Without doubt the most anticipated television series of all time has been David Lynch’s latest instalment of Twin Peaks. And therein lies the problem. That obsessive anticipation and expectation blinkered many to what they were actually seeing. Myself included. I had hoped that the series would go in a certain direction and it went the complete opposite route. But hasn’t Lynch always done this to us? He is obviously not creatively inspired unless he is taking risks and going where no one has dared ventured before.
Watching the new series I got to episode four before cashing my chips in. To me the main problem was that Special Agent Dale Cooper, the story’s protagonist, the character that is supposed to be propelling the action, was catatonic for those episodes and would remain so almost all of the series. I was brought up to believe that if your main character sat down too long, so did your show. Of course I was aware that Lynch doesn’t follow conventional story development, and I, most times, find that very exciting. But this was really testing the viewer. Almost in a cruel way. Many, like me, simply tuned out.
It has been rumoured that this was Lynch’s last project as director, so perhaps he didn’t really care about ratings and was experimenting with Showtime’s money.
This would’ve remained my opinion only for Richard Wolstencroft loaning me his blu-ray boxed set edition of the new season. Reluctantly, I put it on and started again at the very beginning. This time no anticipation. No expectations. And guess what? The slow burning magic revealed itself.
The famous first season of Twin Peaks changed television forever. But at the heart of the small town weirdness there was the narrative coat hanger of “Who killed Laura Palmer?” Lynch has admitted that the big mistake he and co-writer Mark Frost made was revealing at the end of the first season who the killer was. Once it was known, viewers lost interest in a second season. Lynch has said that “the mystery and investigation should’ve gone on forever revealing other smaller mysteries.”
Which brings us to the latest instalment. It is my opinion that Lynch has progressed far beyond a murder mystery in a small town. He is exploring the ultimate mystery – Who are we? Why are we here? Why do we do the things we do? And, do we sometimes stumble blindly into another dimension in a parallel universe?
Like the world, Twin Peaks is scary, frustrating, absurd, baffling, funny, provocative and harsh.
The darkness at the edge of town has moved into us. We are the mystery that defies reason and clarification. Each of us carrying our own hell and heaven within us. The more we delve the deeper the confusion driving many into the shelter of ignorance and small talk, sounding all the more bizarre and comical amidst the backdrop of impending evil.
Mention must be made of Laura Dern’s performance. She and Lynch have collaborated many times now and the ease and understanding of their relationship shines through. She is riviting in every scene she is in and her talent and instinct makes her one of the most versatile actors working in present day film. She is grossly underrated.
When Special Agent Dale Cooper finally wakes and re-enters this dimension in one of the final episodes it is almost a religious experience. Suddenly energised and coherent he is eager to continue his investigation. But what does Lynch do? Just as the pace is moving like a runaway train, he ends the series on what is possibly the biggest cliff hanger of them all. Will there be another season? Will we have an explanation? Possibly not. There are no happy endings in Twin Peaks. Only mysteries. And, true to life, many of them have no comfortable resolution. And so they go on. And so do we, fumbling around in the dark, drinking coffee, and looking for answers where there are none.
In November of last year Richard Wolstencroft felt it necessary to resign as Director of the Melbourne Underground Film Festival. At that time he asked me to take the reins and chart M.U.F.F’s overhaul and new direction. I accepted because I felt that the festival is an important outlet for emerging film makers to find their feet and their audience.
My acceptance of the top position was on the basis that I would have total autonomy to make changes and lead the festival into a brave new future.
Unfortunately after prolonged negotiations it has become apparent that the severing of the past and what is needed to create a totally free new system proved more complex and time consuming than either Richard nor I could have possibly envisaged.
So, it is my decision to not continue as my feeling is that M.U.F.F should be handed back to Richard, its creator, who will run it as a free speech absolutist event.
But, on the other hand, having put a lot of time and energy into a new look festival, as well as commencing negotiations with several legendary international film identities to visit our shores to as festival guests and share their experience and wisdom with us, I have decided to go ahead with a totally new film festival that will be clear to create its own identity and reputation as well as serve as another much needed outlet for young local and international film-makers. This I hope is not seen to be in any way competition with M.U.F.F but quite the opposite, another important spotlight that will include some categories not covered by M.U.F.F. It will also be run at a later date, in our summer months, at some very prestigious venues already locked in.
The Oz International Film Festival can assure you of a very exciting premiere season.
We welcome film-makers here and abroad to visit our website and submit their latest works for consideration of inclusion in our inaugural festival. Your films will not be judged on any bias to politics, race, gender, sexual preference or content, but purely on the execution of your film-making abilities, and a diverse and experienced jury of industry veterans will be announced within the next few weeks.
The festival will honour the bold, brave and adventurous new voices in the world of cinema and hopefully help some go on to be the new vanguard of the next generation of important film-makers.
I will be the Festival Director and ably assisted by Executive Producer Barry Robinson. Other appointments will be announced shortly.
Good luck and welcome aboard what we feel will be an exciting new chapter. We look forward to your submissions and you can trust that they will be very carefully considered, each and every one.
I have seen it all
But missed so much
What happened to our healthy life?
Did we lose our touch?
There are women out there
That want to thrill ya
There are men who stare
That want to kill ya
I'm living in a two room condo
I think I may've died but
The stubborn part is living still
Love is not for wimps
Or just a point of view
It waivers in the wind
When it doesn't ring true
I've been to hell
They know me there
Tell 'em Frankie boy says hello
If you dare
Everyone I meet
Is somebody's girl
My dad was Jack
My mother was Pearl
They taught me how
To survive our street
And to see the beauty
That comes with defeat
(c) Frank Howson 2018
Painting by Frank Howson (c) 2017
The living are always under attack from the dead. As night follows day so do those of darkness target those of light and stalk them with words of hero worship when, the truth is, the mere existence of those with a spark irritates them and they consciously or, in some cases, subconsciously, work toward the extinguishment of that flame. Wilhelm Reich writes about this condition in detail in his book The Murder of Christ.
The people of darkness use many tools to bring down the envied. Negative rumours, stories that are unfounded in fact, and a whole range of politically acceptable words to discredit their target i.e., Narcissist (this applies to anyone who is successful in showbiz who uses social media to promote their latest ventures) because the fact that someone may actually be getting off their fat ass and doing something reminds the person of darkness how meaningless and unfocused their own life is; Nazi (it is acceptable in today’s politically correct world to call anyone with an opposing opinion this and get away with it. This is disgustingly outrageous and unfair to their target whose only crime may be to have an original thought, as well as, obviously, making light of what the real Nazis did). But let me not bring logic into this lest I be called names. Anti-Semitic is a good one too in some cases. I have even witnessed Jewish people being called anti-Semitic because they dared to have an opinion that didn’t sit comfortably with the party line. Such is the out of control world we live in where the militant wheel gets oiled first and the logical debate is not only not considered it is condemned. Here we have a perfect storm for the people of darkness to not only hide within, but thrive.
Bob Dylan has predicted for some time now that we have entered the end game. Anyone who has studied theology and the predictions of the old prophets would have to concur. In my opinion we are currently engaged in the final war between good and evil, darkness and light, and the shadow people are only going to get more and more hysterical as things don’t go their way. They are currently very confused as to why things aren’t going the way of the Polls. Could it be divine intervention?
It is difficult to untangle yourself from a person of darkness because they are cling ons – spiritual vampires sucking your energy. And the more you give them the more resentful they will become towards you. For even your kindness is an irritation. A reminder of what they are not. They will insult you by praising strangers and even abusing and opportunistic ex-partners above your efforts to help, give and support. This is to make you crazy and so confused you will cease to be able to function and end up zombie like staring out a window into the light that was once your source. Do not under any circumstances feed them. Let well enough alone. Danger and madness this way comes.
So many battles I've had to fight alone. Betrayed by those I loved
the most, they were also the ones I had been fighting for. The
weariness of this realisation makes you weak at the knees and
yet you must continue to fight or else the duplicity of their
motives will win the day. You become hollow inside, not by cancer,
but by the fact that something deep and magical and life enhancing
has closed down never again to be reignited. You feel lighter as
you inch closer to death. All that remains on most days is a shell.
This is when you are called upon to become an actor and give
'em what they want. A performance. A great performance because it
is so convincing most people think you still function and have risen
above the hurt and damage of the shadow people. But then again, your
life, or what's left of it, hangs on the thread of your ability to
push on through the small talk and darkness of "What if...?" without
puking on someone's expensive shoes. So many amongst us are asleep
at the wheel and do not understand or care about what is at stake.
Love is a distraction. Pain is the only honest constant and it has
become your friend. You cannot be hurt anymore, which is
disappointing to a lot of women. You cannot be brought down any
further, which is crushing to many men. You cannot be bought,
because there is nothing you need. You cannot be humiliated
anymore, which is pleasing to God. For now all layers of bullshit
and make-believe have been ripped away. You are free now. God
almighty, free at last! You once had a dream too. But now you
have awakened to see the game for what it is. Nothing can scare
you now. You are impenetrable. This makes you frightening to those
who only operate by spreading fear amongst us. And at the dawn of
our demise you are noticeably at peace. And powerful again.
(c) Frank Howson 2017
Painting by Frank Howson (c) 2017
Once I saved
While others played
I came fresh faced
In a suit of blue
Sacrificed on the altar
Of others' agendas
Sent scurrying to find
Things that were never there
Was given love
Only to have it taken away
Was made to laugh
Until I cried
A man of peace
Hardened enough to kill
I always went crazy
In the final reel
"Since I lost my baby"
Is all I play
On every jukebox
That I find
In this burnt out wasteland
Of broken hearts
Second hand lives
The billboards tell the truth
There's nothin' down here worth savin'
We've filled our lives with shit
Auctioned off paradise
And gambled away the money
The writers get degraded
And then ignored
They're resented for knowing too much
About what makes things tick
Now there's a lonely kid
Livin' on the street
With dreams of makin' it big
But little does he know
He's already dead
Dead to the world
Dead on arrival
At the feet of the paedophiles
And the worshippers of Satan
Who shape shift
Into human beings
Regret is my supper
For turning my face away
From all the horrors I have witnessed
That killed me
Piece by piece
That didn't even believe themselves
Until it was too late
(c) Frank Howson 2017
I was born in St.Kilda
Lived most of my life here
Travelled the world searching for what was
Probably already found
And like the prodigal son I returned
My face lined with lessons learned
To the only place that ever felt to me like home
My childhood was spent in Fawkner Street
It was for a time my whole world
Among our neighbours were ordinary battlers
Sly grog salesmen
Public enemy Number one
Norm Bradshaw nicknamed The Beast for good reason
When he wasn't on the run
So did his in-laws The Shannons
and our next door neighbour, the Aussie equivalent of Bonnie Parker -
Colourful big-hearted contradictory characters
I remember the night that several rival gangsters
Kicked in Pretty Dulcie's front door and walked down her corridor
Spraying gun shots
One stray bullet came through our wall
and if it'd been a little further to the left
Somebody else would be standing here today
The 6 o'clock swill at the Barkly Hotel
Produced enough colourful characters and street poetry
To fill a thousand pulp fiction novels
There was no better grounding to be a writer or an actor
Than to stand on the corner of Fawkner Street and Barkly
And watch the cavalcade of originals spew out onto the street
and wander home in what seemed like a slow motion drunkard's dance
Two steps to the left, three to the right
Mr. & Mrs. Kilpatrick owned the corner Milk Bar
And were the moral guardians of the neighbourhood
If you were having a poor week
They'd give you supplies and keep a tab
You survived on your word and good name
In those days people trusted each other
My father worked for the St. Kilda Foreshore for over 30 years
His little office was under the biggest dip in Luna Park's Scenic Railway
and he looked after all the beaches as well as the O'Donnell Gardens
The latter was where a lot of my boyhood was spent
Playing while he worked
In my mind recreating Sherwood Forest, the Alamo and every John Wayne movie
Hiding in the bushes, climbing trees, attacking the cavalry
Developing an imagination
Robin Hood, Peter Pan, Davy Crockett and Spiderman
I fought beside them
Blood brothers every one
We used to save the world before each day was done
My mum worked across the road at Candy Corner
To me, in my memory, still the best lolly shop in the world bar none
And my dad, during the summer months
Would work a second job at night
Running the ferris wheel at the sideshows to the right of the Palais
My first public appearance was on the stage of the St. Kilda Town Hall
at the age of seven, performing "Give My Regards To Broadway"
Although to us, Broadway may as well have been the moon
Years later my father actually died in an ambulance outside the Town Hall
It was a fitting place for him to leave this world
For you see, our world was St. Kilda
It was engraved in our hearts
Everyone I have mentioned, other than me
Have gone now
They are ghosts that haunt these streets
and boulevards and beaches
You hear their faraway laughter on the wind
and see their outlines in the mist of dawn
The spiritual guardians of a place that was every bit as unique
as Times Square, or Soho, or Wanchai
Every weekend people from all over Melbourne would jump a tram
Or a train and come to St. Kilda
To see the freaks, hear the music, eat the exotic European food,
Rub shoulders with the ten most wanted
Poke fun at the bohemians
Sneak a guilty sidewards glance at the painted ladies
Eat the cakes of a thousand calories
And parade along the promenade with someone special
Please, for sake of all those ghosts,
Don't let the soul of St. Kilda die
Atmosphere can't be planned or created
It is a magic
Like stardust from the Gods
And once it's gone
It can't be explained
And it can't be fabricated
It's not a trick of Houdini
There is no recipe
It can't be reduced to something mortals can understand
But at the heart of it there is a truth
People don't come to experience a strip mall
Even if it has been exquisitely designed
They come to experience Life
That to me is St. Kilda
And our Art
Tells the world who we are
What we think
And where we come from
And like Davy Crockett at the Alamo
I'll defend that till the end
(Speech delivered at the opening of the St. Kilda Arts Crawl
September 21, 2017.)