GINGER BISCUITS

We told each other we had a good life full of ginger biscuits and roast dinners. I suppose it reminded me of my youth waking up Sunday mornings to the smell of something cooking and the excited anticipation of a family gathering.

I’m all that exists of that family now. So, in my defence, I will plead guilty to attempting to bring this ritual into our lives in the hope of a shared familiarity or perhaps the conjuring up of ghosts from the past. Futile dreams were our dessert. Big serves to disguise the cold reality that the best in us was gone. All that remains are the broken pieces of empty dishes. And the broken after dinner stories of broken lives that harbour in my memory and things I dream at night.

There were glimpses of great love in my family but thinly wedged between slabs of anger, recriminations, abuse, guilt and tears. Perhaps that’s what makes those glimpses glow so warmly in my heart.

You wanted a feeling of family and so did I but we were loveless refugees on the run and our pantomime of make-believe was a farce that didn’t hold up to intelligent scrutiny. But the first thing to die in such a delusion is intelligence. We played our roles with conviction but were hopelessly miscast, or perhaps just too old for believability.

We had a life of ginger biscuits and roast dinners but that was all. There we were, unarmed, falling where we stood in the small talk and repressed resentment that neither of us got what we had wanted. The past can’t be repeated, excluding the bad bits, by acting out the good. There is no cutting room floor anymore. Gone. All gone. My youth. My dreams of love. My good will to others. My mistakes of the heart. My misplaced loyalty to all the wrong people. Gone. And soon I will be gone, and all that will remain will be words. And people’s rushed and conflicting judgement of who they thought I was.

Fortunately there will be no one to play act the glimpses of my failed Quixotic quests to harness some joy in myself, and in others.

 

(C) Frank Howson 2018

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ANNOUNCING THE OZ INTERNATIONAL FILM FESTIVAL

In November of last year Richard Wolstencroft felt it necessary to resign as Director of the Melbourne Underground Film Festival. At that time he asked me to take the reins and chart M.U.F.F’s overhaul and new direction. I accepted because I felt that the festival is an important outlet for emerging film makers to find their feet and their audience.

My acceptance of the top position was on the basis that I would have total autonomy to make changes and lead the festival into a brave new future.

Unfortunately after prolonged negotiations it has become apparent that the severing of the past and what is needed to create a totally free new system proved more complex and time consuming than either Richard nor I could have possibly envisaged.

So, it is my decision to not continue as my feeling is that M.U.F.F should be handed back to Richard, its creator, who will run it as a free speech absolutist event.

But, on the other hand, having put a lot of time and energy into a new look festival, as well as commencing negotiations with several legendary international film identities to visit our shores to as festival guests and share their experience and wisdom with us, I have decided to go ahead with a totally new film festival that will be clear to create its own identity and reputation as well as serve as another much needed outlet for young local and international film-makers. This I hope is not seen to be in any way competition with M.U.F.F but quite the opposite, another important spotlight that will include some categories not covered by M.U.F.F. It will also be run at a later date, in our summer months, at some very prestigious venues already locked in.

The Oz International Film Festival can assure you of a very exciting premiere season.

We welcome film-makers here and abroad to visit our website and submit their latest works for consideration of inclusion in our inaugural festival.  Your films will not be judged on any bias to politics, race, gender, sexual preference or content, but purely on the execution of your film-making abilities, and a diverse and experienced jury of industry veterans will be announced within the next few weeks.

The festival will honour the bold, brave and adventurous new voices in the world of cinema and hopefully help some go on to be the new vanguard of the next generation of important film-makers.

I will be the Festival Director and ably assisted by Executive Producer Barry Robinson.  Other appointments will be announced shortly.

Good luck and welcome aboard what we feel will be an exciting new chapter. We look forward to your submissions and you can trust that they will be very carefully considered, each and every one.

Kindest,

Frank Howson
Festival Director.

I WENT TO TOWN

I went to town
And had some fun
I'd spent all my money
Before day was done
The buildings were tall
And they blocked the sun
I went to town
And had some fun
I returned home
Before night fell
I kissed all the women
But I won't tell
They said they loved me
Must've thought I was dumb
I went to town
And had some fun






(C) Frank Howson 2018

 

THE SEQUEL

Our children
We let down
And gave away
In tonight’s performance
All my best scenes have been cut
This is where I get off
I’ve been held against my will
We’ll get our happy ending
In the sequel
Or so I’ve been told

(C) Frank Howon 2018

Sketch by Frank Howson (c) 2018

 

OUR HEALTHY LIFE

I have seen it all
But missed so much
What happened to our healthy life?
Did we lose our touch?
There are women out there
That want to thrill ya
There are men who stare
That want to kill ya
I'm living in a two room condo
In Clownsville
I think I may've died but
The stubborn part is living still
Love is not for wimps
Or just a point of view
It waivers in the wind
When it doesn't ring true
I've been to hell
They know me there
Tell 'em Frankie boy says hello
If you dare
Everyone I meet
Is somebody's girl
My dad was Jack
My mother was Pearl
They taught me how
To survive our street
And to see the beauty
That comes with defeat


(c) Frank Howson 2018

Painting by Frank Howson (c) 2017

THE NAKED SPOTLIGHT

The great actors know
What it's like
To stand naked in front of strangers
Your vulnerability exposed
And on show for all to see
No secrets
No guards
No veils
No safety net
No second takes
You're on and this is the moment
To learn to not cover yourself
For the sake of modesty
There is no such thing
Anymore
So you relax
And savour it
Burn
Don't run
It's thrilling that they now
Know you more intimately 
Than you know yourself
The monster with a thousand eyes
Hidden in the dark
Breathing as one
Committing every part of you to memory
And reducing you to a one line review
To be discussed amongst friends
At dinner parties
Laughing at how far you were
Prepared to go
For that moment of truth
That intimidated the audience
Reminding them how timid their lives were
In comparison
Exposing their cowardice
To walk the high wire
And to be seen in anything less
Than designer labels and tags
While you are free
To soar
Experience
Feel
Fail
And show 
The real you
8 shows a week
They will never be able to hold
Eye contact with you again
Without flinching
For your eyes are way too honest
And brave
And can see into
The darkest places of the soul
It has made you strong
Undefeated
Self-reliant
And lonely

(c) Frank Howson 2017



MEMORIES OF MOONLIGHT

My memory is going
Taking with it the moonlight
I can feel it
That bank of steel
That never let me down
Is letting go of things
Perhaps making room for new
Or maybe God is showing mercy
By finally unloading from me
Some of the painful baggage
I have carried for far too long
I don't know
Not even sure what my PIN number is anymore
But the jokes still come
To cover any situation
And never let me down
I have been using this technique
Since I was a child
Who felt things too deeply
To save face amidst any humiliation
Against any bullying
Or grief
Despair
Loss
Embarrassment 
It's seen me through many falls
And comebacks
And falls again
As I've clung desperately
To the glimpses of joy
While equally frantic to shed
The fatal wounds of misery
Now
All has become one
In a faded echo of some childhood song
Where only the chorus is still remembered
And the detailed verses
Are only hummed
The Tin Pan Alley story forgotten
But the melody memorable enough
To linger in that part of your brain
Reserved for joy and innocence
From a time way before
You knew of war
Or suffering
Or heartbreak
Or selfish love
Or painful longing
And here you find yourself again
And know it from memory muscle that this strange room
Feels like home
Whatever that was...


(c) Frank Howson 2017