INFECTED


I’ve been poisoned 

By too many poisonous demons

Posing as friends

Posing as human beings

Lying about their past and their future intentions 

Stealing everything of mine

They thought I cared about

Money, trophies, and work

That I had paid for in blood, sweat and marriages 

But they got me wrong 

I couldn’t be found there 

For I was already somewhere else

Someone else 

Someone stronger

Someone colder

Their resentment actually empowering me

For all they did was prove 

That material things are just that

They don’t get you to sleep at night

They don’t buy you a genuine embrace

They don’t ease your mind or your load 

They don’t short cut you into heaven 

They don’t justify your rusted conscience 

For to lose it all

Is to finally be free

To shed every skin of protection

Until you are as liberated

As a new born naked baby

Free falling to a soft landing

And accepting it all 

Pining for nothing except this moment 

Where no memory exists

And there are no debts to be repaid

No one to breathe life into 

And no eyes that can make me flinch

For when I look at you now

I see into your very soul

(C) Frank Howson 2020

3am

Love requires patience 

Life takes time

But how long must I wait

Until the Gods make you mine?

Nothing makes sense

Until you don’t need it to anymore 

We miss our golden chances

We take the wrong door 

Wish I lived inside your heart

To know your joy and pain

To learn what makes you happy

And what brings you disdain 

I’ll love you till the end of time

And in that other life too

No matter what the ups and down

I’ll be true to you 

You were the people’s princess

And on every stage you starred 

I never deserted my mission

Although the nights were long and hard

So many have stood in our way

And ran our ship aground 

They put our hearts in chains

And sold our flesh by the pound

But you can’t put a price on magic

No assassin can freeze its breath

For love knows no seasons

And can not be stilled by death 

(C) Frank Howson. 2020

I SAW A FUTURE

I saw a future. Or perhaps just a dream. A city where rats the size of dogs scurried along streets, growing stronger feeding on toxic waste. Crowded sidewalks filled with beggars begging beggars for a crumb. Or some leftover soup. Or a new messiah.

The billionaires were safely living in their gated, climate controlled glass domes, inventing wars, viruses, and new political puppets.

I saw Satan on the news channels every night. He is a very eloquent speaker and seems like a cool guy to hang with. He has everyone conned and no doubt thinks we’re fools. But we don’t care anymore. And therein lies the problem. He hasn’t defeated us. We have. We are suffering from the deadliest virus of all – apathy.

I’ve sometimes wondered where my life will end? In the gutter, in a mansion, or on a plane suspended between two places? Between here and there. Near and far. 

At school we were brainwashed with our teachers’ political beliefs, assumptions, approved view of history, religion, regrets, and frustrations. They have groomed us to live the same disappointing life they’ve lived. Sing c’est la vie.

My heart is wearing out from the residue worry of things I don’t even clearly remember anymore.

I do believe that God sends us signs. And the other day I passed one that said, “Eat More Cake.” It spoke to me. Although I felt sad for Marie Antoinette who lost her head saying much the same thing.

My refrigerator has been talking to me about conspiracies. It told me it knew who killed the Kennedys, but said my life would be in danger if it informed me. I thanked it for caring about my welfare and turned in for the night. At the Godly hour of 3am I was awakened by the pillow whispering in my ear. It told me it knew who killed Anthony Bourdain. I told it to “Fuck off!”

 

(C) Frank Howson 2020

HEAVENLY.

I have only a limited amount of time left to inhabit this body. But I will go on. Like we all do. As a speck of dust floating in the universe. Free, untroubled, and no more time constraints. Oh, and the music, the symphony of silence, which will move even a speck to feel whole like never before.

Having been educated for a lifetime on earth, we are acclimatised to being alone. But it won’t bother us anymore because we’ll now know that it’s at our core to be this way. On earth we lived outwardly for the enjoyment of others, whilst living our real spiritual life within our heads.

It was good preparation for this new life. Our real life. Devoid of any more death or disappointments in this void amidst the great vastness of all voids. Drifting. Weightless. Nowhere to go for there is no “where.” There is only here. And now. No time to be on time somewhere. No further commitments or responsibilities. Nothing to feel guilty about for there are no religions in this new place of real love and peace. All that belonged back in that ant-like existence when we had so little consciousness we could never comprehend the complexities, and yet simplicity, of this great vastness and freedom of being. In this new existence you can let your mind wander for a thousand years, even a million, in old time, and then snap back to a moment before that thought even occurred.

You now realise that the great artists – the writers, the painters and the composers – instinctively understood it.

Finally, we are fulfilled with a capacity to love that was once capped on earth by a ceiling we feared pushing beyond. But now, we experience it to the full which unleashes a bliss to make each of us feel like God. Because in this moment that never ends, we are God.

I was young just yesterday, and now I am older than the world will ever be.

Looking back at my earth life, I now realise that most of us were only living because we feared dying.

But there’s nothing to it.

 

(c) Frank Howson 2020

THE MEANING OF SUCCESS.

The word success is almost impossible to define, as it means something different to just about everyone. It’s much too large than a single word can contain,  because it’s a concept. A floating concept that bends and morphs and matures as we do. What we think it means at the beginning of our journey, may be vastly different to what it means at the end. It’s a dream that, once it’s seemingly fulfilled, may be considered a burden. A curse. A prison cell. A nightmare.

Perhaps it’s God’s sneakiest joke on us all. Giving us what we think we want, in order to find out first hand how hollow it ultimately becomes. 

McCartney hit it on the head, simplifying it to “Can’t Buy Me Love.” A record we could dance to, even if the concept was way beyond our comprehension at the time. Perhaps Paul was starting to understand how restrictive a “successful” life can be.

One of the Ten Commandments states that “Thou Shalt Not Worship False Gods.”  I have interpreted that to include money = success. For I’ve seen first hand people worship it at the expense of their family, friends, colleagues, ethics, talent and own life.  Their “concept” of success was so delusional it eventually devalued every thing of true value in their life.

I was once privileged to have had a song of mine selected for inclusion on the Ferrets’ second album “Fame At Any Price.” I loved that album title then, as I love it now. It was prophetically apt for a band that self-combusted shortly after its release. Perhaps from the pressure of having to follow-up a Number One single and a Gold debut album “Dreams of a Love,” which incidentally also featured a song of mine entitled “Killing Ourselves.”  A lyric about the friends of mine who were falling in action during the Melbourne heroin epidemic of the Seventies. That song proved prophetic for the band too.

It’s one thing to crave success. It’s another to have the stomach for it. People take drugs like heroin to numb themselves to the world around them. Isn’t it bizarre that when many performers finally break through and achieve the success they’ve craved, they reach out to self-medicate themselves to…what? The pain of it? The disappointment that the concept of success was so much more thrilling than the reality? Or is it their fear that they, mere mortals, are suddenly treated like gods, and know they can’t sustain this facade for long without publicly falling? False prophets for a false society. 

It says a lot about our society that Elvis Presley, the most famous and desired man in the world, died of loneliness. Photographs of him towards the end show a man who is dull-eyed, self-medicated to the point of not knowing where he is, and clearly not having a good time. He even mocks himself in his final heartbreaking performances as if all his dignity is gone. Pity the man who inherits the world, but loses his soul?

We are fed the “Dream” to keep us productive, and striving day to night to achieve our goal, so we can be happy. But, what if, as Judy found out, there’s nothing at the end of the rainbow except burnt-out, broken, despairing suckers?

I always thought the rainbow ended on the corners of Hollywood Boulevard and Western. It almost did for me one night, but that’s another story. And there are millions of stories in the naked city.

My father worked his guts out from 6am until 5pm every day in a thankless job that paid him nowhere near his worth. Then he’d come home and drink. Do you blame him? I sure as hell didn’t. He dreamed of reaching retirement age and getting a big payout. He didn’t make it. In one of the final lines in Arthur Miller’s cathartic play Death of a Salesman, “…No one dast blame this man…He just had the wrong dreams. All wrong.”

How much of our lives are wasted chasing the wrong dreams? “When I get a nice new car I’ll be happy!”…”When I get married I’ll be happy!”…”When I get a nice house I’ll be happy!”…”When I have a child I’ll be happy!”…”When I get divorced I’ll be happy!”… “When I can retire and live as I want I’ll be happy!” etc., etc. The truth is, we’re not happy to begin with. One thing I’ve learnt from my own experience is that money and success won’t make you happy. In fact, they will just amplify the painful reality that you aren’t.  In order to enjoy money and success, you must be happy within yourself before you obtain them. Otherwise they are weights around your neck that’ll drag you down to the bottom of the ocean.

Bob Dylan once said that “a successful man is someone who gets up in the morning and goes to bed each night and in between does exactly what he wants.” So, there you have it. Real success is freedom. The freedom to be who you are, and do what you want to do.

I’ve always admired people who are good at what they do. That’s probably a working class respect I inherited from my parents who much admired skilled tradespeople.

America used to have a healthy competitive pride whereby whatever job you had, people wanted to be the best at it. Whether it was driving a cab, being a shoeshine boy, a bellboy, a clerk, a hot dog vendor, etc.

I’ve seen waiters in Los Angeles, old guys who had made a career of it, and they were perfection personified. It was riveting to observe their attention to detail, manners, diplomacy, professionalism, and so on. The top guys made a fortune in tips and deserved every dime. But more than the money, they prided themselves on being the best. Some, were legends. I was in awe of them and paid them great respect. 

So, what is success? Is it determined by money? Or by your ability? Or what others think of you? Or how loved you are by your family? Or how many people know your name? Or how many of your peers respect you? Or how fulfilled you are within yourself?

Because, if we don’t know the answer to that, it means most of us have been striving for something that is so elusive, it is even beyond us. And, if we don’t know what we’re seeking,  how can we expect to find it? Or ever be content?

I like to walk a lot and, when I do, observe people. You could say it’s part of my job. And in my journeys into the outside world, I have from time to time passed many happy people. The happy family man. The happy young girl walking hand-in-hand with her love. The happy little boy who puts his protective arm around his younger sister and smiles at her. The happy busker who has a captive audience and a hat full of money. The happy taxi driver who loves to chat with his passengers and treat each as a new friend. And so on. To me, all these types are successful people. In the truest sense of the word. They are happy within themselves and thus radiate happiness outward. They have not been shackled by expectations. Either of our own making, or of others. 

I have also seen and met some of the wealthiest, most powerful and famous people in the world whilst I lived in L.A, and quite a few were utterly miserable, and made everyone in their presence feel the same.

In the some of the final lines of the classic movie, “It’s A Wonderful Life,” it is stated, “No man is a failure who has friends.”

I believe that. I have some very true, loyal friends. Their rock solid friendship make me feel successful, happy and content for having found them. No matter what I do professionally, or don’t do, or they do or don’t,  we have achieved something rare, precious and beautiful. Something real. 

 

(c) Frank Howson 2020

photograph by Vanessa Allan.

THE NEW VIRUS SPEAK.

Now is the hour of our incontinence made glory-holed by sons of Michael Yorke. “Bark” the Hells Angels sing. It is a Far East bitter thing I do now than I have ever dung. And on the bend the milk we shake is a quill to the love we break. Frankly, my deer, I don’t give a ram. And in the cruel, cruel, cruel of Jehovah, tell ‘em I’ll be bare. To flee or not to flee that is the equator. Four scored ears of men, our country assed us, “Do not ask what your country has done to you. Ask what you have done to your country.” And on the eighth day, God created mini-golf. These are a few of my Fahrenheit rings. Either this wallpaper blows or I do. “Right,” said Ted, are you having a larf?” At the third stroke, it will be a felony. Once I had a putrid glove. Love me Fender, love it tuned, all my screams are billed. When the goanna gets rough, get stuffed I’m goin’. Our father’s art is in heaven, Howard be thy blame. Twice upon a crime, a gem with windy hair lost her head in mime, and sad she loved me show. But that was ice above my lime, mammy months too low. Mammaries fight the confines of the blind. All clothed mystery mammaries of the day we stir. I luv you and dunce you regret it. It is the evening of the summer of the mourning that whence we came. The midget you fell through the floor, I could pee you were a mad ol’ distemper, a reel pig bender. I’m dreamin’ of a wide bagel, with hairy gals I sow. Fairy flossed da mercy. M-m-m-my Corona. Th-th-that’s Paul, yokes!

 

(c) Frank Howson 2020

FROM THE NEW UNDERGROUND

The emptiness of night followed me through a maze of situations that could’ve only been conceived by a drunk. 

There were rivers of regret that sprang from my life. But they were not things one could’ve sensed at the time would turn to swamp. Having crocodiles biting at my heels from an early age readied me for what would become my life. Once my parents were gone I felt like an orphan on the run. Perhaps, from myself. Sometimes heading here. Sometimes heading there. Sometimes resting my head on your breast for comfort until the dawn called me on, to face another confrontation. Another battle. Another disappointment in the human condition. Shedding skin after skin, always evolving into the person you see here today.

It’s painful when one realises that today the only truth is found in TV commercials. Everything else is a lie. At least the advertisements are honest about what they are. And what they want. We now have a Scared New World where material possessions are becoming less and less important as we’re forced to look inward for our satisfaction(s). For some of us, perhaps a first time visit to the inner world. It will be a confronting experience for quite a few who’ve filled their outer lives up with frivolous people and trinkets to distract from the reality of who they are. The bullies will discover that they’re actually scared little boys who’ve, for some time, avoided responsibility by targeting the lives of others. Some will hit a brick wall with the harsh reality that they’re not the nice, kind, giving people they have publicly projected without any actions that live up to their invented persona. This will irreparably break many and they’ll never be the same. Some will suicide rather than living with the hell of who they really are. Leaders will realise their old tried and true ways do not work, and become followers. Out of the flock will rise real leaders who’ll command not from ego, but from a true inherent spiritual wisdom.

Some will grow through adversity. It has been that way throughout history. Plagues and wars and disasters have thrown up heroes from the ranks of the ordinary.

Some will die. But this was already written, as all deaths are. Lives come to an end. It’s just a matter of when and how. Others will live on, because it was not their time.

My whole life as a creative person has prepared me for this seclusion. As a boy I’d withdraw from the world into my room to write, draw, play records and dream. I’d been born with the affliction of feeling things too deeply. A curse for my personal life, although a great bonus for my work. Where others saw beauty, I saw horror. Where others saw ugliness I saw splendour. Where some saw only desolation, I saw possibilities.

In my times of moral dilemma when one is confused as to what is the right decision, not only for you but taking into account its effect on those around you, I have sometimes thought of my literary heroes, both real and fictional, and wondered what decision they would’ve made. I’ve also thought of my historical heroes both political and spiritual for guidance. There are some decisions that are right at that moment but time eats their skin and fat away like a vulture and leaves only ugly bones that do not tell the whole picture. Yes, to fully understand, you had to be there. In that lonely moment. Yet, other decisions, thought foolish at the time, grow in rightfulness through the years, like a fine wine ripens to reveal its many magical textures until it reaches its optimum year to be savoured and appreciated.

I wonder what went through the minds of the passengers on the Titanic on that fateful, icy night when they realised there were not enough lifeboats. No doubt amongst many there’d have been panic, anger, frustration  and fear. Yet, in others I believe there would’ve been that silent resolution, and acceptance,  that this was it. The great mystery solved, and their ending revealed, as they stood motionless amidst the fanfare of screams and cries that encircled them. I imagine that quite a few would’ve looked around at the manic hysterical scene being performed all around them, and its contrast of the band calmly playing their scheduled after dinner musical programme, then, perhaps, noticing the moon and stars and night for the very first time. I mean, really seeing them. Sometimes we have to be shaken awake by tragedy to see things right under our nose that we’d never fully comprehended before. Sadly, we go through life in a half-dream state, following our standard daily motions and emotions like a blind person seeks the darkness as a level playing ground.

Sometimes we don’t even see the ones who truly love us. Such is our desperate rush to and fro seeking love in all the wrong people, as if purposely inviting disappointment to await us at each schedule stop upon our runaway train.

So, back to our time of solitary confinement. A time of soul searching (for some that won’t take long) and re-evaluation as to what we really need (now that the opium of bullshit in the material world has been stripped from us), to go forward into a new world. Hopefully. Now that the present Scared New World is ebbing, let’s hope it will be replaced by a Kind New World.

We can only hope.

In the meantime, we pass each other on the street wearing masks to protect us from the invisible enemy. We can’t tell whether the person approaching us is smiling behind their mask, or grumpy. To define that, we have to look into their eyes for the truth. But I guess that was always the case. Anyone can fool you with a smile. It’s hidden many broken hearts in the past. So, it’s the eyes that tell the real story.

“Ah, look at all the lonely people.” Yes Paul, look at them. Perhaps you’re one of them tonight. Ain’t life strange?

 

(C) Frank Howson 2020.

STAR

The thing about a star is, you can take that person and drop them into obscurity in some remote place that doesn’t know who they are, and given time, they will shine again. Stars do that. They are made tough by their early lives of not fitting in. But that very thing later became their strength and the foundation of their originality. They are conceived in darkness and magic. Pain and grit. Dreams and horrors.

Some grow a hard exterior to protect their extreme sensitivity. And most will misjudge them. Their guards are invisible to the eye, but shield the kindness that has been taken advantage of by far too many. They learn to save the very best of themselves for their work. So it is in the work that they truly live, and with some luck, live on. They appear to be social creatures but in truth are hermits. Existing only fully in the deepest, safest refuge of the soul. It is this situation that leads many observers to ponder why they are wiser in their work than they are in real life.

It is a lonely place being caught in the spotlight. There are no safety nets, no parents, no friends, no protection whatsoever, only pure sweat and talent. But it is only there, in that lonely space that has become their only world that means anything, that they know who they are. The rest of life is just hanging around and waiting. Some die from hanging too long.

The dream and the curse walk hand in hand in Lonesome Town, where the streets are deserted, and the bums possess all the knowledge of Life. The fortune tellers, having glimpsed the future, left in the dead of night. And the terminally bewildered wander aimlessly along that fine line between delusion and someone’s personal view of reality. It is a dangerous journey, without road signs, and lined with an endless array of fire-breathing windmills that will break a million Don Quixotes.

Once you have purchased your ticket for this merry-go-round, there is no getting off. You can attempt to stop what you do, but that will only create a bigger hunger for those wanting to gate-crash your fake death with more ill-informed opinions and senseless questions. There are no answers. That’s what Art teaches  us.

All there is, is a long road. A road you once tried to find love on in order to have a travelling companion.

You wonder whether you said the wrong thing, or gave too much, or gave too little. But, as already stated, there are no answers. Only questions. And these questions will surely drive you into madness.

Your torture for having finally amassed so much wisdom, is to have no one to share it with. That’s ironic.

But, that’s Life.

 

(C) Frank Howson 2020

UNEASY RIDER

“All they wanted was to be free, and that’s the way it turned out to be…”   The Ballad of Easy Rider.

I was recently saddened to wake to the news that Peter Fonda had died. At my age it has become a regular occurrence, almost daily, to hear about a dear friend, acquaintance, associate, or a boyhood hero checking out of this world.

When I lived in Los Angeles for nine years I was very fortunate to have met a large number of actors, musicians and directors that’d inspired me during my formative years. Some of them became friends, others I’d see around here or there and we’d give a nod and a smile. They were mostly nice people dealing with their own pressures, families, problems and all those things we too juggle. Just on a much bigger scale. The few I encountered that were mean or monsters were the pretenders. The ones who’d seized a spotlight or some power through bluff, marketing or manipulation.

The bigger the talent, the nicer the person is what I found. Mostly.

Which brings me back to Peter Fonda. I only met him once. It was in one of my favourite books stores, Book Soup, on Sunset Boulevard, and I was browsing the latest releases when Peter came in with some people and they began setting up a table for him to do some book signings for his autobiography, “Don’t Tell Dad.” The title referring to his father, the legendary actor Henry Fonda, who was described by his children as being strict, uncommunicative, and unaffectionate. He never told them, ever, that he loved them. One of those closed men from an era when it was deemed unmanly to show your feelings. Perhaps this explains why both Peter and his sister Jane became rebels. Pushing the boundaries, striving to achieve and seeking approval from others. Running wild in Hollywood.

Peter had nothing in common with his father other than looks. I chatted with him that day and he was a genuinely nice, kind, loving individual. Before the crowd arrived he even signed a complimentary copy of his book for me. He was a hippie, spiritually, until the end.

Carving out a film career had been difficult for Peter. When he started out he had to stand in the very large overpowering shadow of his father. Remembered not for his work, but for being Henry Fonda’s son. Then later, he would be referred to as Jane Fonda’s brother. It must’ve been a creatively lonely and humbling existence for him. In fact, in most of his early films he looks stilted and uncomfortable, devoid of any identity of his own.  If the trick to great acting is total relaxation, he was a long way from it.

Not making much of an impression in movies such as “Tammy and the Doctor” “The Young Lovers” and other forgettable fluffy fare, the offers dried up as he sat on the sidelines watching his father continue to shine in major movies, and his sisterJane soar in one film after another. It must’ve hurt Peter to have been thought of as the “loser” of the family, but perhaps those forces also shaped him as the gentle, unassuming, empathetic, kind man he became. He knew, in his own way, what it was like to suffer. To be ignored. Or dismissed.

Like many outsiders of the big slick Hollywood machine, Peter stumbled into the conveyor-belt Roger Corman “B” grade movie productions churned out for drive-in market. These exploitation films had budgets less than what real movies spent on catering. Some of them were shot in two days! And those that worked on them, usually had two or more jobs to perform. But Peter joined an illustrious company of other young, eager outsiders who couldn’t get a break in mainstream movies either. People like Jack Nicholson, Francis Coppola, Robert DeNiro, Bruce Dern, etc.

The brilliant thing about the Corman movies was that you learnt on the job, from experience, seeing yourself on the big screen and seeing what worked and what didn’t. You can now observe in these mostly crappy movies how Fonda and Nicholson go from stilted, self-conscious actors to guys who  become so comfortable in front of a camera, their true self shines through and magic is born. We see this in Fonda’s performances in “The Wild Angels,” and the LSD fuelled “The Trip.”

And so it was, with a small budget film called “Easy Rider” (directed by Dennis Hopper and starring Peter, who also co-wrote the script and co-produced it) that Peter Fonda became a huge international star in his own right, and a cultural icon to a whole generation of baby boomers. His character Captain America oozed quiet confidence and the cool factor in abundance. The way he moved, how he dressed, the manner in which he spoke, had us boys all trying to emulate him. He became our martyred hero who, like us, was so lost, confused and despairing about the world, that we dropped out of the ranks of what was expected of us.

One of the last lines his character utters in the film, just before his date with destiny is, “We blew it.” He doesn’t elaborate. It is a beautiful, sad, famously enigmatic line that in a way is a eulogy to a lost generation.

Although Peter went on and starred in many movies and won Golden Globe awards and nominations for Oscars, it is his character in “Easy Rider” that still haunts us. That cool, disenchanted, silent-type loner, searching for the meaning of life on the coolest looking motorcycle we ever saw.

The advertising by-line to the movie “Two men went looking for America, and couldn’t find it anywhere,” best sums it up.

Peter screened the final cut of the movie to Bob Dylan hoping that the famous troubadour would give permission for his recordings to be used for the movie’s soundtrack. But Dylan was so angered by the movie’s tragic ending, he said he’d only give his songs to the movie if the final scene was reshot and the bikers won. But Peter explained that the two leading characters had to be martyred. That’s what happened at that time, at that place, in America. Young people couldn’t beat the system.

So Bob took a piece of paper and scribbled these lines on it, “The river flows to the sea. Wherever that river flows that’s where I want to be. Flow river flow, let your waters wash down, take me from this road, to some other town…” He handed it to Peter and said, “Give it to Roger McGuinn to finish. He’ll know what to do with it.”

And do he did. Roger added the lines, “All they wanted was to be free, and that’s the way it turned out to be.” And “The Ballad of Easy Rider” was born. Dylan declined a credit as he’d given the lyrics to Peter, and the film, as a gift.

Peter Fonda was born to be wild. He is now free from the chains and restrictions of this earthly world. Free to ride the wind. To be a part of that beautiful dawn. To be as still and wise as the trees. And to flow with that river to the sea.

Farewell, dear Peter. Take it easy.

(C) Frank Howson 2019

THIS GREY PLACE

I died a week ago
About the time you left me
But no one has seemed to notice
I’ve been haunting some familiar bars
Speaking to strangers without getting an answer
I guess they’re dead too
There’s a lot of this going around
I think it’s called Limbo
The waiting room
Before we can move on
I’ve heard we are stuck here
Until we can make sense of it all
The room of the lost
I guess heaven is reserved for the winners
So that won’t be such a change
From what I’m used to
I don’t know what I did
Or didn’t do
To lose you
I hope I work it out soon
Because I can’t move on
You see?
Without some closure
Me, the one who vowed to love you
Forever
May be here a very long time
In this place where nothing grows
But remorse
This grey place
I kept my vow to you
Didn’t I?
And now there’s all hell to pay
What room are you in?

(C) Frank Howson

Photograph by Frank Howson.