Who’ll share this load?
There ain’t two
Just me for road
I’ve loved psychos and fakes
I’ve made more than enough mistakes
I did everything I could
Everything I should
But it left me empty handed
I never understood you
Payback for never seeing who
A fugitive on the lam
Yet all roads lead to this
The Judas kiss
Another saviour on our block
Killed by the ticking clock
I wake today to find I’m old
And that the outside world’s too cold
My secret identity revealed
Every layer of skin’s been peeled
Still answering to the name “son”
From a time when I was one
And my dreams were bigger than me
And the world was further than the eye could see
And my princess was still undiscovered
My mission failed but I recovered
Or so they say
There’s no better way
To find yourself
Than to lose your wealth
And the love you were waiting for
Still the crowd cried out for more
But my encore went on too long
And they lowered the curtain mid-song
So now who’ll share my load?
There ain’t two
For the road
My sweet Rosemary
She came to tea
She showed me
A thing or two
Before I showed her the door
We met again
By new year’s end
We kissed beneath our tree
Call me a fool
But I ain’t cruel
So once more I set her free
From her sacred chalice
I’ll never again sip
All my golden chances
I let ’em all slip
Now I’d lay down my life
If I could only see
Once more the smiling face
Of my sweet Rosemary
My sweet Rosemary
Come back to me
I’m broken and alone
I lay here
Beside you dear
And your grave of icy stone
I remember her words
She said, “We’ll always be together”
She knew that, somehow
You don’t know the cost
Till you’re hurt this deep
And cannot awaken
From the nightmare sleep
From her sacred chalice
I’ll never again sip
All my golden chances
I let ’em all slip
Now I’d lay down my life
If I could only see
Once more the smiling face
Of my sweet Rosemary
I was fooled by the mystery of women
Until I realised there is no mystery at all
Invented by men so they could
Fall in love with the Virgin Mary
And partner with her to give life
To their boy child Jesus
But like Joseph us men don’t last the distance
We leave to give our saviour a chance
Not even returning to witness
One overcast day
On a mount somewhere east
In our guilt
Sacrificing his life
To try and live up
To our destructive hopes
I once was a child dancer myself
Early in my journey
Polishing the steps made famous
By others before me
Too shy to speak to girls
In case they saw right through me
And realised any charm I possessed
Only hid my fear
That the problems of my life
Could not be cured by a slick dance routine
And a few witty lines
I was married three times
To three absolutely charming women
Who took everything I had
Except the will to go on
Still, the romantic fool
And God was exasperated
By my lack of ability to learn
So I endured many hardships
Smashing my spirit
I then judged my true friends
By those still willing to listen to me
Patient enough to judge the message
And not the flawed messenger
Thus I found Saints
Where others found fault
I found angels
Where others found beggars
I found God
In the humility of affliction
No one is born with empathy
You are gifted it
After walking many miles
In the shoes of the suffering
Having lived it
How could you turn your back on another?
Young women are very well mannered
When they remind you that you are too old
It’s in their eyes
Their changing of the subject
It is appreciated
For otherwise us foolish romantics
May think we are still 18 years old
And that life is still before us
But it is I that also pity them
For I know what their road beholds
And such outer beauty
Is a hard thing to live without
On their journey to inner beauty and humility
And the higher purpose
Of a life
For sex leads to the entrapment of both parties
And longing is replaced by the desire to not belong
So just say that I don’t dance anymore
For my heart and my legs ache
And perhaps like Doc Pomus
Will save the last dance for me
And although now
I will decline it
But will be touched
By the invitation
As I think back
The days when I danced
Why would anyone become a writer? Especially in a world that doesn’t seem to read anymore. Or go to the theatre, or go to the movies to see anything other than comic book heroes. Good question.
All the great writers were mostly drunks. Coincidence? Or is there a cost for looking too long into the abyss and reporting back to the good folk what they’re too timid to experience for themselves? Springsteen once wrote that there is a darkness at the edge of town. No, that darkness lies within us all. Each one of us has the latent potential to be a Hitler or a Christ. God has cleverly given us free will to choose our own poison. And the highly sensitive among us reach for the bottle, or the harder stuff, in order to numb ourselves to the responsibilities of that choice.
When I was at school I just couldn’t concentrate on anything. I was hopeless. Sometimes I feel sorry for those who attempted to teach me anything. Not sure if my undisciplined mind was a result of the trauma I witnessed most nights in my abusive family home, or I had what is now diagnosed as ADD. One day the headmaster of the school phoned my mother for a meeting to question her as to why her son had the highest I.Q at the school and the lowest grades. She was at a loss for words. But not me. Words always came easy to me. In fact I could talk myself out of any beating I was about to receive from a Christian Brother. That was quite a feat considering the relish they got from handing out such brutal punishment. These guys would’ve been more at home as members of the Third Reich than Jesus’ band of 12. But talk my way out I did. So, words became my friend, my salvation. And humour protected me from the cruel slings of other peer group bullies. I could always hysterically put myself down before anyone else had the chance to. Timing was everything. Playing the court jester got me through my troubled youth and shielded me from revealing my true self. And what was that? I was scared of everything and everyone. I felt like an alien most of the time in a strange world that only threw contradictions at you.
My refuge again and again were words. The only subjects at school that I attained any respectable grades for were Art, English and Religious Knowledge. The latter because I loved hearing all the Biblical stories and for some reason remembered every detail. They were filled with such amazing imagery and drama. Oh, and miracles. I guess I was depending on a miracle to happen in my life that would save me. And this Jesus character sounded like he might’ve been the only person who would’ve taken the time to understand me. Whether he was the Messiah or not is up for debate, but he sure sounded like a nice man. And like me, and all the other loners and misfits in the world, grossly misunderstood. I never forgot those stories and if nothing else they were great morality word plays.
Due to my restless mind I found it too difficult to persevere and read a book through to the end. But I tried again and again to achieve this. Thank God I did because I now must own over a thousand books that I cherish and have taught me more than I ever learnt at school. I always tell people I was self educated and that’s the truth of it. All my education took place in a class of one. In many ways, books saved my life.
My introduction to books began when I was a small child and my Irish grandmother would sit me on her lap and read aloud the adventures of Noddy in Toyland. We bonded through the whole Noddy series until she was taken from me when I was two.
The first book that hooked me enough to finish was, ironically, “Little Women” by Louisa May Alcott. I guess it proved that I had a fascination with the mystery of women from an early age. This of course led to much heartache and my premature death but that’s a whole other story. Either that, or Ms. Alcott was one helluva writer that captured my imagination and kept me turning the pages. By the end of the book I felt I knew all the characters and cared enough about them to shed some tears. The mark of a great writer.
After that I read Enid Blyton’s book series “The Famous Five” followed by “The Secret Seven.” Then I graduated to “Biggles,” and then many books about the Wild West that introduced me to such colourful characters as Davy Crockett. Kit Carson, Bat Masterson, Wyatt Earp, Jesse James, Billy The Kid etc., etc., etc. Yep, who needed to time travel or see the world when you had books?
Then in my late teen years I read “The Great Gatsby” by F. Scott Fitzgerald and my life really did change. A book about the ultimate loner always surrounded by a party of people. I savoured every word in that book – it’s prose was exquisite and the story heartbreaking. It foretold me that following the wrong dreams can get you killed. Reading Fitzgerald was like finding a new best friend. I understood him. And from what I read I knew he understood me. After that I read all six of his novels and every short story he ever wrote. I couldn’t get enough of his words and the insight he gave into the human heart. It really was like he’d read my letters or thoughts and knew me intimately. Of course being part Irish, like me, virtually every story ended in death or heartbreak. He painted such a romantic but dangerous world where his characters always paid a high price for caring too much.
Fitzgerald’s own life was cut short by too much booze and heartbreak topped off by rejection in Hollywood. But he remains my friend and I reread “Gatsby” every couple of years. It never fails to move me. Hollywood has never been able to pull off a wholly successful film treatment of it for the simple reason that most of the truly beautiful stuff in the book are the thoughts in the characters heads, and that’s impossible to shoot. Films are about action. Fitzgerald’s writing is about emotions. Unless you do endless voice-overs and that usually renders your movie as exciting as porridge. That’s why the great Fitzgerald had such a hard time of it in Hollywood trying to make it as a screenwriter in order to net enough money to keep his wife Zelda in a mental home and pay for his daughter’s schooling. He died a broken, despairing, weary man old before his time.
Like Gatsby, killed by the wrong dream.
I came to Charles Dickens late. Not sure why that was but come to him I did. The first book of his I chose to read was “Great Expectations” and was astounded. To me it remains one of the greatest novels of all time. And in my opinion he is right up there with Shakespeare.
I heard that Dickens original ending to “Great Expectations” was tragic and certainly all roads in the book are leading there. But his publisher leaned on him to come up with a more upbeat ending. Dickens listened, went away and rewrote it, and what he does is simply sublime. He gives it a happy ending that is so bitter sweet he moves us to tears as our damaged leading characters come together to try and seek a way forward, and into the sunlight. It is so beautiful my hands trembled as I read the final pages. This novel alone would’ve assured his place among the giants of literature, but he did it again and again, novel after novel – “Oliver Twist,” “David Copperfield,” “Nicholas Nickleby,” “Hard Times,” “A Christmas Carol,” and “A Tale of Two Cities” (another ending that is so exquisitely executed as our flawed hero rises to the most noble of acts, laying down his wasted life so that others may live and find the joy that had always eluded him. Death giving his meaningless life a meaning. If there’s a better speech than his final words, I would surely love to know about it.
After Dickens I discovered Hemingway, Steinbeck, Schulberg, Shakespeare, O’Hara, Maugham, Hammett, Greene, Wilde, Twain, Isherwood, Chandler, Huxley, Ephron and many others.
All complex people, flawed, contradictory, confused, and yet so much wiser in their work than in life. Perhaps the writing down of stories and emotions helped them understand themselves.
It’s interesting how great writing never dates. You may think that picking up something that was written a hundred years ago or, in some cases longer, couldn’t possibly be relevant to your life. But the surprising revelation is that the emotions felt are timeless. Just different scenery and choice of words. But at the heart of every great story is just another human being trying to solve the same problems, whilst dealing with the same heartaches, pressures and obstacles. The universal human emotion. If you write the truth in its naked honesty it will always connect – now, tomorrow, a thousand years from now.
It teaches us that we are not alone. We are all in this together, wandering around a desert seeking an answer to why we are here. And awaiting that opportunity to rise to the potential of who we could be.
John Wayne once said, “Courage is being scared to death…and saddling up anyway.”
It was one of those days neither here nor there in the life of Felix Appleton. He had experienced the dizzying heights and the devastating plummets of a life lived in the circus ring of the performing arts. He was often praised as a born performer but wasn’t sure of the truth in that. He hadn’t sprung from the womb singing and uttering funny one-liners. Perhaps his screaming was in tune? He didn’t know and was not about to reinvent his life for the joy of some hungry reporter. If he had a talent to amuse, it had come from pain and the ability to live with it. He used to say, “Show me an artist who hasn’t suffered, and I’ll show you a phoney.”
He was born in a public hospital and taken home in a taxi to a single-fronted weatherboard house in a street not many people walked down. It was in this small modest home that he got to know his parents, both workers who had struggled for their existence and carried the scars of their battles and defeats on their faces as proudly as old soldiers displayed their medals. They smiled with sad expressions and their eyes brimmed with the waters of a joy that’d rarely found the opportunity to flow. Felix instantly fell in love with them and knew he’d found the right home. His parents were that dying breed called good people. Yes, they were tremendously flawed if one was to appoint a critic to write a cold and detached review of their lives, but that critic would’ve missed the value entirely. Like the first critics to review “Citizen Kane” and “Sergeant Pepper’s Lonely Hearts Club Band” they would’ve been dismissed as “irrelevant,” “a misstep,” “a disaster of epic proportions.” But what do critics know? Because of deadlines they have to rush to judgement and, more times than not, in their haste they miss the point. The true worth of something is judged in time and weighed by the impact it leaves behind in all those changed by having experienced it.
Thus Felix was nurtured through his first steps into this world by two unsung national treasures. He inherited from them the gifts to love with all the loyalty of the poor; the joy in giving away his last coin, cigarette or piece of advice to someone in greater need; the strength to stand by your friend through their mistakes, no matter how unpopular that stance may be. For who among us is not flawed when day is done? As long as there is no meanness in it, all is forgiven. Like the Irish mantra, “No fear, no spite, no envy.”
Oh, and never show your enemies you’re hurting. No one should be
rewarded for their dark actions.
So it was from this environment that Felix went forth into the world. His parents had taken him to Luna Park, and the circus, and to Hollywood movies many times. He had grown to love the lights and the laughter and the collective tears of a reinvented world so much so that he joined it. “Hi diddle-ee dee an actor’s life for me.” He became an actor and acted out all the emotions he had experienced in his little childhood home – all the anger, the heartache, and the humour that can be found in any awkward situation that Life can throw at one.
Felix was praised for his talent to wring insight from any character he portrayed. Was he born with this gift? No, he was born into it. And how could it be called a gift when it comes at such a cost?
He never developed an arrogant ego, for his parents had clothed him in humility. He never cut down a rival due to envy, for he was sure that person’s journey had been as difficult as his. And he never said goodbye to any friend (whether it be man, woman or child) without tagging it with the words “I love you” for he had learnt that in this life we are never guaranteed of seeing that person again.
Felix was now an old man who kept to himself. He hated few things in Life but moving was one of them. It always signalled the end of an era and the beginning of a new one. And as such he not only found it physically exhausting but emotionally draining. He was hoping this recent move would be his last. Not that he was morbid. Far from it. He saw a joke in everything, and put that down to the Irish blood from his mother’s side. The ability to get through even the darkest defeat with a funny line. He thought one shouldn’t take this life too seriously, after all, it’s just a long elongated dream. And dreams come and go. He was just about through this dream and hoped he’d performed as well as he could, given the extraordinary circumstances that had occasionally rained on him. And that he’d given more than he’d taken from this world, for he understood that there was a delicate balance to everything and most of the problems in this world are caused by man’s ego arrogantly tampering with that balance. He’d learnt to let it be. To leave affairs of the heart well enough alone. To respect what you don’t understand. And to do no one any purposeful harm.
When he looked back at his life he was now able to smile at not only the good parts but also the bad. For out of every disaster he had learned a huge lesson. And from great lessons learned comes great wisdom. Yes, if there is a God, Felix thought, he’s a very clever bastard.
Felix didn’t know if he’d be remembered. He felt it didn’t much matter because he’d be dead. And so would all those whose opinions meant something to him. Anyway, who wants a whole bunch of strangers talking about you and dissecting you after you’re gone, and getting it all wrong?
Still, he hoped, if there was another dimension or heaven or universe one goes to, he’d still be able to remember his parents. They were good people. They had given him valuable parts of themselves. And they were worth remembering.
In November of last year Richard Wolstencroft felt it necessary to resign as Director of the Melbourne Underground Film Festival. At that time he asked me to take the reins and chart M.U.F.F’s overhaul and new direction. I accepted because I felt that the festival is an important outlet for emerging film makers to find their feet and their audience.
My acceptance of the top position was on the basis that I would have total autonomy to make changes and lead the festival into a brave new future.
Unfortunately after prolonged negotiations it has become apparent that the severing of the past and what is needed to create a totally free new system proved more complex and time consuming than either Richard nor I could have possibly envisaged.
So, it is my decision to not continue as my feeling is that M.U.F.F should be handed back to Richard, its creator, who will run it as a free speech absolutist event.
But, on the other hand, having put a lot of time and energy into a new look festival, as well as commencing negotiations with several legendary international film identities to visit our shores to as festival guests and share their experience and wisdom with us, I have decided to go ahead with a totally new film festival that will be clear to create its own identity and reputation as well as serve as another much needed outlet for young local and international film-makers. This I hope is not seen to be in any way competition with M.U.F.F but quite the opposite, another important spotlight that will include some categories not covered by M.U.F.F. It will also be run at a later date, in our summer months, at some very prestigious venues already locked in.
The Oz International Film Festival can assure you of a very exciting premiere season.
We welcome film-makers here and abroad to visit our website and submit their latest works for consideration of inclusion in our inaugural festival. Your films will not be judged on any bias to politics, race, gender, sexual preference or content, but purely on the execution of your film-making abilities, and a diverse and experienced jury of industry veterans will be announced within the next few weeks.
The festival will honour the bold, brave and adventurous new voices in the world of cinema and hopefully help some go on to be the new vanguard of the next generation of important film-makers.
I will be the Festival Director and ably assisted by Executive Producer Barry Robinson. Other appointments will be announced shortly.
Good luck and welcome aboard what we feel will be an exciting new chapter. We look forward to your submissions and you can trust that they will be very carefully considered, each and every one.