THE ARROGANCE OF ENTITLEMENT

I knew her
Long ago
When the world made sense
And people listened more to their hearts
Than the spewing of ill-conceived words that never come close to what we mean to say
But back then
In the silence of that half-dark room
I loved you
More fully than I had loved anything
You were sweet
Always smiling
Tender
Caring
Creative
Alive
Open to all possibilities
And in my mind’s dream I leaned closer
And our lips kissed
And for a moment we were one breath
If I hadn’t been rendered a coward
From too many failed campaigns
On foreign battlefields
I would’ve taken you there and then
And perhaps the overpowering
Tenderness I felt
Would’ve erupted into a savage brutal act that would’ve reduced
You to pleading for mercy
As your whimpering became sobs
Confirming the declaration that man has
Once again killed the very thing
That gave him life
In my haste to act gallant
I lost you
And bearing the mark of Cain
I left your house that night
Cursing the moon
And the unmanly man
Whom you laid beside each night
Whilst thinking of someone else
Perhaps he did too
I walked many blocks
At a pace that identified me
As a madman
And yet I couldn’t escape myself
Finally
Dissolving into a dark doorway
Where I unzipped and had you
Just the way I imagined you
Wanted it
These are the rituals of
Broken men who feel too much
Who have paid so highly
There is nothing left
But shameful acts
That reduce you to something they can understand in their
Degradation
Years went by
As they do
And we met again
On a street corner at night
We smiled that smile
Pretending we hadn’t changed
But it only fooled ourselves
Your tenderness replaced by a reserved sadness caused by disappointment in human beings
My longing now disguised as a wisdom that brings no one any good
We walked through Chinatown
Talking not touching
Two fugitives from ourselves
Finding refuge in a familiar place
To eat, drink and seek common ground
In the truthful silence of things too intimate to voice
Gradually
The small talk gave way to the bigger stuff wine can produce
And you told me you had been taken
By a master in Germany
And that he had made you do unspeakable things that shocked you whilst liberating your wildness
That raged like a stormy sea until you screamed your release and found yourself naked, spent and calm
Your true self had been on display
For all to see
And it excited you
Teased you
Possessed you
Coveted you
With lust
Until you found the power
And scent
Of the hunter
And cried out for the kill
Jolting you back to reality
Although you now uttered some regret for the forced exposure
I could tell you needed to be unleashed again
Publicly paraded as the whore of Babylon through crowded rooms c
Beyond shame
And humiliation
To become god-like
Laughing with abandonment
Taunting your captors
To use you in a way that takes you by surprise
The slave as exulted queen
Demanding full attention from everyone
Mouths and hands
Everywhere
As you laugh hysterically
In the face of who you could’ve been
Missing among the timid procession of the already dead
As you damn the wasted years
Where you once lived by rote
And other peoples’ standards of polite society
And now you tease me
Whilst probably teasing yourself
And tell me you are ready for your lesson
And need to be stripped
And chained
And conquered
So you can feel the sweet bliss
Of unbridled imagination
And be set free again
Liberated
Weightless
Taken again and again
Until you lay calm
High on the satisfaction
That I have now seen everything you have
And are
And am one with you
Cradled in my arms
Your protector now
Desire subsided in you
And with dawn it becomes clear
That God is a woman
And conceived and gave birth
To all living things
Including the darkness of that bottomless well
In which all possibilities
Eternally spring
And there is no such thing as shame
Only the acceptance
And praise
Of who we are bold enough to become
I hold you
I expose you
I taste you
I take you
To somewhere where there are
No names
No shyness
No recriminations
No inhibitions
Just bliss
That we have found ourselves
At last                                                  In this darkness where I have made my home to maximise my advantage
I only feel with my hands now
My heart is closed to ignorant insults and taunts
And I see things so much clearer
Now I am blind

(C) Frank Howson 2019

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LOVE WAS HERE

TAKE THIS MAN
WHO ONCE STOOD PROUD
AND TALL
HIS EYES HAVE SEEN
ALL HIS KINGDOMS FALL
WHILE THE BLACKBIRDS PECK
AT HIS HOPES AND FEARS
HE CASTS HIS MIND BACK
TO WHEN LOVE WAS HERE

SEE THAT WOMAN?
SHE ONCE CARED FOR 
THIS MAN
BACK LONG AGO
WHEN SHE HAD A PLAN
BUT PLANS LIKE DREAMS
ALWAYS DISAPPEAR
DOES SHE STILL REMEMBER
WHEN LOVE WAS HERE?

NOW WE TURN OUR COLLARS
TO THE WINTER CHILL
NOTHING IN OUR HANDS
EXCEPT MORE TIME TO KILL
I RETURN AGAIN
TO OUR FAVOURITE PIER
AND TO ANOTHER TIME
WHEN LOVE WAS HERE

WATCH THE MOON
IT CAN BETRAY YOUR TRUST
BEFRIEND THE STARS
ONLY IF YOU MUST
THEY WILL STEAL YOUR HEART
IN THE FALL OF A TEAR
YOUR ONLY MEMENTO 
OF WHEN LOVE WAS HERE


(c) Frank Howson 2018



 

THE PRICE OF LOVE

“Hello Pooky.”

“Good morning, Schmooky.”

She had this theory that couples who called each other cute nicknames had lasting relationships. Unfortunately, like most theories, it was as effective as a feather-duster at the Alamo. Still, the memory of that naïveté still brings a tear to my eyes. It was a sweet, divine, beautiful season of delusion that also had its days of overcast skies that foretold a gloomy downpour neither of us would have the strength and wisdom to withstand. We were not Romeo and Juliet but rather two clowns in a touring circus that had seen better days. Still, we performed each show like our life depended upon it. And, looking back, it did. For neither of us would ever be the same.

At our best, on those nights when the planets aligned and the stars indulged us, we stumbled into the zone where it was real and unbridled and passionate and our fears had failed to conquer the best in us.

But you made me laugh, you gave me joy, your smile filled me with life.

“I’ve never seen two people more in love,” said one spectator.

Like the pathetic thespians we were we ate up any good reviews and dismissed the ones that were not. Perhaps we loved too deeply and such a thing can make every wound seem like a fatal diagnosis.

“I could’ve…I should’ve…I would’ve..” These words will haunt me all my life. Words that had been so good to me in the past now conspired to arrange themselves in sentences that spewed from my mouth before my heart could edit them into the beauty and respect she deserved.

We had both been broken long before that night we met on the Titanic. Broken in different ways but concealing our hurt and damage, smiling with all the bravery of idiots who have lost everything but continue to gamble what they have left in the hope that their luck has changed. And that God is compassionate enough to smile upon them.

I was hailed as your hero and love of your life and then, when rendered vulnerable by your praise, you killed me. I slowly bled to death in your arms, the Madonna and child. The fatal wounds delivered to my body, my heart, my ego, my dreams would prove to be inoperative.

What monstrous demon whispered in your ear and filled your thoughts with a negative view of our future together? Whoever it was, they lied to you and have been proven wrong. Although that fact rewards me with little pleasure this far from paradise and too many years lost. So much of us lost too, and yet, we go on. Pantomiming the actions and feelings expected of normal people. But old soldiers don’t smile, they weep when they sense no one is watching.

And now, in the winter of my vulnerability, age, recognising its cue, attacks on all fronts and I fall again and again carrying my cross to the Hill of Skulls.

I am still awaiting the right dawn for my resurrection. But you will not recognise me in that early morning mist, for I look younger in my defeat, having laid down the heavy responsibilities and weight of love.

Love came at such a cruel cost. But I would gladly pay it again for one day of being whole and loved and wanted once more.

But I only attract those who fear life and take the joy out of every situation. They ignore your financial loss but bemoan every penny they have spent on themselves. In many ways they are already dead. Like me. And so we make our home in this darkness. A cold, lonely place that has iced the veins to happiness.

 
(C) Frank Howson 2018

TELL ME STORIES ABOUT OUR LIFE

Tell me stories about our life
Did we have fun?
Were you truly happy when you told me you were?
Because, you see, I was happy when I thought that to be so
And if you take that back now my life suddenly means nothing
And the doctors have nothing to give you to treat wasted years
And it breaks so many
To fall so far
So, let us just sit in the sun
On our favourite bench
Surrounded by the trees we named
And chat
Like we used to
When we held hands
Like each other was the most precious thing in the world
And it was
Or so I thought
Please tell me now
Was it true for you?
Or were you just being kind
When you said you were mine?
Were you settling for less
Than you believed the world owed you?
Do you feel that you threw away your life
And beauty
So I could live?
Because if you did
You have killed us both
And our life was just a one-sided
Delusional dream
Perhaps I worry too much
In these September years
But you’re all I have
My only constant
In a world that has lied about everything we’ve been told
For the last 50 years
A governmental plan to confuse us But enough about lies
I surrender
To whatever it was that got us through
Let us take some time out
And sit in this park
And you do the talking
Hold my hand
And tell me stories about our life

(C) Frank Howson 2018

 

painting by Frank Howson

THAT LONG TRAIN RIDE

I was right
About all the little things that didn’t matter.
I was wrong about all the big things that did.
But youth is for foolishness and mistakes.
The concept being that you will eventually learn from mistakes and your heart will grow a harder layer of protection. This can be a lifelong education of regrowth if you don’t pay enough attention to details.
One theory is that we keep falling in love with the same person, over and over, like some weird drunkard’s dance in a Groundhog Day scenario. Even if that person was all wrong for us in the first place. So is it familiarity that attracts? The devil we know is better than the saviour we don’t? Perhaps we just tire from the waiting and settle for what we know. Attracted to those who remind us of ourselves? Or marry for money and security even though that brings in its train a lifetime of boredom and unrequited dreams and hopes? But surely that is not a living, but a dying? For money proves to be a cold companion and takes more than it gives. Doomed to buy all the toys and trinkets to impress others whilst your subsequent depression stemming from your inner knowledge that nothing purchased brings any lasting pleasure. You are a compromised person and although you can lie to your conscience your sub-conscious knows the truth, and forces you to spend most of your days sleeping. Hiding from life. Avoiding waking to the horror of who you really are. A prisoner trapped in a cell of your own making. Spending all your approved allowance on the best drugs to dull yourself to the harsh reality that you are already dead.
I took myself to Disneyland today.
Why?
I wanted to return to a simpler, safer time when I believed in dreams and heroes.
All around me was the sound of the laughter of children and the look of wonderment in their eyes.
They are years from cynicism and reducing the world to something they can understand.
I had a photo taken with Mickey but my idol Donald Duck was nowhere to be seen.
Disneyland was conceived and built by a sad and lonely man who acted childish at times. Because the truth is he was still a child and needed to build a romanticised version of his childhood town – a place where it was always clean, and wholesome and safe. And contained no tyrannical father. Ironic huh? Was he insane? In most people’s terms, yes. But at least his dreams were safer than those of young Adolf Hitler, a failed painter from Austria. Y’know, if young Adolf had’ve sold three or four landscape paintings the whole Second World War may have been avoided. I always say, “Be careful about pissing off creative people. That creative light force once turned back on itself can become very dark and destructive.”
On the other hand, all of the world’s great accepted visionaries were a little looney tunes. Some, very much so. Fortunately their insanities were focused towards something more publicly palatable than the Third Reich or the NWO. They risked everything thinking outside the box. Their own lives became secondary to their dream. And many died in their footsteps upon that lonely highway. They sacrificed romantic relationships, friendships, their dignity (as many were publicly ridiculed), their personal happiness, and a comfortable safe life. Why? And what for? A higher calling? Immortality? If there is no God and no afterlife why do people do this to themselves? If we’re just here marking time until the long darkness, why not just put the tools down and embrace the fairly interesting train ride to nowhere?
It’s the same with love. If it’s not a God-given gift to share then what exactly is it? Why care so much about it? Or anyone else?
I pondered all these things as I sat in my chair looking out the window that was shaped like Mickey’s head on the Disneyland Express on my train ride back to somewhere.

(C) Frank Howson 2018

GINGER BISCUITS

We told each other we had a good life full of ginger biscuits and roast dinners. I suppose it reminded me of my youth waking up Sunday mornings to the smell of something cooking and the excited anticipation of a family gathering.

I’m all that exists of that family now. So, in my defence, I will plead guilty to attempting to bring this ritual into our lives in the hope of a shared familiarity or perhaps the conjuring up of ghosts from the past. Futile dreams were our dessert. Big serves to disguise the cold reality that the best in us was gone. All that remains are the broken pieces of empty dishes. And the broken after dinner stories of broken lives that harbour in my memory and things I dream at night.

There were glimpses of great love in my family but thinly wedged between slabs of anger, recriminations, abuse, guilt and tears. Perhaps that’s what makes those glimpses glow so warmly in my heart.

You wanted a feeling of family and so did I but we were loveless refugees on the run and our pantomime of make-believe was a farce that didn’t hold up to intelligent scrutiny. But the first thing to die in such a delusion is intelligence. We played our roles with conviction but were hopelessly miscast, or perhaps just too old for believability.

We had a life of ginger biscuits and roast dinners but that was all. There we were, unarmed, falling where we stood in the small talk and repressed resentment that neither of us got what we had wanted. The past can’t be repeated, excluding the bad bits, by acting out the good. There is no cutting room floor anymore. Gone. All gone. My youth. My dreams of love. My good will to others. My mistakes of the heart. My misplaced loyalty to all the wrong people. Gone. And soon I will be gone, and all that will remain will be words. And people’s rushed and conflicting judgement of who they thought I was.

Fortunately there will be no one to play act the glimpses of my failed Quixotic quests to harness some joy in myself, and in others.

 

(C) Frank Howson 2018

ANNOUNCING THE OZ INTERNATIONAL FILM FESTIVAL

In November of last year Richard Wolstencroft felt it necessary to resign as Director of the Melbourne Underground Film Festival. At that time he asked me to take the reins and chart M.U.F.F’s overhaul and new direction. I accepted because I felt that the festival is an important outlet for emerging film makers to find their feet and their audience.

My acceptance of the top position was on the basis that I would have total autonomy to make changes and lead the festival into a brave new future.

Unfortunately after prolonged negotiations it has become apparent that the severing of the past and what is needed to create a totally free new system proved more complex and time consuming than either Richard nor I could have possibly envisaged.

So, it is my decision to not continue as my feeling is that M.U.F.F should be handed back to Richard, its creator, who will run it as a free speech absolutist event.

But, on the other hand, having put a lot of time and energy into a new look festival, as well as commencing negotiations with several legendary international film identities to visit our shores to as festival guests and share their experience and wisdom with us, I have decided to go ahead with a totally new film festival that will be clear to create its own identity and reputation as well as serve as another much needed outlet for young local and international film-makers. This I hope is not seen to be in any way competition with M.U.F.F but quite the opposite, another important spotlight that will include some categories not covered by M.U.F.F. It will also be run at a later date, in our summer months, at some very prestigious venues already locked in.

The Oz International Film Festival can assure you of a very exciting premiere season.

We welcome film-makers here and abroad to visit our website and submit their latest works for consideration of inclusion in our inaugural festival.  Your films will not be judged on any bias to politics, race, gender, sexual preference or content, but purely on the execution of your film-making abilities, and a diverse and experienced jury of industry veterans will be announced within the next few weeks.

The festival will honour the bold, brave and adventurous new voices in the world of cinema and hopefully help some go on to be the new vanguard of the next generation of important film-makers.

I will be the Festival Director and ably assisted by Executive Producer Barry Robinson.  Other appointments will be announced shortly.

Good luck and welcome aboard what we feel will be an exciting new chapter. We look forward to your submissions and you can trust that they will be very carefully considered, each and every one.

Kindest,

Frank Howson
Festival Director.