Without doubt the most anticipated television series of all time has been David Lynch’s latest instalment of Twin Peaks. And therein lies the problem. That obsessive anticipation and expectation blinkered many to what they were actually seeing. Myself included. I had hoped that the series would go in a certain direction and it went the complete opposite route. But hasn’t Lynch always done this to us? He is obviously not creatively inspired unless he is taking risks and going where no one has dared ventured before.
Watching the new series I got to episode four before cashing my chips in. To me the main problem was that Special Agent Dale Cooper, the story’s protagonist, the character that is supposed to be propelling the action, was catatonic for those episodes and would remain so almost all of the series. I was brought up to believe that if your main character sat down too long, so did your show. Of course I was aware that Lynch doesn’t follow conventional story development, and I, most times, find that very exciting. But this was really testing the viewer. Almost in a cruel way. Many, like me, simply tuned out.
It has been rumoured that this was Lynch’s last project as director, so perhaps he didn’t really care about ratings and was experimenting with Showtime’s money.
This would’ve remained my opinion only for Richard Wolstencroft loaning me his blu-ray boxed set edition of the new season. Reluctantly, I put it on and started again at the very beginning. This time no anticipation. No expectations. And guess what? The slow burning magic revealed itself.
The famous first season of Twin Peaks changed television forever. But at the heart of the small town weirdness there was the narrative coat hanger of “Who killed Laura Palmer?” Lynch has admitted that the big mistake he and co-writer Mark Frost made was revealing at the end of the first season who the killer was. Once it was known, viewers lost interest in a second season. Lynch has said that “the mystery and investigation should’ve gone on forever revealing other smaller mysteries.”
Which brings us to the latest instalment. It is my opinion that Lynch has progressed far beyond a murder mystery in a small town. He is exploring the ultimate mystery – Who are we? Why are we here? Why do we do the things we do? And, do we sometimes stumble blindly into another dimension in a parallel universe?
Like the world, Twin Peaks is scary, frustrating, absurd, baffling, funny, provocative and harsh.
The darkness at the edge of town has moved into us. We are the mystery that defies reason and clarification. Each of us carrying our own hell and heaven within us. The more we delve the deeper the confusion driving many into the shelter of ignorance and small talk, sounding all the more bizarre and comical amidst the backdrop of impending evil.
Mention must be made of Laura Dern’s performance. She and Lynch have collaborated many times now and the ease and understanding of their relationship shines through. She is riviting in every scene she is in and her talent and instinct makes her one of the most versatile actors working in present day film. She is grossly underrated.
When Special Agent Dale Cooper finally wakes and re-enters this dimension in one of the final episodes it is almost a religious experience. Suddenly energised and coherent he is eager to continue his investigation. But what does Lynch do? Just as the pace is moving like a runaway train, he ends the series on what is possibly the biggest cliff hanger of them all. Will there be another season? Will we have an explanation? Possibly not. There are no happy endings in Twin Peaks. Only mysteries. And, true to life, many of them have no comfortable resolution. And so they go on. And so do we, fumbling around in the dark, drinking coffee, and looking for answers where there are none.
In November of last year Richard Wolstencroft felt it necessary to resign as Director of the Melbourne Underground Film Festival. At that time he asked me to take the reins and chart M.U.F.F’s overhaul and new direction. I accepted because I felt that the festival is an important outlet for emerging film makers to find their feet and their audience.
My acceptance of the top position was on the basis that I would have total autonomy to make changes and lead the festival into a brave new future.
Unfortunately after prolonged negotiations it has become apparent that the severing of the past and what is needed to create a totally free new system proved more complex and time consuming than either Richard nor I could have possibly envisaged.
So, it is my decision to not continue as my feeling is that M.U.F.F should be handed back to Richard, its creator, who will run it as a free speech absolutist event.
But, on the other hand, having put a lot of time and energy into a new look festival, as well as commencing negotiations with several legendary international film identities to visit our shores to as festival guests and share their experience and wisdom with us, I have decided to go ahead with a totally new film festival that will be clear to create its own identity and reputation as well as serve as another much needed outlet for young local and international film-makers. This I hope is not seen to be in any way competition with M.U.F.F but quite the opposite, another important spotlight that will include some categories not covered by M.U.F.F. It will also be run at a later date, in our summer months, at some very prestigious venues already locked in.
The Oz International Film Festival can assure you of a very exciting premiere season.
We welcome film-makers here and abroad to visit our website and submit their latest works for consideration of inclusion in our inaugural festival. Your films will not be judged on any bias to politics, race, gender, sexual preference or content, but purely on the execution of your film-making abilities, and a diverse and experienced jury of industry veterans will be announced within the next few weeks.
The festival will honour the bold, brave and adventurous new voices in the world of cinema and hopefully help some go on to be the new vanguard of the next generation of important film-makers.
I will be the Festival Director and ably assisted by Executive Producer Barry Robinson. Other appointments will be announced shortly.
Good luck and welcome aboard what we feel will be an exciting new chapter. We look forward to your submissions and you can trust that they will be very carefully considered, each and every one.
I went to town
And had some fun
I'd spent all my money
Before day was done
The buildings were tall
And they blocked the sun
I went to town
And had some fun
I returned home
Before night fell
I kissed all the women
But I won't tell
They said they loved me
Must've thought I was dumb
I went to town
And had some fun
Out of the darkness
And into light
We face a blank canvas
And call it a life
Our hand tracing lines
Adding colour here and there
Some of us choose to be bold
While some of us never dare
So how much am I bid
For this crazy life I've lived?
Do you find it too frivolous or too bleak?
Does it move you to tears?
Or does it look like wasted years?
This painting has cost me more than I dare speak
Lost in a city
Lost in a crowd
I don't speak till I get drunk
And then I get too loud
Your beautiful face
I have captured it by hand
But you denied me your heart
And cut me down where I stand
I have painted sorrow
And sometimes joy
But cocktails in a gallery
Won't bring back my boy
So I'll paint him from memory
From the time he called me dad
Some of us paint our mistakes
While some of us just go mad
(c) Frank Howson 2018
Painting by Frank Howson.
I have seen it all
But missed so much
What happened to our healthy life?
Did we lose our touch?
There are women out there
That want to thrill ya
There are men who stare
That want to kill ya
I'm living in a two room condo
I think I may've died but
The stubborn part is living still
Love is not for wimps
Or just a point of view
It waivers in the wind
When it doesn't ring true
I've been to hell
They know me there
Tell 'em Frankie boy says hello
If you dare
Everyone I meet
Is somebody's girl
My dad was Jack
My mother was Pearl
They taught me how
To survive our street
And to see the beauty
That comes with defeat
(c) Frank Howson 2018
Painting by Frank Howson (c) 2017
You tell a story about an old cowboy's kindness
And they will ask you
"What was his agenda?"
This reveals to you that their concept of kindness
Is that it's a tool of opportunism
They are bitter that they are unknown
And yet they don't do anything
That would warrant attention
For it is too scary to tread where only the brave venture
As they may well be exposed
And the reality that their dream may just be an delusion
Is too confronting To think about
When they have the safety of resenting other
And hold the weaponry to ruin what should've been
Your most joyful night
Anyone's triumph makes them angry
But they can't admit that to others
As that would expose them
So they invent an excuse
But still want to get into your exclusive party
So that they can lose you and work the room
How they can submerge their hypocrisy
From themselves takes a lot of practice
They will tell your friends that they are not with you
Unless of course that excludes them from an opportunity
They are unwilling to learn where they go wrong
So they are doomed to never change
Living off others' kindness
But then putting it down when it suits
Hawks do not share
As we've been told
Even changing their faith if they think that will buy
Them an opportuntity
So, lying in the face of God confirms
Their true underlying belief in nothing
And no one
Other than themselves
They will succeed in taking all the joy from your life
And rendering you to being catatonic
Sitting staring out a window
Watching the birds in free flight
There is no insurance for those
Who allow the Lloyds to put a value on their existence
And the night is long
And you are so confused
In this joyless space
(c) 2018 Frank Howson
The living are always under attack from the dead. As night follows day so do those of darkness target those of light and stalk them with words of hero worship when, the truth is, the mere existence of those with a spark irritates them and they consciously or, in some cases, subconsciously, work toward the extinguishment of that flame. Wilhelm Reich writes about this condition in detail in his book The Murder of Christ.
The people of darkness use many tools to bring down the envied. Negative rumours, stories that are unfounded in fact, and a whole range of politically acceptable words to discredit their target i.e., Narcissist (this applies to anyone who is successful in showbiz who uses social media to promote their latest ventures) because the fact that someone may actually be getting off their fat ass and doing something reminds the person of darkness how meaningless and unfocused their own life is; Nazi (it is acceptable in today’s politically correct world to call anyone with an opposing opinion this and get away with it. This is disgustingly outrageous and unfair to their target whose only crime may be to have an original thought, as well as, obviously, making light of what the real Nazis did). But let me not bring logic into this lest I be called names. Anti-Semitic is a good one too in some cases. I have even witnessed Jewish people being called anti-Semitic because they dared to have an opinion that didn’t sit comfortably with the party line. Such is the out of control world we live in where the militant wheel gets oiled first and the logical debate is not only not considered it is condemned. Here we have a perfect storm for the people of darkness to not only hide within, but thrive.
Bob Dylan has predicted for some time now that we have entered the end game. Anyone who has studied theology and the predictions of the old prophets would have to concur. In my opinion we are currently engaged in the final war between good and evil, darkness and light, and the shadow people are only going to get more and more hysterical as things don’t go their way. They are currently very confused as to why things aren’t going the way of the Polls. Could it be divine intervention?
It is difficult to untangle yourself from a person of darkness because they are cling ons – spiritual vampires sucking your energy. And the more you give them the more resentful they will become towards you. For even your kindness is an irritation. A reminder of what they are not. They will insult you by praising strangers and even abusing and opportunistic ex-partners above your efforts to help, give and support. This is to make you crazy and so confused you will cease to be able to function and end up zombie like staring out a window into the light that was once your source. Do not under any circumstances feed them. Let well enough alone. Danger and madness this way comes.