HEAVENLY.

I have only a limited amount of time left to inhabit this body. But I will go on. Like we all do. As a speck of dust floating in the universe. Free, untroubled, and no more time constraints. Oh, and the music, the symphony of silence, which will move even a speck to feel whole like never before.

Having been educated for a lifetime on earth, we are acclimatised to being alone. But it won’t bother us anymore because we’ll now know that it’s at our core to be this way. On earth we lived outwardly for the enjoyment of others, whilst living our real spiritual life within our heads.

It was good preparation for this new life. Our real life. Devoid of any more death or disappointments in this void amidst the great vastness of all voids. Drifting. Weightless. Nowhere to go for there is no “where.” There is only here. And now. No time to be on time somewhere. No further commitments or responsibilities. Nothing to feel guilty about for there are no religions in this new place of real love and peace. All that belonged back in that ant-like existence when we had so little consciousness we could never comprehend the complexities, and yet simplicity, of this great vastness and freedom of being. In this new existence you can let your mind wander for a thousand years, even a million, in old time, and then snap back to a moment before that thought even occurred.

You now realise that the great artists – the writers, the painters and the composers – instinctively understood it.

Finally, we are fulfilled with a capacity to love that was once capped on earth by a ceiling we feared pushing beyond. But now, we experience it to the full which unleashes a bliss to make each of us feel like God. Because in this moment that never ends, we are God.

I was young just yesterday, and now I am older than the world will ever be.

Looking back at my earth life, I now realise that most of us were only living because we feared dying.

But there’s nothing to it.

 

(c) Frank Howson 2020

THE MEANING OF SUCCESS.

The word success is almost impossible to define, as it means something different to just about everyone. It’s much too large than a single word can contain,  because it’s a concept. A floating concept that bends and morphs and matures as we do. What we think it means at the beginning of our journey, may be vastly different to what it means at the end. It’s a dream that, once it’s seemingly fulfilled, may be considered a burden. A curse. A prison cell. A nightmare.

Perhaps it’s God’s sneakiest joke on us all. Giving us what we think we want, in order to find out first hand how hollow it ultimately becomes. 

McCartney hit it on the head, simplifying it to “Can’t Buy Me Love.” A record we could dance to, even if the concept was way beyond our comprehension at the time. Perhaps Paul was starting to understand how restrictive a “successful” life can be.

One of the Ten Commandments states that “Thou Shalt Not Worship False Gods.”  I have interpreted that to include money = success. For I’ve seen first hand people worship it at the expense of their family, friends, colleagues, ethics, talent and own life.  Their “concept” of success was so delusional it eventually devalued every thing of true value in their life.

I was once privileged to have had a song of mine selected for inclusion on the Ferrets’ second album “Fame At Any Price.” I loved that album title then, as I love it now. It was prophetically apt for a band that self-combusted shortly after its release. Perhaps from the pressure of having to follow-up a Number One single and a Gold debut album “Dreams of a Love,” which incidentally also featured a song of mine entitled “Killing Ourselves.”  A lyric about the friends of mine who were falling in action during the Melbourne heroin epidemic of the Seventies. That song proved prophetic for the band too.

It’s one thing to crave success. It’s another to have the stomach for it. People take drugs like heroin to numb themselves to the world around them. Isn’t it bizarre that when many performers finally break through and achieve the success they’ve craved, they reach out to self-medicate themselves to…what? The pain of it? The disappointment that the concept of success was so much more thrilling than the reality? Or is it their fear that they, mere mortals, are suddenly treated like gods, and know they can’t sustain this facade for long without publicly falling? False prophets for a false society. 

It says a lot about our society that Elvis Presley, the most famous and desired man in the world, died of loneliness. Photographs of him towards the end show a man who is dull-eyed, self-medicated to the point of not knowing where he is, and clearly not having a good time. He even mocks himself in his final heartbreaking performances as if all his dignity is gone. Pity the man who inherits the world, but loses his soul?

We are fed the “Dream” to keep us productive, and striving day to night to achieve our goal, so we can be happy. But, what if, as Judy found out, there’s nothing at the end of the rainbow except burnt-out, broken, despairing suckers?

I always thought the rainbow ended on the corners of Hollywood Boulevard and Western. It almost did for me one night, but that’s another story. And there are millions of stories in the naked city.

My father worked his guts out from 6am until 5pm every day in a thankless job that paid him nowhere near his worth. Then he’d come home and drink. Do you blame him? I sure as hell didn’t. He dreamed of reaching retirement age and getting a big payout. He didn’t make it. In one of the final lines in Arthur Miller’s cathartic play Death of a Salesman, “…No one dast blame this man…He just had the wrong dreams. All wrong.”

How much of our lives are wasted chasing the wrong dreams? “When I get a nice new car I’ll be happy!”…”When I get married I’ll be happy!”…”When I get a nice house I’ll be happy!”…”When I have a child I’ll be happy!”…”When I get divorced I’ll be happy!”… “When I can retire and live as I want I’ll be happy!” etc., etc. The truth is, we’re not happy to begin with. One thing I’ve learnt from my own experience is that money and success won’t make you happy. In fact, they will just amplify the painful reality that you aren’t.  In order to enjoy money and success, you must be happy within yourself before you obtain them. Otherwise they are weights around your neck that’ll drag you down to the bottom of the ocean.

Bob Dylan once said that “a successful man is someone who gets up in the morning and goes to bed each night and in between does exactly what he wants.” So, there you have it. Real success is freedom. The freedom to be who you are, and do what you want to do.

I’ve always admired people who are good at what they do. That’s probably a working class respect I inherited from my parents who much admired skilled tradespeople.

America used to have a healthy competitive pride whereby whatever job you had, people wanted to be the best at it. Whether it was driving a cab, being a shoeshine boy, a bellboy, a clerk, a hot dog vendor, etc.

I’ve seen waiters in Los Angeles, old guys who had made a career of it, and they were perfection personified. It was riveting to observe their attention to detail, manners, diplomacy, professionalism, and so on. The top guys made a fortune in tips and deserved every dime. But more than the money, they prided themselves on being the best. Some, were legends. I was in awe of them and paid them great respect. 

So, what is success? Is it determined by money? Or by your ability? Or what others think of you? Or how loved you are by your family? Or how many people know your name? Or how many of your peers respect you? Or how fulfilled you are within yourself?

Because, if we don’t know the answer to that, it means most of us have been striving for something that is so elusive, it is even beyond us. And, if we don’t know what we’re seeking,  how can we expect to find it? Or ever be content?

I like to walk a lot and, when I do, observe people. You could say it’s part of my job. And in my journeys into the outside world, I have from time to time passed many happy people. The happy family man. The happy young girl walking hand-in-hand with her love. The happy little boy who puts his protective arm around his younger sister and smiles at her. The happy busker who has a captive audience and a hat full of money. The happy taxi driver who loves to chat with his passengers and treat each as a new friend. And so on. To me, all these types are successful people. In the truest sense of the word. They are happy within themselves and thus radiate happiness outward. They have not been shackled by expectations. Either of our own making, or of others. 

I have also seen and met some of the wealthiest, most powerful and famous people in the world whilst I lived in L.A, and quite a few were utterly miserable, and made everyone in their presence feel the same.

In the some of the final lines of the classic movie, “It’s A Wonderful Life,” it is stated, “No man is a failure who has friends.”

I believe that. I have some very true, loyal friends. Their rock solid friendship make me feel successful, happy and content for having found them. No matter what I do professionally, or don’t do, or they do or don’t,  we have achieved something rare, precious and beautiful. Something real. 

 

(c) Frank Howson 2020

photograph by Vanessa Allan.

THE MISTS OF DAWN

Down here on this barren battleground
We have been issued no orders
We don’t even know who we are fighting anymore
Yesterday the fog was so thick
We mistakenly shot our own leader
And laid him to rest ‘neath a tree
Perhaps we should withdraw
Which is not a surrender
We mustn’t surrender
For there is too much to lose
But we’ve forgotten what
Send word back
That we have not thrown down our weapons
But we need back up
And supplies
It seems we have gone weeks without sleep
As we sit in the dark every night
Waiting for the enemy to attack
But they never come
This is a very sophisticated strategy
That we have not been briefed on
For our leader is dead
And his family have not received word
For they will only grieve
And too many tears have been shed
Too many hearts broken
Too many roads taken
Too many widows haunting us
In the mists of dawn
But we are holding our position
And ready for action
Eager to do him proud
To fight to the last man
We have burnt our white flags
So we wouldn’t be tempted
Our enemy has a lot to answer for
We just haven’t been informed of what
But we’ve been told to hate them
I wonder if they’re scared like us?
I wonder if they sleep?
I wonder if they just want to go home
Like we do?
I wonder if they’re still there?
Perhaps the war is over
I wonder who won?

(C) Frank Howson 2019

DRIFTING AND FADING

When I need a friend
To send me ‘round the bend
And I’m at a loose end
I’ll call you
My best friends
Stole my best friend away
Then hacked my computer and phone
To see what I had to say
But drifting and fading
Are now part of my day
This world’s a nice place to visit
But not sure I’d want to stay

She said I’d never done anything for her confusing me with another man…

(C) Frank Howson 2019

THE FINAL STAGE – Adrian Rawlins review of what he called “My lost masterpiece”.

It started out like a normal day for the man of the house. He had breakfast with his wife. She was no warmer or cooler towards him than she had been for a long time. He read the morning paper, donned coat, picked up his briefcase and left for the office.

She reminded him that there was no office anymore. He had to acknowledge that all that is now part of “the past”. Putting aside momentary chagrin at the loss of anticipated freedom he feels safe. There will be no more journeys into the outside world.

He and his wife relapse into a conversational sortie we know they have ventured into often before, their discourse, though completely Australian, throws up the cliches and truisms of everybody wisdom and in almost Pinteresque way introduces echoes of Oscar Wilde’s sublime parable “The Happy Prince”.

A telephone rings but nobody answers. It has no dial – like the clock face in Bergman’s “Wild Strawberries.”

There is an unexpected knock at the door and a man with failure written all over him seeks admission. He has about him the air of a failed vaudevillian/cabaret performer. Like T. S. Eliot’s narrator he has seen the moment of his greatness flicker…but…”I am not Prince Hamlet…”

The dialogue is cryptic, enigmatic, redolent with oblique references to poems, books and cultural assumptions, skirting banality while continuing the Pinteresque reference to the daily metaphors which have been the cliches while still retaining their nugget of “the truth” and providing many moments of genuine “comedie noir”.

Another visitor bursts in, this time no stranger. Stinky Radford is an actor, lover, a forceful extrovert character, beloved by both Man and Wife. Asked about his life, he bravely lies while we see that he too is not Prince Hamlet, nor was he meant to be.

While the husband muses upon the remembrance of the past, Stinky makes love to his wife, who was once his wife too. Then, girding up his loins, he leaves to…try again?…to solve the riddle?…face the music?

By the time the audience have accepted the essentially metaphoric nature of this work of cinema: the room is none other than the stage on which Sophocles presented his vast and mighty tragedies, or Aristophanes his satires: the same stage which Shakespeare saw as emblematic of the world, “on which stars in secret influence comment”.

Another visitor – a youth, streetfighter, violent, working-class poet and thug – shades of Jean Cocteau here – bursts in and now we are given our first inkling of the exact nature of the metaphor we have been watching. Despite his bravado and overt displays of machismo, he is terrified by the wife’s advances. We are justified at this point feeling that perhaps all of the male characters are aspects of the husband’s psyche and that we are witnessing a revelation of Everyman/Everywoman in a decidedly contemporary encapsulation.

A plain-clothed detective arrives. Perhaps he is in pursuit of the streetkid but doesn’t reveal his quest, as he attempts to interview each of the people present. But the more he strives to get to the bottom of things, the lower the foundation of his beliefs and view of the world descend.

The wife reminisces volubly about a lover, a lawyer with an earring in one ear.

Stinky Radford returns, having failed to discover anything. The streetkid wants to go back but Stinky assured him “there’s nothing out there”.

The husband has already asserted “we are kindred spirits,” and “this is the room of the lost”.

Finally, Music and Light and mysterious opening of a door heralds the moment when Man and Wife must Face the Music in an upper room (the Upper Room?). He is the Happy Prince, denuded now of all his finery, and she, the Swallow who will not leave him. They are translated into Light.

Immediately they are gone, another figure bursts through the front door, demanding explication. He is obviously the Lawyer who has been the wife’s lover, and in the manner of lawyers he threatens to sue everyone until “you’ll wish you were dead!”.

As his four auditors laugh and laugh we now know exactly where we are and the form of the film, which has been hovering at the corner of our consciousness now snaps into place – and everything makes sense.

“The Final Stage” is, at its deepest level a work of art covering in an original and ground-breaking way the same philosophic and metaphorical terrain covered by Jean Paul Sartre in “No Exit”. It is also a funny, sad, poignant, piquant, witty and disturbing story which amuses us while it reminds us of the – dare we say? – eternal verities of Life and Death.

Because of the way “the story” unfolds – similarly to the creative method employed by Peter Carey in his best short stories – the film is decidedly out of the ordinary – its unusualness and the charm and variety of the performances, induce us willingly to suspend our disbelief. Those viewers familiar with poetry, the theatre, and great literature will find echoes of those other forms and discovery of such connections gives the film’s delightful tension. Theatre-goers, one hopes, will appreciate more fully the slightly theatrical edge to the dialogue. But everyone should be able to see that “The Final Stage” makes a significant, even historical contribution to our understanding of film form in the deepest sense.

– Adrian Rawlins
Critic &. Poet
1994

Review written for Farrago.

Produced, Written & Directed by Frank Howson starring Adrian Wright, Abigail, Tommy Dysart, Michael Lake, Zachary McKay & Tiriel Mora.

photograph by Luzio Grossi.

THE POWER OF IDIOTS

I sit in this room, this crumbling room I grew to love, cluttered by the mementoes of a crumbled life. Framed photographs of friends, lovers and family, all long gone. My bookshelves filled with the greatest wisdom the world can offer, written in the most eloquent of ways, and yet all it did was lead me here. And very soon lead me somewhere else because of a landlady who is in my opinion certifiably insane and subleased apartments to me and several others without having the authority to do so. I would’ve thought that was fraud but it seems the police have no interest in fraud these days. I guess there’s too much of it to deal with.

So good luck out there trying to deal with people in good faith. I have written in the past about the death of common sense. But I also believe we have lived to see the death of basic common ethics. All of this of course is flamed by apathy. Nobody cares anymore. We are too emotionally burnt out by watching the end of the world live on the internet.

Einstein could see things the rest of us couldn’t. And yet quite often was unaware he had odd socks on. John Lennon was so acutely insightful and sensitive about himself and yet could not pick a mad man who meant him harm. We can, allegedly, put men on the moon and yet so much of ourselves is left untouched. How deep does that darkness go? That inner space we fear to go lest there be no coming back?

They say to kill someone also kills a part of ourselves. So, after a few more what is it to kill six million? It just becomes a number. We live in a society that does much to take away our dignity, dehumanise us, mock our integrity, and reduce the truth of our lives to third hand gossip because we have lost the will, the pride and the energy to correct it. No wonder we have become the most dangerous species of all. In fact, if we went away the world would thrive. What a sad epitaph to our existence. The proof that there is intelligent life elsewhere is their very reluctance to make contact with us.

Is it easier for us to hate than to love? Yes. But we weren’t born like that. The act that creates us, most times, is love and we are programmed to be born into it. But if that love is not waiting there, and all we get from a mother is regret and tears, and from a father anger and blame, how could we ever wish for the capacity to hope, or know of its existence? Monkey do as monkey see.

Some of us are born into great love and a warm bed. We are shielded by our parents in our formative years so that we don’t experience too much hurt, rejection, violence, and any physically harmful mishaps. They sing us lullabies and read us stories about heroes who laid down their lives for something bigger than themselves and are loved for it. We are nurtured like this until we are old enough and adequately delusional to go forth into this world in search of a love of our own. For we’re told we are not one until we are two. Complete. Our better half. Ready to be wedded to each other and to a mortgage, a job that pays us enough money to sacrifice our self-esteem, 500 pay channels of crap and fake news to dumb us down, and a long slow road to that retirement village and watery vegetable soup until one day we surrender back into that inner space. And if we have lived that accepted life without complaining we are deemed to be the lucky ones in society’s eyes.

But what happens if you are full of love for everyone and yet never find the right partner? Or waste your best years on the wrong ones? Well buddy, you’re on the scrap heap of life. Banished to Regret on the outskirts of Shame. Always finding yourself standing in the rain on somebody else’s property, constantly being moved on. Looked at suspiciously. Labelled a possible future threat. Told that we just don’t “fit in.” A gypsy. A fugitive. An unwanted man. As doomed as Jeffrey Dahmer.

I once wrote the following lines for a Keith Potger song, “The cowboys pine for the open range, the sailors stand looking out to sea, the gangsters get gun-shy and start acting strange, and the lovers end up like me.”

So, if the very foundations of our existence are either gone or, at the very least, shaky and unpredictable, is it any wonder we make such poor decisions in regard to everything else? And to the many of us who have lost all hope and are locked away in our rented tombs, are we not ticking bombs? The most dangerous person in this world is the man who has nothing left to lose. In effect, he is already dead. He no longer fears the police, or jail (he’s been living in his own for far too long), pain, slander, or meeting God. The government hate this person because they are considered a wild card and their actions cannot be predicted. You cannot bargain with him or her for there no longer exists anything they want. All those desires and needs and beliefs died long ago. The seeds were planted when we got too close to Santa Claus and realised he was just an out of work actor in a padded suit designed by Coca-Cola, hiding behind an ill-fitting false beard. In most cases this disillusionment make the disenchanted confrontational. They demand answers. If we have been expertly lied to about Santa for years where do the lies stop?

Man kills anything he can’t understand. And one of those things is love. We have a long history of murdering the messengers who preach it as our salvation. But if you promote hate and genocide and are paid big bucks to invent sophisticated lies a government can sell, you’ll most likely have a long life and die in your bed.

Recently a man who’d died for some time during an operation and brought back to life, was interviewed about this experience. During his dead time he said he’d had the usual white light sighting but then travelled on into the heart of it. He then became suddenly aware of a powerful presence behind him. He could sense it. When he went to turn, a voice of great authority said to him, “Don’t turn. For if you see my face you cannot return. And trust me you wouldn’t want to see me angry.” (The last statement proving God has a sense of humour.) The man asked, “Are you…?” To which the voice replied, “What do you think?” The nervous visitor then said, “May I ask you a question?” And the reply was “Yes. Of course.” The great presence was then asked, “What is the meaning of life?” There was laughter and then the response, “I get asked that a lot. It is very simple what life is about. Love. Love one another and be loved in return. This is not your time. You need to go back and appreciate the love you have. But when you return we will have much time to talk and you can ask all the questions you wish.”

The man was then hugged by the presence and the feeling of unconditional love filled him with a joy so intense he feared he was going to explode. And then he was back in this life. He weeps to this day because he misses that feeling of unconditional love. It seems that a love that pure without agenda could be addictive if we ever experience it.

Perhaps Life really was meant to be that simple. And man through his over-inflated ego has sought to make his own impression by complicating the natural balance and looting everything he can for his own benefit. In this lust to sell the world, pure true love has been replaced by how many women you can con into your bed for bragging rights to impress other con artists. But there is no love in carnal conquest just as there are no riches in financial wealth. Those who have acquired huge fortunes by walking over people often, at the end of their days, talk about the hollowness they feel inside. Having killed many lives with their fountain pens, and the excuse, “We’re just doing our job” they then attempt to fill their dead centre with booze, drugs, and sexual perversion. But that leads to feeling even less. “Pity the man who inherits the world but loses his soul”. You can lie to your conscious but not to your subconscious, for it records every con, lie, hurt, betrayal, etc,, until one day you cannot take any more, and so you don’t. The suicide rate is astonishing amongst the extremely wealthy. This doesn’t get much press because the power brokers of this world who push for more and more productivity are scared to inform us that our goals are wrong and that money is a false god.

I fear it’s too late for us to reprogram ourselves. This bullshit is too ingrained in our DNA. Or is it?

There’s a very insightful lyric by that mystical troubadour Bob Dylan, “Man has invented his doom, first step was touching the moon.” We have now invented technology that gives us the internet which we were told would open our minds, make our lives easier, and that the answers to every question would be at our fingertips. So how come the ignorance level has never been higher? We also don’t need to have to go to all that trouble inviting someone over to participate in sex because we have every porn clip in the world depicting every sexual fantasy anyone could possibly imagine, all performed by beautiful people. It saves being rejected, as well as all that energy. But should we be inspired by the sexual acrobatics upon our screen, we can get into Tinder and have a total stranger knock on our door within the hour. As easy as ordering a pizza. Too busy to establish personal friendships? Not a problem, grown men can play online games. It’s very exciting.

So, we become more and more isolated within ourselves, and reality is conveniently invented and programmed for our personal needs as easily as switching on the air conditioning to our perfect temperature. If there is a Satan could he have invented a more effective device to bring about our own hell?

But that’s where we are now. Perhaps the world has ended and nobody told us? Where are those madmen in the wilderness when you need them? Oh yes, that’s right, we probably killed them. Or at the very least, locked them up. Discredited them with a phoney scandal. Silenced them. This modern world doesn’t tolerate freedom of speech anymore. Yet it was those opposing voices and radical opinions that triggered spirited debate that led to positive changes. Today all the truth tellers have been very effectively silenced for fear of being labelled a Nazi, a sexist, a fascist, a racist, a bully, or just plain crazy. And in the present day world, if enough people unfriend us do we really exist anymore?

How clever of a higher being who initially gave us free will, to also have allowed us to orchestrate our own doom.

In spite of it all I still believe in love. And in the inherent good in the majority of people. We have just lost our way, that’s all. And the road back is very difficult to find in the dark.

(C) Frank Howson 2019

THAT’S HOW IT ENDS

She died in my arms
Not a word was said
In silence we rose
And got out of our bed
Her eyes would flash
I knew them too well
Every man in this town
Had a story to tell
But they weren’t her lovers
They were just friends
That’s what she told me, and
That’s how it ends

She cried for the boy
Who had dared to dream
His suitcase was packed
For the journey downstream
She’d lost her chance
To salvage herself
From the toys in the dark
That were left on the shelf
There were too many cracks there
For me to mend
That’s what I told her, and
That’s how it ends

We feared the many dangers
That stood in our way
Too many strangers
With something to say
We stood there grieving
At the death of our youth
The first thing to die
After the truth

She calls out my name
But the hunger’s gone
For some times we die
But still we go on
The game of love
Has been played and lost
Now old men sit alone
And fathom the cost
But there’s always tomorrow
And what fate intends
So the story goes on
But that’s how it ends…

(C) Frank Howson 2019

Photograph by Vanessa Allan