I was awakened to the end
From our waiting sleep.
He was going and it wasn’t long.
Sitting in his chair,
He bid us all farewell.
We were too scared to cry,
Too lonely to try,
Though we sat at his side.
Death left its calling cards years before,
But in morning’s safety had waited.
Gasping for breath that wasn’t there,
Holding our hands that were.
He never cried a lonely tear
Or closed eyes that knew only hope,
To those past long nights
When nightmares were life.
They came for him, ready as he was.
We brushed his hair and washed his face.
He knew, and we knew,
Though nothing did we say
Lest we frighten the other.
Yet I screamed so loud in my silence
And cried so long in my pain.
So many things left unsaid,
But, oh, think of the times we spent,
And don’t bring flowers for the dead
Unless he saw them in life.
Just think of his humour as dry as the sand,
And his smile as big as his heart,
And those eyes as blue as the sky
And twice as wise.
Even now we miss him,
Every day I’ll wish he were here.
He loved us more than he loved himself.
We loved him back as much.
Something’s gone now forever,
Part of us is gone with him,
And in the still of things a night voice screams — “God, I’m as lonely as hell.”
I applied for a government grant
But was knocked back on a technicality
They thought I had talent
Some asshole suggested I get a second opinion
I came wanting
Pushed into this world
A dark room
With much huffng and puffing
Blood and tears
Born into a religion
That gave me the assurance of heaven
If I followed the rules
(Made by man
To ingratiate himself to God)
I read much about this God
And learned that in his youth
He was like us
Quick tempered, revengeful, slow to forgive
But, also like us, he mellowed
In later years
And ordained a common man
As his adopted son
To bring us the good news
That God had changed
He was now non-judgmental
Forgiving, compassionate, and
Like your favourite grandfather at a Barbecue
A joy to be around
But when his chosen son
Was railroaded by a fixed jury
Of the envious and the threatened
And was killed in the most agonising and cruel death ever invented by man
God withdrew from the world
He had over estimated us
And like all those that do
We deeply disappointed him
Some say he died
Some say he’d never existed to begin with
Some say he was just sad
And a sad God cannot rule
In his absence we were left lost
And scared as to how to go on
This manifested itself
In self destruction
And we have since sought many unique ways to achieve this
For those with money
It was drugs
For those without money
It was drugs
The cowards way out
Because the burden of living
And doing the right thing by each other
Was too great a responsibility
So, like God,
We, in our own way,
Have become sad
And withdrawn from the world
Most of us can’t be bothered voting
And then complain about the leaders we are saddled with
Who, in their naive stupidity
Attempt to lead us out of the darkness, and try to sell us some strong medicine to heal our wounds
And, if they don’t succumb to compromise and side deals
The shadow people shoot them
Or they’re found hanging from doorknobs
Their deaths a question mark forevermore
In the file marked
“Believe It Or Not”
The weight of carrying the cross of responsibility
Is indeed great and we are not programmed to stand it long
Falling time and time again
On our lonely agonising walk to our own Calvary
And in those dizzy blindingly excruciating final hours we find ourselves confused and insecure and doubtful
Because we were promised
An assurance of Heaven, you see?
A free ticket
An escape route
A place where we’d be welcomed and loved and held
God shouldn’t be hated or blamed for spreading this dream
He meant well
He just forgot that we are human
And always looking for the easiest option
We have no loyalty
Other than to the junk man
And that’s because the junk man has something we want
But unlike heaven
We can see it, feel it, at a cost
It may not be paradise
But in those despairing moments
We have lowered our expectations of miracles
It numbs us and that’s enough
To get through another lonely night
But why burden ourselves
Worrying about it
When it brings momentary relief
Like a happy finish
It ain’t love
But it’ll do
Tomorrow we can wake to the aftermath nightmare
Let us just drift
Into our dreamtime
Our glimpse of grace
The small change
That we don’t deserve
But were born into
Like thieves in the temple
Women are not madonnas
And men are not messiahs
We have more in common with a sewer rat
And just as much cunning
They say rats will survive the end of the world
Perhaps we will too
Having brought about the ultimate destruction
It would be just if we were made to live in it
My own condition is of great concern to no one
Well, maybe someone in Rumania
Frets about me
But if so, I am unaware
And in this state of ignorance
In some year of our Lord
I begin this…
All I know of today
Is that dawn came on time
And that I have ruined dinner
And every chance I had to be free
I mistook sex for love
A handshake as a promise
An enemy as a friend
And money as happiness
Someone more mature
Should’ve had my life
They’d have known what to do with it
But they’d have never known the exquisite bitter sweet taste of loss
Of having no further to fall
Which in fact gives you some real security
I have been betrayed by many friends along the way
But at least I drew evil into the light so that I now recognise its face
If there’s no afterllife then why have we been made to learn all this wisdom that can never be put to use in this world that is built on false values?
But maybe God’s sadness has turned to boredom
And this is some kind of ironic game for his enjoyment
Come to think of it, if there is an afterlife why the fuck would God want us there?
Perhaps we have inherited our self destructiveness from him!
Freud stumbled upon this theory whilst smoking himself to Death on a cocaine binge.
Maybe you have to be stoned in order to see through the surface bullshit and glimpse the truth?
We on earth are angry.
We have awakened to find all our heroes dead. We didn’t win the lottery. Every war fought was just a lie. And the Vatican is run by Satanists.
But apart from that everything’s just fine after a few pills.
The most damaging drug I was addicted to was women. They quite clearly got me up and then nowhere. I’ve come to realise that two people can’t live one life. Unless there’s huge compromise and compromise breeds resentment. Both have to forfeit dreams in order to keep the relationship going. This leads to you both acting roles in each other’s company making out that this dire situation of strangulation is actually bringing each other bliss. After awhile you start telling bigger and bigger lies until you get caught out and it’s over.
As a child I loved the circus. In many ways it tells you everything you need to know about Life.
Cigarettes were my friend right up until the time they weren’t.
You were my friend too. Right up until the time you weren’t.
I die so hard each time I think of you. But never learn the easy route, always doomed to take the long way home. Alone.
Born into a world hellbent on bringing about its own destruction, what hope did we have?
I drive around
The desert is beautiful
The stars are so clear
The air is so thin
One can almost forget oneself
And sometimes on the wind I hear you calling my name. But from your lips it now sounds like a curse word. And in the mist of early winter I sometimes see your vision of who I imagined you were.
And our dissolving future.
So, it’s once around the clock we go. Our history of joy squeezed into a crowded hour, before the sun set for good.
If there is a heaven, will you be there? If so, I may have to make other plans.
Tell me stories about our life
Did we have fun?
Were you truly happy when you told me you were?
Because, you see, I was happy when I thought that to be so
And if you take that back now my life suddenly means nothing
And the doctors have nothing to give you to treat wasted years
And it breaks so many
To fall so far
So, let us just sit in the sun
On our favourite bench
Surrounded by the trees we named
Like we used to
When we held hands
Like each other was the most precious thing in the world
And it was
Or so I thought
Please tell me now
Was it true for you?
Or were you just being kind
When you said you were mine?
Were you settling for less
Than you believed the world owed you?
Do you feel that you threw away your life
So I could live?
Because if you did
You have killed us both
And our life was just a one-sided
Perhaps I worry too much
In these September years
But you’re all I have
My only constant
In a world that has lied about everything we’ve been told
For the last 50 years
A governmental plan to confuse us But enough about lies
To whatever it was that got us through
Let us take some time out
And sit in this park
And you do the talking
Hold my hand
And tell me stories about our life
The word enigma doesn’t come close to describing Bob Dylan. For a start he’s a Gemini – the sign of the twins. Duality. He once said he wakes as one person and goes to sleep as another. And that’s before we add all the different masks he’s worn, and the myths that have been woven by others, and by himself. This is no doubt an attempt by him to protect his true self – Robert Zimmerman. Bob Dylan was his invention and as such even his own autobiography “Chronicles Volume One” contains numerous things that are fictional. Again, adding to his own myth as a means of throwing people off the scent of this fiercely private man. He writes about Bob Dylan like the old Wild West reporters wrote about Billy The Kid, Davy Crockett or Jesse James. “When the legend becomes fact, print the legend.”
There must be many hundreds of books published about Bob Dylan. And why is that? Because he continues to fascinate us. We can’t work him out. Scratch the surface and you just come up with another surface. But I think this has always been his masterly plan. In the words of the late, great Alex Scott after seeing the movie about the life (or lives) of Bob Dylan, the aptly titled “I’m Not There,” Alex said, “I knew more about him before I saw this movie!” Precisely. Or did you? I’ve had the good fortune to know quite a number of people who have known Bob for many years as a friend. And the words they use about him are “kind,” “sweet,” “gentle,” “loyal,” and “sensitive.” And those qualities are precious and need protection. “They say every man needs protection.”
Last Monday and Tuesday nights in Melbourne, a troubadour playing the role of Bob Dylan took to the stage at the Margaret Court Arena. No grand entrance. He merely sauntered on as a member of his band and found his designated place at the piano. No hello and no goodbye. Just two hours of brilliant songs, some old, some new, that any writer would give their soul to have written just one of them. But here is a small man trapped in the spotlight that has a catalog of so many classics they are too numerous to name. He has given us so much, and continues to give, thank God. When so many of our music heroes are gone, some cruelly taken from us who had so much more to give, we truly should be thankful that Bob is not only still alive, but continues to spend the majority of each year on the road performing for our pleasure.
Some people complain that he just stands there and sings his songs. There are no “showy” effects. No scripted witty repartee. But I continually have to remind some disappointed patrons that that’s all he’s ever done.
Bob was once asked if he still gets nervous before a show, to which he replied, “No. Never be afraid of disappointing people.” At first when I read this quote, I laughed thinking it was just another example of Bob’s very dry sense of humour. But the more I thought about it, the more I realised the heart of what he was truly saying. There is no point worrying about a performance. It will either soar or it won’t. He is not slick, nor does he want to be. He is an improv artist. A method actor. He has the same inspired, spontaneous genius as Brando. Always reaching for that unplanned moment of pure magic. The trouble with being that bold is that sometimes you miss the mark totally and run the risk of being ridiculed and walked out on. All of the greatest innovators have at one time or another been ridiculed and hung out to dry. But they’re the ones we remember. The brave ones. To be totally unique is a very heavy cross to have to carry. A lot of people will not “get” what you’re doing. Or what you’re attempting. But if everyone played by the tried and proven formula, where would the excitement be?
Bob has literally never looked back. The range of material he has tackled is extraordinary and at the age of 77 when most artists are happy to coast on their back catalog, Bob is still taking chances. Spare a thought for the huge risk he took in attempting, at his age, five albums of crooning the American Songbook. Yet those albums have been big hits and in some cases even named among the Top Ten Jazz Albums of that year.
But this is the same man who, just as he reached the pinnacle of the folk music world, went electric and angered the majority of his then fans. Next, just as he won most of those fans back with the electric mercury sounding masterpiece that was “Blonde On Blonde,” he goes country music. More angst from fans. Then he rebounds with introspective “Blood On The Tracks” about the pain of his divorce. Then Jesus popped into his life and we had the Gospel Years! Then, just when everyone thought he was no longer relevant, and running on empty, he comes back with arguably his best album, the multi-Grammy Award winning “Time Out Of Mind.” Then the Christmas Album. Then the Sinatra inspired saloon song standards. This man deserves a medal for bravery.
Oh, and when people say they don’t like his voice, I always ask, “Which one? He’s had about 6 different voices over the journey.”
As his dear friend George Harrison once described him, “He is a friend to us all.”
It filled my heart with warmth and my eyes with tears to see him perform such a spirited and brilliant concert last Tuesday night. It certainly was the inspired spontaneous magic he strives for.
And then, without a word of farewell, he was gone. But rest assured, he’s still on the road, headin’ for another joint.
I dreamed that you will come to me
In the land of no surprise
And you will kiss my lips
And look into my eyes
And I will say to you
Behold the holy sign
“All was lost, all was lost”
Well everything that was mine
But your presence now
Renews my belief
That true love
Springs from grief
And all the tears we shed
Along the way
Got us through the night
To this brighter day
It’s always midnight in my school boy heart
Only the alleys have known my joy
For sometimes I have experienced a bliss that is so exquisite it can’t be verbalised to anyone
Not even to the few who would care
So I have walked it away
In the dark
Along empty city side streets
It’s a pity Oscar Hammerstein didn’t write the script for our lives.
He would’ve written it just right. It would’ve had its highs and lows, some humour, all the boring bits cut in Philadelphia, and ending, of course, on a note of hope
Instead here we are
What’s it all about, Alfie?
The Winner Takes It All?
A Change Is Gonna Come?
Or just 45s from our youth?
Is this the little boy I carried? We live in a world where everything we’ve been told for the past 50 years
Has been a lie
And those that come forth and tell us the truth
Get removed from this life
New leaders are elected on a platform of change
But usually it’s just a case of
Same car, different driver
Evil does indeed exist
And those who have sold their souls
Worship at the alter of a false God – Money
But all it buys them is emptiness
And if there is an eternity
What a hell it would be spent in that state of regret year in, year out – Arrogance comes before a fall The prophets told us – Yes, Wilhelm Reich was right And the weather report suggests a hard rain
I was right
About all the little things that didn’t matter.
I was wrong about all the big things that did.
But youth is for foolishness and mistakes.
The concept being that you will eventually learn from mistakes and your heart will grow a harder layer of protection. This can be a lifelong education of regrowth if you don’t pay enough attention to details.
One theory is that we keep falling in love with the same person, over and over, like some weird drunkard’s dance in a Groundhog Day scenario. Even if that person was all wrong for us in the first place. So is it familiarity that attracts? The devil we know is better than the saviour we don’t? Perhaps we just tire from the waiting and settle for what we know. Attracted to those who remind us of ourselves? Or marry for money and security even though that brings in its train a lifetime of boredom and unrequited dreams and hopes? But surely that is not a living, but a dying? For money proves to be a cold companion and takes more than it gives. Doomed to buy all the toys and trinkets to impress others whilst your subsequent depression stemming from your inner knowledge that nothing purchased brings any lasting pleasure. You are a compromised person and although you can lie to your conscience your sub-conscious knows the truth, and forces you to spend most of your days sleeping. Hiding from life. Avoiding waking to the horror of who you really are. A prisoner trapped in a cell of your own making. Spending all your approved allowance on the best drugs to dull yourself to the harsh reality that you are already dead.
I took myself to Disneyland today.
I wanted to return to a simpler, safer time when I believed in dreams and heroes.
All around me was the sound of the laughter of children and the look of wonderment in their eyes.
They are years from cynicism and reducing the world to something they can understand.
I had a photo taken with Mickey but my idol Donald Duck was nowhere to be seen.
Disneyland was conceived and built by a sad and lonely man who acted childish at times. Because the truth is he was still a child and needed to build a romanticised version of his childhood town – a place where it was always clean, and wholesome and safe. And contained no tyrannical father. Ironic huh? Was he insane? In most people’s terms, yes. But at least his dreams were safer than those of young Adolf Hitler, a failed painter from Austria. Y’know, if young Adolf had’ve sold three or four landscape paintings the whole Second World War may have been avoided. I always say, “Be careful about pissing off creative people. That creative light force once turned back on itself can become very dark and destructive.”
On the other hand, all of the world’s great accepted visionaries were a little looney tunes. Some, very much so. Fortunately their insanities were focused towards something more publicly palatable than the Third Reich or the NWO. They risked everything thinking outside the box. Their own lives became secondary to their dream. And many died in their footsteps upon that lonely highway. They sacrificed romantic relationships, friendships, their dignity (as many were publicly ridiculed), their personal happiness, and a comfortable safe life. Why? And what for? A higher calling? Immortality? If there is no God and no afterlife why do people do this to themselves? If we’re just here marking time until the long darkness, why not just put the tools down and embrace the fairly interesting train ride to nowhere?
It’s the same with love. If it’s not a God-given gift to share then what exactly is it? Why care so much about it? Or anyone else?
I pondered all these things as I sat in my chair looking out the window that was shaped like Mickey’s head on the Disneyland Express on my train ride back to somewhere.