DON’T TAKE NO FOR AN ANSWER

In this business of show
The best advice I can give is
Don't take no for an answer
Your work will be judged by idiots
And by genius
And guess what?
Sometimes they all get it wrong
And if all these experts know everything
Then how come they make so many flops?
Your greatest guide 
And you must protect it
Is your instinct
For those of us who believe in a higher power
I believe our instinct is God talking to us
But guess what?
Most times we second guess ourselves
And go against it
Or allow ourselves to be talked into doing
Something that doesn't feel right
And the end result is always disaster
And recriminations
If everyone followed sound advice
And stuck to the tried and true formula
We'd have had no DaVinci
Or Glenn Gould
Nikola Tesla
Or Picasso
Marlon Brando
Beatles
Elvis
Hitchcock
Bob Dylan
David Lynch
Breaking Bad
And so on and so on...
The Beatles were told that "Guitar bands are out of fashion"
Tesla was told that "his ideas wouldn't fly"
Yet he lit up the world
And in return it broke his heart
Elvis was threatened with jail if he continued to rock the boat
And Dylan was laughed at as a freak
I'm not saying that sticking to your inner voice
Wont be a difficult road
It will be
But when was anything worth having easy?
All the people I have mentioned had only one thing in common
Persistence
Fuelled by a total self belief
Don't get me wrong
I'm not saying don't listen to good advice
Do
For only a fool turns their back on a good idea
But trust your own instinct as to what is right for you
And what isn't
My mother once told someone that if you want Frank to do
Something for you just ask him and he will
But order him to do it
And he'll do the opposite just to piss you off
So I guess I was born with a rebel soul
And all I know is this
Every time I was told 
"You'll never make a film because you haven't made one before.
So go home and forget about it, sonny, and leave it to the experts"
It somehow made me stronger and more determined to prove them wrong
Every time I was told "Don't bother trying to get that big name star 
For your movie, because it won't happen"
It did
Or "You can't make a film about that because it's too personal and no one 
will get it other than you"
That was the one the people responded to
In an era that I believe is the darkest age for movies
When they are only making films about comic books
Don't give up
Where some see a wasteland 
Others sees a golden opportunity
Never before has an original idea been such a valuable commodity
Be bold and mighty forces join you
The future belongs to you
If you are brave enough
And strong enough
And stubborn enough to grasp it
And to those who are
We at the Melbourne Underground Film Festival
Salute you

(SPEECH DELIVERED AT THE 2017 MELBOURNE UNDERGROUND FILM FESTIVAL)
(c) Frank Howson 2017






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THE ARTIST’S MODEL

She appeared in the half light
Of the room
Suddenly the space feels smaller
Her tight dress hugging her body
Like the imagination of many men
Revealing enough of her ample cleavage
To start a riot
She is hesitant at first
Not yet seizing her control of the situation
Scanning the large studio
Taking in every detail like an experienced assassin
Her eyes finally settling on you
And exuding all the electricity
Of a holy prophet
She asks how long she will be needed
And you tell her all afternoon
Suppressing the urge to say "forever"
She smiles ever so slightly
As she reads your mind
She then says "How do you want me?"
Now you know she is playing you
And the game is afoot
You slowly walk to her
And stand behind her body
Unzipping her
into freedom
Letting her dress fall to the floor
There are no undergarments to bother with
And suddenly
Unexpectedly
She is revealed to you
Naked except for the high heels
Looking down you take in everything
Trying to etch it into your memory
Forevermore
The wonder of this moment
And the privilege
And although you are behind her
She feels the heat of your stare
And is energised
And empowered by it
Stealing the last of your strength
You are now in checkmate
She smiles to herself
The hunter and the hunted
The lines now blurred 
She has you
As you slowly circle her seeing everything she has
While she stands there proudly defiant
Like a Goddess
You want to hear her cry out
In payment
For her sins
But that will have to wait
You are no longer commanding the moves
As you stand before her
Humbled
Maybe broken
As those who stand in awe
In front of the world's great works of art
You look up and lock eyes with her
And this is the most intimate moment of all
And you flinch
Lowering your eyes to her perfect lips
You have never hungered for anything more
Than to kiss them
And her body knows it
Standing there a second longer
Would cause you to take her
With the force of a leopard
Devouring its prey
But you have no strength left in your body
You are done
As you turn to walk back to the blank canvas
Waiting on your easel 
You select your paintbrush
And already defeated
Attempt to capture
Her beauty
Before the light fades


(c) Frank Howson 2017






 


THE HUMBLED

I stumbled and fell into this. It was not of my doing as the road 
I was forging went in a different direction to the dreams of the boy 
I was. This caused me great confusion and suffering as I wandered
lonely as a cloud through school poetry and beatings. My pain became
my shield and protected me from the salt of their laughter. I learned to 
make them laugh before they had the chance to laugh first. Several women 
attempted to wash my feet before my crucifixion one grey day in history
when our father forsaken me because of his drinking. I cried in agony with
a thief each side of me, one believing in me, and one to ridicule me for a
life that ended so. Somehow I rose from the dead and since then I have had 
several resurrections. In fact, the more times people write me off, the 
stronger I come back. My enemies have unwittingly made me indestructible. The shock 
realisation of this has killed many of them. The rest I have dealt with. 
People now stop me in the street and ask for my wisdom. But this wisdom was 
not my doing, and has come from the undoing of everything I wanted and loved.
It was fired by pain and made as strong as steel through humiliation and 
injustice. But still I go on. And those who have spoken against me have
been struck down by God or are dying in the poisoned bile of their lies.
I visit their graves at night to laugh. For nothing is forgotten or 
forgiven at this train stop on the way to Armageddon. I choose to travel
economy for my instinct tells me that God only welcomes the humbled. The man
who brags may get ahead in this life, but suffers a thousand years in the
next. The ignorant fool who never stops talking and always distorts the
third hand facts will be the next to fall on his sword and death
waits patiently in his gallery of art to silence his unrepentant and envious
ways. I am coming for him. Coming in the night. Coming in the dead end
street. Coming in his busy schedule. Coming for rightful correction. Coming.
Every hurtful snide remark is etched on my heart. Every belittling lie
is another stab wound he will suffer. Another thousand years to linger 
at the abyss. And the hellish realisation that it was all for nothing. 

(c) Frank Howson 2017

Photograph by Raija Sunshine (c) 2017



HOME

The street was the same as I remembered it. And the birds swooped as if to herald my return. So it was true, I hadn’t dreamed it. For a moment I stood and took in the beautiful cacophony of noise that I’d never fully appreciated before in all its ugly glory. The sun came out to shine on cue and its warmth informed me that I had now entered a safety zone for lost boys.

How can you know a place so well and yet feel that you are seeing it for the first time? If this is a dream and I awaken now I will be angry all day. Maybe all days.

I continue moving on further into it until I reach the gate no one ever closes, and the narrow cement path  leading to the apartment block steps I once knew so well I could climb them in the dark, and under the influence of too much life. This time there seems to be a lesson learnt in each step and greater effort needed to conceal the weariness of the outsider.

Halfway up I enter the glow from the first storey window that conspires to shine God-like behind the statue of Buddha as if even the universe is welcoming my return.

More steps and more weary remembrances of lessons learned and I am at the front door, knocking in a drum pattern of whimsy and familiarity.

After an eternity of seconds the door is opened and I see your smiling face as I remembered it from a long ago carefree time. Bright, loving and kind. I can now die in my footsteps and not be lost to wander and wonder.

I enter and am surrounded by the comfort of the greatest books and music ever written. Each word and note a friend of mine. And I sit at the empty table. Alone no more. Everything and nothing has changed as I take my place amongst it.

You ask me how I am. But there are no words to convey the miracle of ordained destiny.

For in that sheltered moment, I am home.

 

(C) Frank Howson 2017

THOUGHTS ON ROBIN WILLIAMS

It was always his eyes that got to me. No matter how hard he smiled or how manic his brain was working, machine-gunning out hysterical one-liners, most of which you missed because you were too busy laughing at the last one – his eyes were sad. The sadness of a man who possibly knew that the world was insane and he was just going to go with it.

To me all the great comedians have one thing in common – they see the world from a unique point-of-view. Sometimes it’s not even that the one liners are that funny. What is humorous is their perspective on things. They see the bizarre in the things we take for granted, the mundane actions we mostly do on auto-pilot without even thinking about. But they do.

Another great example of this humour is Ricky Gervais. We identify and laugh at how silly and futile some of the things we do and say really are under the light of scrutiny.

I know a woman who worked for a TV show in Los Angeles for some time and she said one of the many guest stars on the show over the years had been Robin Williams. She told me when he arrived he was rigid with nerves. He was concerned he wouldn’t be funny. He was intimidated by the guest star on the previous week’s show and that he couldn’t top what they’d done, etc., etc., etc. She said he got so worked up he almost walked out before the taping and she had to calm him down and assure him he’d be wonderful. Perhaps that explains his rapid fire delivery of one-liners. They were being propelled at us from the nervousness he felt inside. What a drain that must’ve been on him and how exhausted he must’ve felt after every show, like a champion boxer after every title bout. Ironically, that inner fear that ate him away like a cancer also made him great.

That is the way with many great artists. Their flaws or perceived disabilities are their strengths.

Having spent many years researching the life of Bobby Darin for a new musical I have written, I was struck by a comment from his son, Dodd. He said that the heart problem that had afflicted his father from an early age also propelled him to greatness. Bobby had overheard a doctor say to his mother, “If that kid lives to sixteen it’ll be a miracle.” Now, there are two ways you can go with that knowledge. Either you just give up and think what’s the use of doing anything or you can go the other way and squeeze everything you can into every minute you have left. Dodd Darin has said, “People think that disease killed my father. Oh no, it made my father.”

Robin Williams said he was once advised to go see a shrink. He made the appointment and went to the therapist, laid down on his couch and talked about his life and his problems. At the end of it, the therapist said to him, “I think I can cure you, but you may not be funny anymore.” Robin got up, shook hands with the guy and left never to return. The world thanks him for that decision but damn, what a burden he carried for our pleasure.

Like you I will miss Robin Williams not being in the world. His absence, like that of John Lennon, makes all our lives a little colder. All I know is I’m going to miss him for a long, long time.

Every time I hear Smokey Robinson and the Miracles sing “Tracks of my Tears” I will think of him, “…So take a good look at my face, you’ll see my smile looks out of place, if you look closer it’s easy to trace the tracks of my tears.”

Rest in peace, dear man.

(c) Frank Howson 2014

SWAY

 

My heart skips a beat

Every time that you’re near me

The clouds disappear

The seasons change when you’re here

Never far away

You’re in my heart to stay

So bring your summer love to me…

 

Sway

Your way a little closer to me

Stay

What can I say?

I can’t get you out of my heart

Sway

Oh…sway

 

Night after night

The memories here all around me

Walks in the park

You’re holding me in the dark

Take my hand, dear friend

Together to the end

Here I go again takin’ flight

 

Sway

Your way a little closer to me

Stay

What can I say?

I can’t get you out of my heart

Fall, am I falling too fast?

Will this love really last?

I’m lost in the heat

And I’m feeling the beat

You got the rhythm

You got the style

You got this boy

A’wantin’ you to stay for awhile

They tell me I’m falling

Am I floating away?

I don’t really care right now

I’m in love with you

Sway…

 

Never far away

You’re in my heart to stay

So bring your summer love to me…

 

Sway

Your way a little closer to me

Stay

What can I say?

I can’t get you out of my heart

Sway

Your way a little closer to me

Stay

What can I say?

I can’t get you out of my heart

I can’t get you out of my heart

No, I can’t get you out of my heart

Sway…

Oh, sway…

Sway…

 

Recorded by Stephen Housden.

(c) Frank Howson 2013