing, it was easier for me to portray Nigel as I was obviously on set all the time, so, whenever we had some downtime or an actor was running late, the crew and I would knock off some Nigel flashbacks.

Whilst in preproduction, I was out in Chapel Street one day and saw a shop with a huge half price sale on. Not intending to buy anything but a bit of time on my hands, my instinct steered me into the store to browse. And there it was. Only one left. And miraculously in my size. A rather uniquely cut long black coat. I knew instantly this was Nigel’s everyman attire. I scooped it up, and then it became obvious a black hat was needed, and that we’d only ever shoot Nigel from behind and never see his face. The black hat and the long black coat would be to Nigel what the Lone Ranger’s blue suit, white hat and mask were to him. As Martin Landau summed up when he saw the rough cut, “Everyone who’s ever felt misunderstood in their life, will see themselves as Nigel”.

Which brings me back to the man in the black hat and the long black coat who wandered St. Kilda for years, and who I actually saw again whilst filming Nigel’s death on St. Kilda beach one rainy overcast day. Or perhaps my eyes were playing tricks on me. But I swear I saw him in the distance walking away along Jacka Boulevard that grey misty late afternoon.

After we wrapped the filming and it was all in the can, as they say, I, in the habit of wearing the black hat and coat, continued to do so. Only recently did I have the epiphany that I have become, around St. Kilda, the man in the black hat and the long black coat. Sometimes I see people pointing me out, perhaps a few here and there know of me or my work, or maybe a father or mother are saying to their child, “You see that man?…Well he has been walking around St. Kilda for years. Long as we can remember. And he never seems to age. He must be a hundred years old!”

So perhaps I have been recast as the eternal wanderer. And my journey has a long way to go.

 

(c) Frank Howson 2017

 

photograph by Vanessa Allan.