I applied for a government grant
But was knocked back on a technicality
They thought I had talent
Some asshole suggested I get a second opinion
I came wanting
Pushed into this world
A dark room
With much huffng and puffing
Blood and tears
Born into a religion
That gave me the assurance of heaven
If I followed the rules
(Made by man
To ingratiate himself to God)
I read much about this God
And learned that in his youth
He was like us
Quick tempered, revengeful, slow to forgive
But, also like us, he mellowed
In later years
And ordained a common man
As his adopted son
To bring us the good news
That God had changed
He was now non-judgmental
Forgiving, compassionate, and
Like your favourite grandfather at a Barbecue
A joy to be around
But when his chosen son
Was railroaded by a fixed jury
Of the envious and the threatened
And was killed in the most agonising and cruel death ever invented by man
God withdrew from the world
He had over estimated us
And like all those that do
We deeply disappointed him
Some say he died
Some say he’d never existed to begin with
Some say he was just sad
And a sad God cannot rule
In his absence we were left lost
And scared as to how to go on
This manifested itself
In self destruction
And we have since sought many unique ways to achieve this
For those with money
It was drugs
For those without money
It was drugs
The cowards way out
Because the burden of living
And doing the right thing by each other
Was too great a responsibility
So, like God,
We, in our own way,
Have become sad
And withdrawn from the world
Most of us can’t be bothered voting
And then complain about the leaders we are saddled with
Who, in their naive stupidity
Attempt to lead us out of the darkness, and try to sell us some strong medicine to heal our wounds
And, if they don’t succumb to compromise and side deals
The shadow people shoot them
Or they’re found hanging from doorknobs
Their deaths a question mark forevermore
In the file marked
“Believe It Or Not”
The weight of carrying the cross of responsibility
Is indeed great and we are not programmed to stand it long
Falling time and time again
On our lonely agonising walk to our own Calvary
And in those dizzy blindingly excruciating final hours we find ourselves confused and insecure and doubtful
Because we were promised
An assurance of Heaven, you see?
A free ticket
An escape route
A place where we’d be welcomed and loved and held
God shouldn’t be hated or blamed for spreading this dream
He meant well
He just forgot that we are human
And always looking for the easiest option
We have no loyalty
Other than to the junk man
And that’s because the junk man has something we want
But unlike heaven
We can see it, feel it, at a cost
It may not be paradise
But in those despairing moments
We have lowered our expectations of miracles
It numbs us and that’s enough
To get through another lonely night
But why burden ourselves
Worrying about it
When it brings momentary relief
Like a happy finish
It ain’t love
But it’ll do
Tomorrow we can wake to the aftermath nightmare
Let us just drift
Into our dreamtime
Our glimpse of grace
The small change
That we don’t deserve
But were born into
Like thieves in the temple
Women are not madonnas
And men are not messiahs
We have more in common with a sewer rat
And just as much cunning
They say rats will survive the end of the world
Perhaps we will too
Having brought about the ultimate destruction
It would be just if we were made to live in it
My own condition is of great concern to no one
Well, maybe someone in Rumania
Frets about me
But if so, I am unaware
And in this state of ignorance
In some year of our Lord
I begin this…
All I know of today
Is that dawn came on time
And that I have ruined dinner
And every chance I had to be free
I mistook sex for love
A handshake as a promise
An enemy as a friend
And money as happiness
Someone more mature
Should’ve had my life
They’d have known what to do with it
But they’d have never known the exquisite bitter sweet taste of loss
Of having no further to fall
Which in fact gives you some real security
I have been betrayed by many friends along the way
But at least I drew evil into the light so that I now recognise its face
If there’s no afterllife then why have we been made to learn all this wisdom that can never be put to use in this world that is built on false values?
But maybe God’s sadness has turned to boredom
And this is some kind of ironic game for his enjoyment
Come to think of it, if there is an afterlife why the fuck would God want us there?
Perhaps we have inherited our self destructiveness from him!
Freud stumbled upon this theory whilst smoking himself to Death on a cocaine binge.
Maybe you have to be stoned in order to see through the surface bullshit and glimpse the truth?
We on earth are angry.
We have awakened to find all our heroes dead. We didn’t win the lottery. Every war fought was just a lie. And the Vatican is run by Satanists.
But apart from that everything’s just fine after a few pills.
The most damaging drug I was addicted to was women. They quite clearly got me up and then nowhere. I’ve come to realise that two people can’t live one life. Unless there’s huge compromise and compromise breeds resentment. Both have to forfeit dreams in order to keep the relationship going. This leads to you both acting roles in each other’s company making out that this dire situation of strangulation is actually bringing each other bliss. After awhile you start telling bigger and bigger lies until you get caught out and it’s over.
As a child I loved the circus. In many ways it tells you everything you need to know about Life.
Cigarettes were my friend right up until the time they weren’t.
You were my friend too. Right up until the time you weren’t.
I die so hard each time I think of you. But never learn the easy route, always doomed to take the long way home. Alone.
Born into a world hellbent on bringing about its own destruction, what hope did we have?
I drive around
The desert is beautiful
The stars are so clear
The air is so thin
One can almost forget oneself
And sometimes on the wind I hear you calling my name. But from your lips it now sounds like a curse word. And in the mist of early winter I sometimes see your vision of who I imagined you were.
And our dissolving future.
So, it’s once around the clock we go. Our history of joy squeezed into a crowded hour, before the sun set for good.
If there is a heaven, will you be there? If so, I may have to make other plans.
The word enigma doesn’t come close to describing Bob Dylan. For a start he’s a Gemini – the sign of the twins. Duality. He once said he wakes as one person and goes to sleep as another. And that’s before we add all the different masks he’s worn, and the myths that have been woven by others, and by himself. This is no doubt an attempt by him to protect his true self – Robert Zimmerman. Bob Dylan was his invention and as such even his own autobiography “Chronicles Volume One” contains numerous things that are fictional. Again, adding to his own myth as a means of throwing people off the scent of this fiercely private man. He writes about Bob Dylan like the old Wild West reporters wrote about Billy The Kid, Davy Crockett or Jesse James. “When the legend becomes fact, print the legend.”
There must be many hundreds of books published about Bob Dylan. And why is that? Because he continues to fascinate us. We can’t work him out. Scratch the surface and you just come up with another surface. But I think this has always been his masterly plan. In the words of the late, great Alex Scott after seeing the movie about the life (or lives) of Bob Dylan, the aptly titled “I’m Not There,” Alex said, “I knew more about him before I saw this movie!” Precisely. Or did you? I’ve had the good fortune to know quite a number of people who have known Bob for many years as a friend. And the words they use about him are “kind,” “sweet,” “gentle,” “loyal,” and “sensitive.” And those qualities are precious and need protection. “They say every man needs protection.”
Last Monday and Tuesday nights in Melbourne, a troubadour playing the role of Bob Dylan took to the stage at the Margaret Court Arena. No grand entrance. He merely sauntered on as a member of his band and found his designated place at the piano. No hello and no goodbye. Just two hours of brilliant songs, some old, some new, that any writer would give their soul to have written just one of them. But here is a small man trapped in the spotlight that has a catalog of so many classics they are too numerous to name. He has given us so much, and continues to give, thank God. When so many of our music heroes are gone, some cruelly taken from us who had so much more to give, we truly should be thankful that Bob is not only still alive, but continues to spend the majority of each year on the road performing for our pleasure.
Some people complain that he just stands there and sings his songs. There are no “showy” effects. No scripted witty repartee. But I continually have to remind some disappointed patrons that that’s all he’s ever done.
Bob was once asked if he still gets nervous before a show, to which he replied, “No. Never be afraid of disappointing people.” At first when I read this quote, I laughed thinking it was just another example of Bob’s very dry sense of humour. But the more I thought about it, the more I realised the heart of what he was truly saying. There is no point worrying about a performance. It will either soar or it won’t. He is not slick, nor does he want to be. He is an improv artist. A method actor. He has the same inspired, spontaneous genius as Brando. Always reaching for that unplanned moment of pure magic. The trouble with being that bold is that sometimes you miss the mark totally and run the risk of being ridiculed and walked out on. All of the greatest innovators have at one time or another been ridiculed and hung out to dry. But they’re the ones we remember. The brave ones. To be totally unique is a very heavy cross to have to carry. A lot of people will not “get” what you’re doing. Or what you’re attempting. But if everyone played by the tried and proven formula, where would the excitement be?
Bob has literally never looked back. The range of material he has tackled is extraordinary and at the age of 77 when most artists are happy to coast on their back catalog, Bob is still taking chances. Spare a thought for the huge risk he took in attempting, at his age, five albums of crooning the American Songbook. Yet those albums have been big hits and in some cases even named among the Top Ten Jazz Albums of that year.
But this is the same man who, just as he reached the pinnacle of the folk music world, went electric and angered the majority of his then fans. Next, just as he won most of those fans back with the electric mercury sounding masterpiece that was “Blonde On Blonde,” he goes country music. More angst from fans. Then he rebounds with introspective “Blood On The Tracks” about the pain of his divorce. Then Jesus popped into his life and we had the Gospel Years! Then, just when everyone thought he was no longer relevant, and running on empty, he comes back with arguably his best album, the multi-Grammy Award winning “Time Out Of Mind.” Then the Christmas Album. Then the Sinatra inspired saloon song standards. This man deserves a medal for bravery.
Oh, and when people say they don’t like his voice, I always ask, “Which one? He’s had about 6 different voices over the journey.”
As his dear friend George Harrison once described him, “He is a friend to us all.”
It filled my heart with warmth and my eyes with tears to see him perform such a spirited and brilliant concert last Tuesday night. It certainly was the inspired spontaneous magic he strives for.
And then, without a word of farewell, he was gone. But rest assured, he’s still on the road, headin’ for another joint.
My sweet Rosemary
She came to tea
She showed me
A thing or two
Before I showed her the door
We met again
By new year’s end
We kissed beneath our tree
Call me a fool
But I ain’t cruel
So once more I set her free
From her sacred chalice
I’ll never again sip
All my golden chances
I let ’em all slip
Now I’d lay down my life
If I could only see
Once more the smiling face
Of my sweet Rosemary
My sweet Rosemary
Come back to me
I’m broken and alone
I lay here
Beside you dear
And your grave of icy stone
I remember her words
She said, “We’ll always be together”
She knew that, somehow
You don’t know the cost
Till you’re hurt this deep
And cannot awaken
From the nightmare sleep
From her sacred chalice
I’ll never again sip
All my golden chances
I let ’em all slip
Now I’d lay down my life
If I could only see
Once more the smiling face
Of my sweet Rosemary
Why would anyone become a writer? Especially in a world that doesn’t seem to read anymore. Or go to the theatre, or go to the movies to see anything other than comic book heroes. Good question.
All the great writers were mostly drunks. Coincidence? Or is there a cost for looking too long into the abyss and reporting back to the good folk what they’re too timid to experience for themselves? Springsteen once wrote that there is a darkness at the edge of town. No, that darkness lies within us all. Each one of us has the latent potential to be a Hitler or a Christ. God has cleverly given us free will to choose our own poison. And the highly sensitive among us reach for the bottle, or the harder stuff, in order to numb ourselves to the responsibilities of that choice.
When I was at school I just couldn’t concentrate on anything. I was hopeless. Sometimes I feel sorry for those who attempted to teach me anything. Not sure if my undisciplined mind was a result of the trauma I witnessed most nights in my abusive family home, or I had what is now diagnosed as ADD. One day the headmaster of the school phoned my mother for a meeting to question her as to why her son had the highest I.Q at the school and the lowest grades. She was at a loss for words. But not me. Words always came easy to me. In fact I could talk myself out of any beating I was about to receive from a Christian Brother. That was quite a feat considering the relish they got from handing out such brutal punishment. These guys would’ve been more at home as members of the Third Reich than Jesus’ band of 12. But talk my way out I did. So, words became my friend, my salvation. And humour protected me from the cruel slings of other peer group bullies. I could always hysterically put myself down before anyone else had the chance to. Timing was everything. Playing the court jester got me through my troubled youth and shielded me from revealing my true self. And what was that? I was scared of everything and everyone. I felt like an alien most of the time in a strange world that only threw contradictions at you.
My refuge again and again were words. The only subjects at school that I attained any respectable grades for were Art, English and Religious Knowledge. The latter because I loved hearing all the Biblical stories and for some reason remembered every detail. They were filled with such amazing imagery and drama. Oh, and miracles. I guess I was depending on a miracle to happen in my life that would save me. And this Jesus character sounded like he might’ve been the only person who would’ve taken the time to understand me. Whether he was the Messiah or not is up for debate, but he sure sounded like a nice man. And like me, and all the other loners and misfits in the world, grossly misunderstood. I never forgot those stories and if nothing else they were great morality word plays.
Due to my restless mind I found it too difficult to persevere and read a book through to the end. But I tried again and again to achieve this. Thank God I did because I now must own over a thousand books that I cherish and have taught me more than I ever learnt at school. I always tell people I was self educated and that’s the truth of it. All my education took place in a class of one. In many ways, books saved my life.
My introduction to books began when I was a small child and my Irish grandmother would sit me on her lap and read aloud the adventures of Noddy in Toyland. We bonded through the whole Noddy series until she was taken from me when I was two.
The first book that hooked me enough to finish was, ironically, “Little Women” by Louisa May Alcott. I guess it proved that I had a fascination with the mystery of women from an early age. This of course led to much heartache and my premature death but that’s a whole other story. Either that, or Ms. Alcott was one helluva writer that captured my imagination and kept me turning the pages. By the end of the book I felt I knew all the characters and cared enough about them to shed some tears. The mark of a great writer.
After that I read Enid Blyton’s book series “The Famous Five” followed by “The Secret Seven.” Then I graduated to “Biggles,” and then many books about the Wild West that introduced me to such colourful characters as Davy Crockett. Kit Carson, Bat Masterson, Wyatt Earp, Jesse James, Billy The Kid etc., etc., etc. Yep, who needed to time travel or see the world when you had books?
Then in my late teen years I read “The Great Gatsby” by F. Scott Fitzgerald and my life really did change. A book about the ultimate loner always surrounded by a party of people. I savoured every word in that book – it’s prose was exquisite and the story heartbreaking. It foretold me that following the wrong dreams can get you killed. Reading Fitzgerald was like finding a new best friend. I understood him. And from what I read I knew he understood me. After that I read all six of his novels and every short story he ever wrote. I couldn’t get enough of his words and the insight he gave into the human heart. It really was like he’d read my letters or thoughts and knew me intimately. Of course being part Irish, like me, virtually every story ended in death or heartbreak. He painted such a romantic but dangerous world where his characters always paid a high price for caring too much.
Fitzgerald’s own life was cut short by too much booze and heartbreak topped off by rejection in Hollywood. But he remains my friend and I reread “Gatsby” every couple of years. It never fails to move me. Hollywood has never been able to pull off a wholly successful film treatment of it for the simple reason that most of the truly beautiful stuff in the book are the thoughts in the characters heads, and that’s impossible to shoot. Films are about action. Fitzgerald’s writing is about emotions. Unless you do endless voice-overs and that usually renders your movie as exciting as porridge. That’s why the great Fitzgerald had such a hard time of it in Hollywood trying to make it as a screenwriter in order to net enough money to keep his wife Zelda in a mental home and pay for his daughter’s schooling. He died a broken, despairing, weary man old before his time.
Like Gatsby, killed by the wrong dream.
I came to Charles Dickens late. Not sure why that was but come to him I did. The first book of his I chose to read was “Great Expectations” and was astounded. To me it remains one of the greatest novels of all time. And in my opinion he is right up there with Shakespeare.
I heard that Dickens original ending to “Great Expectations” was tragic and certainly all roads in the book are leading there. But his publisher leaned on him to come up with a more upbeat ending. Dickens listened, went away and rewrote it, and what he does is simply sublime. He gives it a happy ending that is so bitter sweet he moves us to tears as our damaged leading characters come together to try and seek a way forward, and into the sunlight. It is so beautiful my hands trembled as I read the final pages. This novel alone would’ve assured his place among the giants of literature, but he did it again and again, novel after novel – “Oliver Twist,” “David Copperfield,” “Nicholas Nickleby,” “Hard Times,” “A Christmas Carol,” and “A Tale of Two Cities” (another ending that is so exquisitely executed as our flawed hero rises to the most noble of acts, laying down his wasted life so that others may live and find the joy that had always eluded him. Death giving his meaningless life a meaning. If there’s a better speech than his final words, I would surely love to know about it.
After Dickens I discovered Hemingway, Steinbeck, Schulberg, Shakespeare, O’Hara, Maugham, Hammett, Greene, Wilde, Twain, Isherwood, Chandler, Huxley, Ephron and many others.
All complex people, flawed, contradictory, confused, and yet so much wiser in their work than in life. Perhaps the writing down of stories and emotions helped them understand themselves.
It’s interesting how great writing never dates. You may think that picking up something that was written a hundred years ago or, in some cases longer, couldn’t possibly be relevant to your life. But the surprising revelation is that the emotions felt are timeless. Just different scenery and choice of words. But at the heart of every great story is just another human being trying to solve the same problems, whilst dealing with the same heartaches, pressures and obstacles. The universal human emotion. If you write the truth in its naked honesty it will always connect – now, tomorrow, a thousand years from now.
It teaches us that we are not alone. We are all in this together, wandering around a desert seeking an answer to why we are here. And awaiting that opportunity to rise to the potential of who we could be.
John Wayne once said, “Courage is being scared to death…and saddling up anyway.”
It has been thought, up until now, that the 7th. Cavalry were committing a cruel and heartless genocide against the Americans Indians. An evil act. Not true. And we can’t believe that of the good guys, otherwise, where would we be? And good people are never confused about who they are. As anyone who knew him will testify, General George Armstrong Custer was a concerned citizen above all else. It has even been suggested by various world famous psychics that, in a previous life, at the trial of Jesus before Pilate, the nameless man in the crowd that started the chant, “Crucify him!…Crucify him!” was indeed the spirit of Custer again, our eternal concerned citizen.
In fact you can trace Custer’s previous lives quite easily through history. He triggered the French Revolution by spreading the lie that Marie Antoinette, when informed that most of the people in the street didn’t have bread to eat, responded with “Well let them eat cake.” Not the first time someone has been misquoted for political agendas, and certainly not the last. But let’s not blame Custer, our spiritual Everyman. He was just a concerned citizen doing what he thought was best for all.
The truth about the demise of the American Red Indians is this, and you’re reading it here for the first time, they were killed by a whole bevy of concerned citizens, concerned that the Indians penchant for sending out smoke signals was harmful to the health of non-smokers. Yep, that incredibly dangerous and toxic second-hand smoke theory. Of course it’s never been proven that anyone has ever died of second-hand smoke inhalation, well not unless they have lived their whole life in the smokers room at Hong Kong Airport, that is. But that’s beside the facts. In fact, facts confirm that concerned citizens throughout history have been more dangerous than second-hand smoke.
I remember when I lived in L. A and I was standing outside a restaurant on Main Street, Santa Monica, having a cigarette on the pavement, when a woman jogger saw me and started coughing about 20 metres away from me and continued to do so right until she passed and in doing so made the effort to put both her hands in front of her nose and mouth in case smoke from my cigarette changed course and veered into her breathing orifices. I watched this pantomime with bemused fascination for sometime before yelling out to her, “You are so concerned about your lungs, yet you choose to live in Los Angeles?…Oh, have a nice day!”
I shouldn’t have been angry at her. She was just a concerned citizen. And the product of a long line of concerned citizens. Just as the Klu Klux Klan will tell you they’re just a gathering of concerned citizens. Being aware of this trait, I am now, myself, very concerned when people around me get concerned. I have mental pictures of me hanging from a tree for the amusement of a mob of concerned citizens, or a judge washing his hands and sealing my fate rather than stand up to a crowd of angry and concerned citizens. Or having the cavalry run me off my land and turning to see my home in flames, and my family killed. Or what is left of them. But hey, the culprits weren’t blood thirsty killers they were concerned men who had families and homes of their own.
I have lived through the Civil Rights liberation (allegedly), Women’s Liberation (allegedly), Gay Rights Liberation (allegedly) etc. So, I’m using this forum to announce that I am starting the Smokers Liberation Movement. And at this stage we have not ruled out using violence to get our message accepted. Especially if we haven’t had a cigarette in a while. No longer will we be shunned as second class citizens. Banished from restaurants (even outdoor restaurants), bars, beaches, within 20 miles of a school, football stadiums (and fuck, do you need a smoke when your team is losing!), and planes. Trust me, if I’m on a plane and we’re going down? I’m lighting up. Fuck the fine.
We are told, in no uncertain terms, to go and stand in the rain if we want a smoke, or go up a dark alley (I once said to a waiter who instructed me to do so, “You must’ve misheard me, I don’t want to shoot up, just want a cigarette.”)
It even screws up personal relationships with people, because you are no longer a person, you are a “smoker” and in most cases that makes you as popular as Donald Trump at Hillary Clinton’a Birthday Party.
Even signs seem to scream at you. WARNING – SMOKING NOT ALLOWED!
They even give us our ridiculously priced (in Australia anyway) lethal weapon in packets displaying some of the most horrific images of gangrene feet, diseased black lungs. etc., etc., etc. These images are enough to traumatise you into 20 years of therapy. I now order the “Smoking may harm your pregnancy” – thinking at my age getting pregnant might be the lesser of the illustrated horrors.
One night a woman turned to me in a crowd and said, “You smell of cigarettes!” To which I replied, “And you smell of rudeness.”
I shouldn’t have blamed her. She was just a concerned citizen.
It was one of those days neither here nor there in the life of Felix Appleton. He had experienced the dizzying heights and the devastating plummets of a life lived in the circus ring of the performing arts. He was often praised as a born performer but wasn’t sure of the truth in that. He hadn’t sprung from the womb singing and uttering funny one-liners. Perhaps his screaming was in tune? He didn’t know and was not about to reinvent his life for the joy of some hungry reporter. If he had a talent to amuse, it had come from pain and the ability to live with it. He used to say, “Show me an artist who hasn’t suffered, and I’ll show you a phoney.”
He was born in a public hospital and taken home in a taxi to a single-fronted weatherboard house in a street not many people walked down. It was in this small modest home that he got to know his parents, both workers who had struggled for their existence and carried the scars of their battles and defeats on their faces as proudly as old soldiers displayed their medals. They smiled with sad expressions and their eyes brimmed with the waters of a joy that’d rarely found the opportunity to flow. Felix instantly fell in love with them and knew he’d found the right home. His parents were that dying breed called good people. Yes, they were tremendously flawed if one was to appoint a critic to write a cold and detached review of their lives, but that critic would’ve missed the value entirely. Like the first critics to review “Citizen Kane” and “Sergeant Pepper’s Lonely Hearts Club Band” they would’ve been dismissed as “irrelevant,” “a misstep,” “a disaster of epic proportions.” But what do critics know? Because of deadlines they have to rush to judgement and, more times than not, in their haste they miss the point. The true worth of something is judged in time and weighed by the impact it leaves behind in all those changed by having experienced it.
Thus Felix was nurtured through his first steps into this world by two unsung national treasures. He inherited from them the gifts to love with all the loyalty of the poor; the joy in giving away his last coin, cigarette or piece of advice to someone in greater need; the strength to stand by your friend through their mistakes, no matter how unpopular that stance may be. For who among us is not flawed when day is done? As long as there is no meanness in it, all is forgiven. Like the Irish mantra, “No fear, no spite, no envy.”
Oh, and never show your enemies you’re hurting. No one should be
rewarded for their dark actions.
So it was from this environment that Felix went forth into the world. His parents had taken him to Luna Park, and the circus, and to Hollywood movies many times. He had grown to love the lights and the laughter and the collective tears of a reinvented world so much so that he joined it. “Hi diddle-ee dee an actor’s life for me.” He became an actor and acted out all the emotions he had experienced in his little childhood home – all the anger, the heartache, and the humour that can be found in any awkward situation that Life can throw at one.
Felix was praised for his talent to wring insight from any character he portrayed. Was he born with this gift? No, he was born into it. And how could it be called a gift when it comes at such a cost?
He never developed an arrogant ego, for his parents had clothed him in humility. He never cut down a rival due to envy, for he was sure that person’s journey had been as difficult as his. And he never said goodbye to any friend (whether it be man, woman or child) without tagging it with the words “I love you” for he had learnt that in this life we are never guaranteed of seeing that person again.
Felix was now an old man who kept to himself. He hated few things in Life but moving was one of them. It always signalled the end of an era and the beginning of a new one. And as such he not only found it physically exhausting but emotionally draining. He was hoping this recent move would be his last. Not that he was morbid. Far from it. He saw a joke in everything, and put that down to the Irish blood from his mother’s side. The ability to get through even the darkest defeat with a funny line. He thought one shouldn’t take this life too seriously, after all, it’s just a long elongated dream. And dreams come and go. He was just about through this dream and hoped he’d performed as well as he could, given the extraordinary circumstances that had occasionally rained on him. And that he’d given more than he’d taken from this world, for he understood that there was a delicate balance to everything and most of the problems in this world are caused by man’s ego arrogantly tampering with that balance. He’d learnt to let it be. To leave affairs of the heart well enough alone. To respect what you don’t understand. And to do no one any purposeful harm.
When he looked back at his life he was now able to smile at not only the good parts but also the bad. For out of every disaster he had learned a huge lesson. And from great lessons learned comes great wisdom. Yes, if there is a God, Felix thought, he’s a very clever bastard.
Felix didn’t know if he’d be remembered. He felt it didn’t much matter because he’d be dead. And so would all those whose opinions meant something to him. Anyway, who wants a whole bunch of strangers talking about you and dissecting you after you’re gone, and getting it all wrong?
Still, he hoped, if there was another dimension or heaven or universe one goes to, he’d still be able to remember his parents. They were good people. They had given him valuable parts of themselves. And they were worth remembering.
In November of last year Richard Wolstencroft felt it necessary to resign as Director of the Melbourne Underground Film Festival. At that time he asked me to take the reins and chart M.U.F.F’s overhaul and new direction. I accepted because I felt that the festival is an important outlet for emerging film makers to find their feet and their audience.
My acceptance of the top position was on the basis that I would have total autonomy to make changes and lead the festival into a brave new future.
Unfortunately after prolonged negotiations it has become apparent that the severing of the past and what is needed to create a totally free new system proved more complex and time consuming than either Richard nor I could have possibly envisaged.
So, it is my decision to not continue as my feeling is that M.U.F.F should be handed back to Richard, its creator, who will run it as a free speech absolutist event.
But, on the other hand, having put a lot of time and energy into a new look festival, as well as commencing negotiations with several legendary international film identities to visit our shores to as festival guests and share their experience and wisdom with us, I have decided to go ahead with a totally new film festival that will be clear to create its own identity and reputation as well as serve as another much needed outlet for young local and international film-makers. This I hope is not seen to be in any way competition with M.U.F.F but quite the opposite, another important spotlight that will include some categories not covered by M.U.F.F. It will also be run at a later date, in our summer months, at some very prestigious venues already locked in.
The Oz International Film Festival can assure you of a very exciting premiere season.
We welcome film-makers here and abroad to visit our website and submit their latest works for consideration of inclusion in our inaugural festival. Your films will not be judged on any bias to politics, race, gender, sexual preference or content, but purely on the execution of your film-making abilities, and a diverse and experienced jury of industry veterans will be announced within the next few weeks.
The festival will honour the bold, brave and adventurous new voices in the world of cinema and hopefully help some go on to be the new vanguard of the next generation of important film-makers.
I will be the Festival Director and ably assisted by Executive Producer Barry Robinson. Other appointments will be announced shortly.
Good luck and welcome aboard what we feel will be an exciting new chapter. We look forward to your submissions and you can trust that they will be very carefully considered, each and every one.