YOU LOVED ME

We had our reasons
Gone like the seasons
Hollow excuses
Followed phony abuses
We lodged our defences
And lost our senses
Now here we are
It feels so bizarre

Before then
You loved me
You loved me
You loved me
What did I do
That couldn't be forgiven?

I bought your vision
Stubborn indecision
Lonely refugees
Tryin' too hard to please
If this be destiny
We've been lost at sea
I still feel you near
But you're gone I fear

Before then
You loved me
You loved me
You loved me
What did I do
That couldn't be forgiven?

They'd never seen two so in love
We were everyone's ideal
But when the chips were down
The devil reneged on the deal
And in that crowded hour
When I turned to find my friend
You were nowhere to be seen
And our song was at an end

Before then
You loved me
You loved me
You loved me
What did I do
That couldn't be forgiven?

Excuse me for livin'


(c) Frank Howson 2019

photograph by Vanessa Allan. 



I REMEMBER YOU

I remember you
Even more painful, where and when
You told me when it was over
That you'd find me again
So you searched all the hostels
Inhabiting lonely men
I was killed by your mouth
You were killed by my pen

I told you I liked chocolates
So you bought me a cigar
You have a cruel talent
For pushing me too far
I remember walking miles
While you passed me in your car
The same one I'd bought you
When you became my star

Now the years are conspiring
To drive me insane
Along with some of my friends
Who only deal in pain
So let me spell it out
To you nice and plain
My dance is slowly fading
And it failed to bring you rain

I'll soon be gone like Jesus
To never come again
You nailed me to your cross
And made me watch you with other men
They all hurt and manhandled you
And I shed tears for my precious friend
But you stood with them and mocked me
I should've known how it would end

(c) Frank Howson 2019

UNTIL THE BROKEN HEARTS HEAL

Let us kneel and say our prayers
That something hears our call
We think too deep
And we see nothing at all
Rome wasn't built in a day
But I bet it took an hour to fall

Let us not weary in our cause
Until we right the wrong
A place is not a home
Until you feel you belong
A country isn't great
Until it looks after its own
To value true friendship
You must walk many miles alone
Let us not rush to condemn
Until we know what's real
Let us try a little kindness
Until the broken hearts heal

Let us not worship false gods
Like money or power
For we will see their futility
In our final hour
And when we face the truth
May we hold our heads up high
And know we did our best
And that the seeds of those deeds won't die
And that the judgement we're given
Can't be argued or repealed
For the best of us did not rest
Until the broken hearts healed


(c) Frank Howson 2019 

Photograph by Frank Howson 2019 Mui Wo.

IF I SHOULD DIE TONIGHT

If I should die tonight
What would I say?
I'm glad you came along
And chose to stay
And thank you for the love
Shown to an orphan gone astray
If I should die tonight
That's what I'd say

If I should cry tonight
Don't turn away
You've been my ray of sunshine
Come what may
You helped me through the storm
Through all the nights that followed day
If I should cry tonight
Don't turn away

You see me
When others don't
You're the one who tries
When others won't
In the temple of truth
I was humbled and confessed
If this be love
Then I've been blessed

If I should die tonight
What have I learnt
From all the battles fought
And bridges burnt?
I bore a heavy load
Through all those dreams that wouldn't cease
If I should die tonight
God grant me peace



(c) Frank Howson 2019

WHAT AM I BID?

He's in that room
Second door to the right
Asleep on the couch
Exhausted from trying to make sense of it all
And from staying out of anyone's way
He can't play the person he was anymore
The clothes don't fit
The lines don't ring true
And the lighting isn't right
All of his happy endings
Added up to one massive disaster
He stood up once
To be shot down
But that bravest hour
His finest
Misreported by many
Cost him more than money
And years
And the loves of a life
Although the fire was extinguished
Some embers still burn
When it's that three o'clock hour
And the world is silent and God whispers "Don't worry"
To thwart the attack of the shadow people
For it takes a lifetime
To realise
That the more you're taught
The less you think you know
It's all part of the process
Of shedding skins
In order to set the spirit free
From the chains of this world
For you have to be beaten
And mocked
And fall
Time and time again
On your road to humility
That will eventually carry you
Above these prison walls
The world has been taken over by idiots
And statisticians
Gossips shows and celebrity chefs
And is a place where a couch
In a tiny room
Has become someone's refuge
As he puts on his coat
And goes walking with his ghosts
Into a familiar surrounding
That is at last bearable
As he wanders
With the knowledge that
With wisdom comes predictability
And explains God's boredom
With us
Can you imagine?
Few can
Take this man
Oh, take him, Lord
He who lived with trauma
And the insanity of hope
And walked streets that turned back into themselves
Like people do
And was insulted, defamed and betrayed
By those he'd shown the most kindness to
How much am I bid for his heart?
It's weary from caring
But it is still in working order
What do I hear for his love
That has the capacity to extend to so many
For so little in return?
What am I offered for his feet
That have walked the world many times
And yet were still able to stand while others fell?
What will you give for his voice
That was silenced for a time by experts
Who feared his truth?
Going once
Going twice
Sold



Words (c) Frank Howson 2019

photograph by Bruce Woodley. 




 

 

 

UNEASY RIDER

“All they wanted was to be free, and that’s the way it turned out to be…”   The Ballad of Easy Rider.

I was recently saddened to wake to the news that Peter Fonda had died. At my age it has become a regular occurrence, almost daily, to hear about a dear friend, acquaintance, associate, or a boyhood hero checking out of this world.

When I lived in Los Angeles for nine years I was very fortunate to have met a large number of actors, musicians and directors that’d inspired me during my formative years. Some of them became friends, others I’d see around here or there and we’d give a nod and a smile. They were mostly nice people dealing with their own pressures, families, problems and all those things we too juggle. Just on a much bigger scale. The few I encountered that were mean or monsters were the pretenders. The ones who’d seized a spotlight or some power through bluff, marketing or manipulation.

The bigger the talent, the nicer the person is what I found. Mostly.

Which brings me back to Peter Fonda. I only met him once. It was in one of my favourite books stores, Book Soup, on Sunset Boulevard, and I was browsing the latest releases when Peter came in with some people and they began setting up a table for him to do some book signings for his autobiography, “Don’t Tell Dad.” The title referring to his father, the legendary actor Henry Fonda, who was described by his children as being strict, uncommunicative, and unaffectionate. He never told them, ever, that he loved them. One of those closed men from an era when it was deemed unmanly to show your feelings. Perhaps this explains why both Peter and his sister Jane became rebels. Pushing the boundaries, striving to achieve and seeking approval from others. Running wild in Hollywood.

Peter had nothing in common with his father other than looks. I chatted with him that day and he was a genuinely nice, kind, loving individual. Before the crowd arrived he even signed a complimentary copy of his book for me. He was a hippie, spiritually, until the end.

Carving out a film career had been difficult for Peter. When he started out he had to stand in the very large overpowering shadow of his father. Remembered not for his work, but for being Henry Fonda’s son. Then later, he would be referred to as Jane Fonda’s brother. It must’ve been a creatively lonely and humbling existence for him. In fact, in most of his early films he looks stilted and uncomfortable, devoid of any identity of his own.  If the trick to great acting is total relaxation, he was a long way from it.

Not making much of an impression in movies such as “Tammy and the Doctor” “The Young Lovers” and other forgettable fluffy fare, the offers dried up as he sat on the sidelines watching his father continue to shine in major movies, and his sisterJane soar in one film after another. It must’ve hurt Peter to have been thought of as the “loser” of the family, but perhaps those forces also shaped him as the gentle, unassuming, empathetic, kind man he became. He knew, in his own way, what it was like to suffer. To be ignored. Or dismissed.

Like many outsiders of the big slick Hollywood machine, Peter stumbled into the conveyor-belt Roger Corman “B” grade movie productions churned out for drive-in market. These exploitation films had budgets less than what real movies spent on catering. Some of them were shot in two days! And those that worked on them, usually had two or more jobs to perform. But Peter joined an illustrious company of other young, eager outsiders who couldn’t get a break in mainstream movies either. People like Jack Nicholson, Francis Coppola, Robert DeNiro, Bruce Dern, etc.

The brilliant thing about the Corman movies was that you learnt on the job, from experience, seeing yourself on the big screen and seeing what worked and what didn’t. You can now observe in these mostly crappy movies how Fonda and Nicholson go from stilted, self-conscious actors to guys who  become so comfortable in front of a camera, their true self shines through and magic is born. We see this in Fonda’s performances in “The Wild Angels,” and the LSD fuelled “The Trip.”

And so it was, with a small budget film called “Easy Rider” (directed by Dennis Hopper and starring Peter, who also co-wrote the script and co-produced it) that Peter Fonda became a huge international star in his own right, and a cultural icon to a whole generation of baby boomers. His character Captain America oozed quiet confidence and the cool factor in abundance. The way he moved, how he dressed, the manner in which he spoke, had us boys all trying to emulate him. He became our martyred hero who, like us, was so lost, confused and despairing about the world, that we dropped out of the ranks of what was expected of us.

One of the last lines his character utters in the film, just before his date with destiny is, “We blew it.” He doesn’t elaborate. It is a beautiful, sad, famously enigmatic line that in a way is a eulogy to a lost generation.

Although Peter went on and starred in many movies and won Golden Globe awards and nominations for Oscars, it is his character in “Easy Rider” that still haunts us. That cool, disenchanted, silent-type loner, searching for the meaning of life on the coolest looking motorcycle we ever saw.

The advertising by-line to the movie “Two men went looking for America, and couldn’t find it anywhere,” best sums it up.

Peter screened the final cut of the movie to Bob Dylan hoping that the famous troubadour would give permission for his recordings to be used for the movie’s soundtrack. But Dylan was so angered by the movie’s tragic ending, he said he’d only give his songs to the movie if the final scene was reshot and the bikers won. But Peter explained that the two leading characters had to be martyred. That’s what happened at that time, at that place, in America. Young people couldn’t beat the system.

So Bob took a piece of paper and scribbled these lines on it, “The river flows to the sea. Wherever that river flows that’s where I want to be. Flow river flow, let your waters wash down, take me from this road, to some other town…” He handed it to Peter and said, “Give it to Roger McGuinn to finish. He’ll know what to do with it.”

And do he did. Roger added the lines, “All they wanted was to be free, and that’s the way it turned out to be.” And “The Ballad of Easy Rider” was born. Dylan declined a credit as he’d given the lyrics to Peter, and the film, as a gift.

Peter Fonda was born to be wild. He is now free from the chains and restrictions of this earthly world. Free to ride the wind. To be a part of that beautiful dawn. To be as still and wise as the trees. And to flow with that river to the sea.

Farewell, dear Peter. Take it easy.

(C) Frank Howson 2019

A JOYFUL WOMAN

We tried to live a simple life in a complex world. Surrounded by all the dangers, temptations, frustrations and good intentions gone south. We had a simple love, in that sweet naive time before the reptilians took over and the war designed to have no end began. 

All I knew was that I loved you, and you loved me. Nothing much else mattered. And if the world we knew came to an end, I’d love you in the next too. 

Your beautiful face and inner joy were the only drugs I needed to keep going.  You made me smile. You made me dance. You made me hope for more when I’d given up hoping. 

Each day we’d plow the fields, sowing for the harvest that would keep us full during the winter months. 

Life was good and the people we knew were fun. Until they weren’t anymore. But they weren’t as lucky as us and life made them bitter. 

Sometimes I’d whisper your name in a reverential prayer when my road narrowed and  the nights became too dark to see ahead. 

 Some people became envious of our joy and sought to steal it, foolishly thinking they could replicate the recipe, but they burnt the base. 

They burnt us too. 

These days I don’t punish myself by thinking of love, and have accepted my life of solitude. Sometimes we have to sacrifice joy to obtain wisdom. Sometimes I long to be a happy fool again. For there is a penalty in knowing too much. 

My wisdom has told me that angels must leave. They weren’t meant to be chained to this mortal earth, or to us flawed humans. And so, it is as it should be. Fly on, my darling, fly on. It was all my fault, dreaming that I could keep you. 

But perhaps our time will come. Again. And I’ll not awaken my wisdom, and instead, pretend I don’t know the ending. 

And so on. And so on. 

 

(C) Frank Howson 2019