SHINE YOUR LIGHT

Give me something that won't hurt
Give me someone who won't desert
Give me a reason to change my mind
Give me sight where I've been blind
Show me where I'm supposed to be
Show me the road that will set me free

I still believe in you
Even if the good book ain't all true
But I surely know
Even in the darkest night
You care enough
To shine your light

Take me someplace I ain't been
Take me to harbours I ain't seen
Take me away from myself
Tempt me not with greed and wealth
Show me where I'll be welcomed home
End all those nights that I've been alone

I still believe in you
Even if the good book ain't all true
But I surely know
Even in the darkest night
You care enough
To shine your light

I know we're not made to last
And we're just all passing through
And there's a price that must be paid
For every thoughtless thing we do
But I want you to know, before I go
That I still believe in you

Make me open in my heart
Make me grateful when old friends part
Give me the pleasure of memories
Of my joyful reveries
Even though some drift and are gone
Give me the strength to smile and go on

I still believe in you
Even if the good book ain't all true
But I surely know
Even in the darkest night
You care enough
To shine your light

 

(c) Frank Howson 2017

DAY IS DONE

It's push and shove
And Christmas Eve
You stole my heart
Now I wear it on my sleeve
And I'm standing here
Where a boy once stood
When he dreamed of worlds
That lay beyond the woods...

Daniel Boone and Peter Pan
Davy Crockett and Spiderman
We fought together
Blood brothers every one
We used to save the world
Before each day was done...

It's winter now
On Nelson Street
The shadow men
Celebrating my defeat
Never been afraid
And not about to start
So they stole my dreams
Don't mean they broke my heart

Daniel Boone and Peter Pan
Davy Crockett and Spiderman
I fought beside them
Blood brothers every one
We used to save the world
Before each day was done...

And I'm wishing hard
On every star I see
That you'll find a place
In your heart for me...

It's Silent Night
And final drinks
I'm too far gone
To hear what anybody thinks
Now I'm walking home
Can someone tell me
Where that is?
Somewhere someone wakes
To a Christmas kiss

Daniel Boone and Peter Pan
Davy Crockett and Spider Man
I fought beside them
And with Zorro I would run
We used to save the world
Before each day was done...

Before each day was done...

It's done...


Cc) Frank Howson 1998






NEW IDEA FOR MOVIE

A new film about giant dildos taking over the world. People running terrified through the streets because if they get you they fuck you up real bad.

(C) Frank Howson 2017

THE MAN IN THE BLACK HAT AND THE LONG BLACK COAT.

When I was a small boy living in St. Kilda, both my dad and mum would point out a man in a black hat and a long black coat to me. “You see that man, son?…Well he has been walking around St. Kilda for years. Long as we can remember. And he never seems to age. He must be a hundred years old!” Always intrigued by a good mystery, I from then on took great notice of this man. Over the years, as I grew to be a man, I would always look around at local markets, street performances, Luna Park, crowded Saturday night boulevards, and sure enough, there he would be. And as I aged, he always appeared to look the same. A middle aged man, neither smiling or frowning, just there. A face in the crowd. Being a romantic, I thought maybe he was the eternal wanderer. A soul who was chained to this life and the suburb he loved, and his limbo was to forevermore, or until God’s forgiveness was granted, wander aimlessly these streets in search of a meaning he had failed to dis-cipher in his life here.

When I’d see him, I’d always stand transfixed waiting to see if he’d return a smile, or a nod of the head, or just an icy stare. But no. Nothing. Expressionless. No eye contact. This was a man well used to being alone. His face looked like he was a foreigner. Perhaps from somewhere in Europe. Germany?…France?…Vienna?…Maybe he’d escaped the war and had left behind his loved ones, his home, his belongings…and like his friends he too had become a ghost. A shadow. A man cursed to wander this life as punishment for running away from his true destiny.

I too ran away from my loved ones, my home, my belongings…and for the same reason, perhaps. There were dark clouds forming and I’d been advised that I could be dragged into a swamp that, although masterminded by others, justice could be blind in such circumstances. I went to Los Angeles as, in some circles, my work was still respected there and possibly some jobs could come my way, which they did. For nine years.  I became a physician. A script doctor. Re-writing other people’s screenplays to make them better. No credit but the money was a living. Occasionally writing some songs that got into some movies. Writing my memoirs on my life in the movies business, well, all the parts that weren’t too painful to regurgitate at that time. The wounds were still too open and although time does heal, ones does remain maimed. It’s stated in the small print when we signed on for this life but one is always too preoccupied with excitement and hope to notice.

Although I had amassed a great deal of experience making 12 movies in Australia, the experience I received in L.A working with the legendary Arthur Hiller, Joe Eszterhas, Amy Ephron, Michael Richards, Martin Landau, Mark Rydell, Sally Kirkland, P.F. Sloan, John Grimaldi, Heath Ledger, Eric Burden, Bernard Fowler, Terry Reid, Waddy Wachtel, Rick Rosas, Sherry Lansing, Phil Jones, Michael J. Pollard, Stacy Michelle, John Savage, Helen Mirren, Jackie Lomax, Wade Preston, Creed Bratton, Damion Damizza Young, Peter Burke, Eric Idle, John Capek, Barry Robinson, Mike Smith, William Friedkin, Thea Gill, Jack Tempchin, Patricia Clarkson, etc., etc., etc., took me to a whole other level. How could you not learn something?

Nine years went by like nine months. The last two years in a haze of a personal heartache, the theft of an idea that I lived to see the thief make millions from as well as get honoured with the highest award a country can give for such an original idea, and the subsequent spiral from meeting too many people who weren’t really there.

If it hadn’t been for the kindness and humanity of Barry Robinson and Mike Smith, I most likely wouldn’t be here today. So if you want to blame anyone, you have their names.

So one day,  as the result of a turn of events, I returned from across the sea to my birthplace, St. Kilda. The first lyric I wrote as a result was…

This is my country, these are my friends, this is the place my journey ends, I stand before you my heart in my hand, a refugee in my homeland, I did my best, I fought my war, I’ve seen enough to want no more, May I lay my weary baggage down to walk inside your door? Send out the word that I’ve returned, my face is lined with lessons learned, I thought my day was almost done, but here I am, your prodigal son…”

Some time later, encouraged by my friend Richard Wolstencroft to dip my toe into the icy water again, I began a new film, “Remembering Nigel” – a film about a group of people remembering a man they once knew who is now deceased. Trouble is, everyone’s opinion of this man and their recollections of him are so diverse and conflicting you soon realise nobody knew the poor bastard at all! And the more they speak of him, the more they reveal about themselves. It is still deemed too original for most distributors to release into a marketplace filled with movies for 14 year olds.  It is an epic account loosely based on my life, heightened here and there for either comedy relief or dramatic punch. It is also a movie that connects with most people on a very deep, profound spiritual level. Well, that is, if you still have a spirit in this mad world we survive in.

When making this film, it became obvious that we’d have to see some funny flashbacks of Nigel. But in order to retain that underlying message that we are all Nigel, how best to capture that? Well, seeing I was directing, it was easier for me to portray Nigel as I was obviously on set all the time, so, whenever we had some downtime or an actor was running late, the crew and I would knock off some Nigel flashbacks.

Whilst in preproduction, I was out in Chapel Street one day and saw a shop with a huge half price sale on. Not intending to buy anything but a bit of time on my hands, my instinct steered me into the store to browse. And there it was. Only one left. And miraculously in my size. A rather uniquely cut long black coat. I knew instantly this was Nigel’s everyman attire. I scooped it up, and then it became obvious a black hat was needed, and that we’d only ever shoot Nigel from behind and never see his face. The black hat and the long black coat would be to Nigel what the Lone Ranger’s blue suit, white hat and mask were to him. As Martin Landau summed up when he saw the rough cut, “Everyone who’s ever felt misunderstood in their life, will see themselves as Nigel”.

Which brings me back to the man in the black hat and the long black coat who wandered St. Kilda for years, and who I actually saw again whilst filming Nigel’s death on St. Kilda beach one rainy overcast day. Or perhaps my eyes were playing tricks on me. But I swear I saw him in the distance walking away along Jacka Boulevard that grey misty late afternoon.

After we wrapped the filming and it was all in the can, as they say, I, in the habit of wearing the black hat and coat, continued to do so. Only recently did I have the epiphany that I have become, around St. Kilda, the man in the black hat and the long black coat. Sometimes I see people pointing me out, perhaps a few here and there know of me or my work, or maybe a father or mother are saying to their child, “You see that man?…Well he has been walking around St. Kilda for years. Long as we can remember. And he never seems to age. He must be a hundred years old!”

So perhaps I have been recast as the eternal wanderer. And my journey has a long way to go.

 

(c) Frank Howson 2017

 

photograph by Vanessa Allan.

MADMEN IN THE WILDERNESS

I saw a crazy man in the heart of the city cursing the people he passed, cursing the buildings, cursing someone long gone, cursing God for this Purgatory.

People reacted in different ways. Some froze and willed themselves to be invisible, some scurried away in the opposite direction, some watched in that detached zombie way people stand transfixed at car crash sites, fascinated by the sight of real disaster and yet non-reacting as though watching a movie play out.

So what does it take to make someone just crack one day? One huge life tragedy too much, or a series of small ones too close together that defy our idea of logic and fairness? Perhaps if we raise our voices above the rumbling wearing down drone sound of the busy city traffic, God will hear us?

Why does our Maker withdraw his grace and allow us to free fall through darkness and scorn so far from home? Or are we meant to always be alone in search of ourselves in others, a perilous journey not for the fainthearted. Or the dreamers.

Maybe the crazy man in the street had been chosen to heed his inner calling to join the wild throng and it is therefore in the madness that lies the ultimate truth?

Was Don Quixote mad because he chose to see the world as it should be? Or were the people who gathered to ridicule and laugh at his expense the mad ones?

John Lennon, during his time, was called mad by many, especially the press and the conservative establishment. But his brutal death at the hands of, ironically, a mad man has now elevated him to the status of martyr and messiah. Today, his human flaws have been sanitised to fit what is acceptable in the gospel of his life. The nobody mad man who shot him for a shot at immortality got a life sentence, while the famous mad man got death. And then in death, rose again.

When you look closely at it, most of our true heroes in history were called mad during their lifetimes because they attempted to do something different. To shine a light into the darkness that most of us are afraid to acknowledge. To take us where we would never have dared go if not for them. To make us think and, more importantly, to make us feel. In achieving this, a great many of them paid with their lives so that we may live.

So next time you see a mad man or woman in the street, spare a few seconds to ponder the forces that shaped them. And perhaps in those seconds we may awaken the humanity in ourselves.

(c) Frank Howson 2017

MY CONVERSATION WITH GOD

My birth was a bit messy from recollection and ever since I have been flaying around like a man drowning in gasoline. People have come and gone in my life, some leaving an impression, others facial scars, but still, I wouldn’t change it even if I could shoot them.

Life is funny isn’t it?

Sometimes you win and sometimes the cards are stacked against you. Still, it keeps us occupied doesn’t it? I mean, otherwise we may turn into animals and attack each other thinking there was no purpose to it all. But the good news is, there is. I can say this with all certainty now as only a few weeks ago I was stirring my pot of porridge when I saw God’s face on the surface. He said unto me, “Listen, go forth and tell all the fucking morons that I have spent a fortune on this human experiment and have nothing to show for it. Other than one lovely Jewish boy and he doesn’t count because he is related on his mother’s side. All I ask is that you scumbags make a little effort and be nice to each other. It’s not brain surgery y’know? Oh, and your porridge is ready.”

I have since taken to the streets spreading the good news that God is alive and still loves us. And that we need to be kind to each other. In return I have been beaten, spat upon, cursed, betrayed by friends, had my sex tapes made public by Billy Bush, been blacklisted by Hollywood, been lectured by Robert DeNiro on morality, and treated by the media worse than Donald Trump. It could’ve been less kind, though. I could’ve been treated like Joan of Arc and roasted like a chicken as a public entertainment. Thank God I wasn’t a woman.

These days I keep to myself and have stopped eating porridge lest I get any more messages from you know who. I mean, I myself, even, don’t know why God chose me to be the bearer of his good news although he does have a history of choosing flawed messengers. Life is complicated enough without all that.

Father, forgive us we know not what we do.

(c) Frank Howson 2017

MONUMENTS IN THE SAND

The poet took a machete and cut his way through the field of golden daffodils coughing up blood from too many cigarettes, cheap whiskey  and women gone bad. His field of dreams had been burned by looters years before and the only place he felt comfortable with now was a field hoed by blood, tears and guts. He had learnt the hard way that this was the only place a poet could write the truth. That the ugliness outside will always drive you inward.

He was well aware that there was no escape clause in his contract and no safety net for those who braved the high wire. It wasn’t that he didn’t believe in God, they just weren’t on speaking terms since the Almighty had conspired to take Ruby from him in such a messy way.

He thought it was fitting that his best prose was written on toilet paper. He no longer craved awards or acknowledgements because he’d worn his heart out in the wanting when he was hungry and young, during that long drought before the rains came. Now, the only public he had was himself and the voices inside his head. Some belonged to long gone friends who, in his mind, would give him a slight smile and a nod when he wrote something that was real.

This was his domain now. Building monuments in the sand and watching the tide wash them away, lost to everyone but those it really mattered to.

Then he’d wander home to rest in the field of devastation to dream of beauty. After all, that was his job.

(C) Frank Howson 2017