A MUSING

i love
laugh
desire
crash
and break like china
my reward for longing?
the moon
and
stars
“where is paris in this empty place?”
yells a fool to the drunken maitre ‘d
my taxi driver’s lost again
the eyes of st. christopher
stare down on
me
may God forgive

 
(C) Frank Howson 2018

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THE WORLD ENDS ON TUESDAY

I got the good news, baby
All our troubles are gone
The world ends on Tuesday
God said “Hey Frankie
The world’s in a mess
But it all ends Tuesday
I gave you the gift of love
That you seldom used
I gave you countries and borders
You chose to abuse
I sent you many angels
But you killed every one
You couldn’t get the message
So I sent you my son
I gave you seven seas
You polluted them all
And every time a tree grew
You made it fall
You think you’re me
And you’re oh so smart
But come Tuesday night.                    I’m gonna break your heart”

(C) Frank Howson 2018

ME FOR THE ROAD

Who’ll share this load?
There ain’t two
Just me for road
I’ve loved psychos and fakes
I’ve made more than enough mistakes
I did everything I could
Everything I should
But it left me empty handed
Feeling stranded
I never understood you
Payback for never seeing who
I am
A fugitive on the lam
Yet all roads lead to this
The Judas kiss
Another saviour on our block
Killed by the ticking clock
I wake today to find I’m old
And that the outside world’s too cold
My secret identity revealed
Every layer of skin’s been peeled
Still answering to the name “son”
From a time when I was one
And my dreams were bigger than me
And the world was further than the eye could see
And my princess was still undiscovered
My mission failed but I recovered
Or so they say
There’s no better way
To find yourself
Than to lose your wealth
And the love you were waiting for
Still the crowd cried out for more
But my encore went on too long
And they lowered the curtain mid-song
So now who’ll share my load?
There ain’t two
Just me
For the road

(C) Frank Howson 2018

THOUGHTS ON BOB DYLAN

The word enigma doesn’t come close to describing Bob Dylan. For a start he’s a Gemini – the sign of the twins. Duality. He once said he wakes as one person and goes to sleep as another. And that’s before we add all the different masks he’s worn, and the myths that have been woven by others, and by himself. This is no doubt an attempt by him to protect his true self – Robert Zimmerman. Bob Dylan was his invention and as such even his own autobiography “Chronicles Volume One” contains numerous things that are fictional. Again, adding to his own myth as a means of throwing people off the scent of this fiercely private man. He writes about Bob Dylan like the old Wild West reporters wrote about Billy The Kid, Davy Crockett or Jesse James. “When the legend becomes fact, print the legend.”

There must be many hundreds of books published about Bob Dylan. And why is that? Because he continues to fascinate us. We can’t work him out. Scratch the surface and you just come up with another surface. But I think this has always been his masterly plan. In the words of the late, great Alex Scott after seeing the movie about the life (or lives) of Bob Dylan, the aptly titled “I’m Not There,”  Alex said, “I knew more about him before I saw this movie!” Precisely. Or did you? I’ve had the good fortune to know quite a number of people who have known Bob for many years as a friend. And the words they use about him are “kind,” “sweet,” “gentle,” “loyal,” and “sensitive.” And those qualities are precious and need protection. “They say every man needs protection.”

Last Monday and Tuesday nights in Melbourne, a troubadour playing the role of Bob Dylan took to the stage at the Margaret Court Arena. No grand entrance. He merely sauntered on as a member of his band and found his designated place at the piano. No hello and no goodbye. Just two hours of brilliant songs, some old, some new, that any writer would give their soul to have written just one of them. But here is a small man trapped in the spotlight that has a catalog of so many classics they are too numerous to name. He has given us so much, and continues to give, thank God. When so many of our music heroes are gone, some cruelly taken from us who had so much more to give, we truly should be thankful that Bob is not only still alive, but continues to spend the majority of each year on the road performing for our pleasure.

Some people complain that he just stands there and sings his songs. There are no “showy” effects. No scripted witty repartee. But I continually have to remind some disappointed patrons that that’s all he’s ever done.

Bob was once asked if he still gets nervous before a show, to which he replied, “No. Never be afraid of disappointing people.” At first when I read this quote, I laughed thinking it was just another example of Bob’s very dry sense of humour. But the more I thought about it, the more I realised the heart of what he was truly saying. There is no point worrying about a performance. It will either soar or it won’t. He is not slick, nor does he want to be. He is an improv artist. A method actor. He has the same inspired, spontaneous genius as Brando. Always reaching for that unplanned moment of pure magic. The trouble with being that bold is that sometimes you miss the mark totally and run the risk of being ridiculed and walked out on. All of the greatest innovators have at one time or another been ridiculed and hung out to dry. But they’re the ones we remember. The brave ones. To be totally unique is a very heavy cross to have to carry. A lot of people will not “get” what you’re doing. Or what you’re attempting. But if everyone played by the tried and proven formula, where would the excitement be?

Bob has literally never looked back. The range of material he has tackled is extraordinary and at the age of 77 when most artists are happy to coast on their back catalog, Bob is still taking chances. Spare a thought for the huge risk he took in attempting, at his age, five albums of crooning the American Songbook. Yet those albums have been big hits and in some cases even named among the Top Ten Jazz Albums of that year.

But this is the same man who, just as he reached the pinnacle of the folk music world, went electric and angered the majority of his then fans. Next, just as he won most of those fans back with the electric mercury sounding masterpiece that was “Blonde On Blonde,” he goes country music. More angst from fans. Then he rebounds with introspective “Blood On The Tracks” about the pain of his divorce. Then Jesus popped into his life and we had the Gospel Years! Then, just when everyone thought he was no longer relevant, and running on empty, he comes back with arguably his best album, the multi-Grammy Award winning “Time Out Of Mind.” Then the Christmas Album. Then the Sinatra inspired saloon song standards. This man deserves a medal for bravery.

Oh, and when people say they don’t like his voice, I always ask, “Which one? He’s had about 6 different voices over the journey.”

As his dear friend George Harrison once described him, “He is a friend to us all.”

It filled my heart with warmth and my eyes with tears to see him perform such a spirited and brilliant concert last Tuesday night. It certainly was the inspired spontaneous magic he strives for.

And then, without a word of farewell, he was gone. But rest assured, he’s still on the road, headin’ for another joint.

(c) Frank Howson 2018

BRIGHTER DAY

I dreamed that you will come to me
In the land of no surprise
And you will kiss my lips
And look into my eyes
And I will say to you
Behold the holy sign
“All was lost, all was lost”
Well everything that was mine
But your presence now
Renews my belief
That true love
Springs from grief
And all the tears we shed
Along the way
Got us through the night
To this brighter day

(c)  Frank Howson 2018

LONELY MAN GOIN’ HOME

The night ain’t falling
It already fell
Every street lamp
Has a tale to tell
It’s so quiet
You can hear God’s breath
‘Tis the hour when every hurt
Feels like a death
“Chin up, Sonny”
His mother would say
Keep somethin’ for yourself
Don’t give it all away
He never thought
He would end up this alone
But love has a price
Lonely man goin’ home
You pretty young things
Who laugh behind his back
You think you got it made
Think your life’s on track
You got the latest clothes
And the smartest phone
But you find your amusement
At a lonely man goin’ home
You’re so politically correct
When it suits your need
You give to charity
To disguise your greed
You don’t know this man
You’ve never been alone
But he knows you
Lonely man goin’ home

 
(C) Frank Howson 2018

SWEET ROSEMARY

My sweet Rosemary
She came to tea
In 1994
She showed me
A thing or two
Before I showed her the door
We met again
By new year’s end
We kissed beneath our tree
Call me a fool
But I ain’t cruel
So once more I set her free

From her sacred chalice
I’ll never again sip
All my golden chances
I let ’em all slip
Now I’d lay down my life
If I could only see
Once more the smiling face
Of my sweet Rosemary

My sweet Rosemary
Come back to me
I’m broken and alone
I lay here
Beside you dear
And your grave of icy stone

I remember her words
Devoutly now
She said, “We’ll always be together”
She knew that, somehow
You don’t know the cost
Till you’re hurt this deep
And cannot awaken
From the nightmare sleep

From her sacred chalice
I’ll never again sip
All my golden chances
I let ’em all slip
Now I’d lay down my life
If I could only see
Once more the smiling face
Of my sweet Rosemary

(C) Frank Howson 2018

(c) 2018 photograph by Raija Sunshine