IF I SHOULD DIE TONIGHT

If I should die tonight
What would I say?
I'm glad you came along
And chose to stay
And thank you for the love
Shown to an orphan gone astray
If I should die tonight
That's what I'd say

If I should cry tonight
Don't turn away
You've been my ray of sunshine
Come what may
You helped me through the storm
Through all the nights that followed day
If I should cry tonight
Don't turn away

You see me
When others don't
You're the one who tries
When others won't
In the temple of truth
I was humbled and confessed
If this be love
Then I've been blessed

If I should die tonight
What have I learnt
From all the battles fought
And bridges burnt?
I bore a heavy load
Through all those dreams that wouldn't cease
If I should die tonight
God grant me peace



(c) Frank Howson 2019

WHAT AM I BID?

He's in that room
Second door to the right
Asleep on the couch
Exhausted from trying to make sense of it all
And from staying out of anyone's way
He can't play the person he was anymore
The clothes don't fit
The lines don't ring true
And the lighting isn't right
All of his happy endings
Added up to one massive disaster
He stood up once
To be shot down
But that bravest hour
His finest
Misreported by many
Cost him more than money
And years
And the loves of a life
Although the fire was extinguished
Some embers still burn
When it's that three o'clock hour
And the world is silent and God whispers "Don't worry"
To thwart the attack of the shadow people
For it takes a lifetime
To realise
That the more you're taught
The less you think you know
It's all part of the process
Of shedding skins
In order to set the spirit free
From the chains of this world
For you have to be beaten
And mocked
And fall
Time and time again
On your road to humility
That will eventually carry you
Above these prison walls
The world has been taken over by idiots
And statisticians
Gossips shows and celebrity chefs
And is a place where a couch
In a tiny room
Has become someone's refuge
As he puts on his coat
And goes walking with his ghosts
Into a familiar surrounding
That is at last bearable
As he wanders
With the knowledge that
With wisdom comes predictability
And explains God's boredom
With us
Can you imagine?
Few can
Take this man
Oh, take him, Lord
He who lived with trauma
And the insanity of hope
And walked streets that turned back into themselves
Like people do
And was insulted, defamed and betrayed
By those he'd shown the most kindness to
How much am I bid for his heart?
It's weary from caring
But it is still in working order
What do I hear for his love
That has the capacity to extend to so many
For so little in return?
What am I offered for his feet
That have walked the world many times
And yet were still able to stand while others fell?
What will you give for his voice
That was silenced for a time by experts
Who feared his truth?
Going once
Going twice
Sold



Words (c) Frank Howson 2019

photograph by Bruce Woodley. 




 

 

 

UNEASY RIDER

“All they wanted was to be free, and that’s the way it turned out to be…”   The Ballad of Easy Rider.

I was recently saddened to wake to the news that Peter Fonda had died. At my age it has become a regular occurrence, almost daily, to hear about a dear friend, acquaintance, associate, or a boyhood hero checking out of this world.

When I lived in Los Angeles for nine years I was very fortunate to have met a large number of actors, musicians and directors that’d inspired me during my formative years. Some of them became friends, others I’d see around here or there and we’d give a nod and a smile. They were mostly nice people dealing with their own pressures, families, problems and all those things we too juggle. Just on a much bigger scale. The few I encountered that were mean or monsters were the pretenders. The ones who’d seized a spotlight or some power through bluff, marketing or manipulation.

The bigger the talent, the nicer the person is what I found. Mostly.

Which brings me back to Peter Fonda. I only met him once. It was in one of my favourite books stores, Book Soup, on Sunset Boulevard, and I was browsing the latest releases when Peter came in with some people and they began setting up a table for him to do some book signings for his autobiography, “Don’t Tell Dad.” The title referring to his father, the legendary actor Henry Fonda, who was described by his children as being strict, uncommunicative, and unaffectionate. He never told them, ever, that he loved them. One of those closed men from an era when it was deemed unmanly to show your feelings. Perhaps this explains why both Peter and his sister Jane became rebels. Pushing the boundaries, striving to achieve and seeking approval from others. Running wild in Hollywood.

Peter had nothing in common with his father other than looks. I chatted with him that day and he was a genuinely nice, kind, loving individual. Before the crowd arrived he even signed a complimentary copy of his book for me. He was a hippie, spiritually, until the end.

Carving out a film career had been difficult for Peter. When he started out he had to stand in the very large overpowering shadow of his father. Remembered not for his work, but for being Henry Fonda’s son. Then later, he would be referred to as Jane Fonda’s brother. It must’ve been a creatively lonely and humbling existence for him. In fact, in most of his early films he looks stilted and uncomfortable, devoid of any identity of his own.  If the trick to great acting is total relaxation, he was a long way from it.

Not making much of an impression in movies such as “Tammy and the Doctor” “The Young Lovers” and other forgettable fluffy fare, the offers dried up as he sat on the sidelines watching his father continue to shine in major movies, and his sisterJane soar in one film after another. It must’ve hurt Peter to have been thought of as the “loser” of the family, but perhaps those forces also shaped him as the gentle, unassuming, empathetic, kind man he became. He knew, in his own way, what it was like to suffer. To be ignored. Or dismissed.

Like many outsiders of the big slick Hollywood machine, Peter stumbled into the conveyor-belt Roger Corman “B” grade movie productions churned out for drive-in market. These exploitation films had budgets less than what real movies spent on catering. Some of them were shot in two days! And those that worked on them, usually had two or more jobs to perform. But Peter joined an illustrious company of other young, eager outsiders who couldn’t get a break in mainstream movies either. People like Jack Nicholson, Francis Coppola, Robert DeNiro, Bruce Dern, etc.

The brilliant thing about the Corman movies was that you learnt on the job, from experience, seeing yourself on the big screen and seeing what worked and what didn’t. You can now observe in these mostly crappy movies how Fonda and Nicholson go from stilted, self-conscious actors to guys who  become so comfortable in front of a camera, their true self shines through and magic is born. We see this in Fonda’s performances in “The Wild Angels,” and the LSD fuelled “The Trip.”

And so it was, with a small budget film called “Easy Rider” (directed by Dennis Hopper and starring Peter, who also co-wrote the script and co-produced it) that Peter Fonda became a huge international star in his own right, and a cultural icon to a whole generation of baby boomers. His character Captain America oozed quiet confidence and the cool factor in abundance. The way he moved, how he dressed, the manner in which he spoke, had us boys all trying to emulate him. He became our martyred hero who, like us, was so lost, confused and despairing about the world, that we dropped out of the ranks of what was expected of us.

One of the last lines his character utters in the film, just before his date with destiny is, “We blew it.” He doesn’t elaborate. It is a beautiful, sad, famously enigmatic line that in a way is a eulogy to a lost generation.

Although Peter went on and starred in many movies and won Golden Globe awards and nominations for Oscars, it is his character in “Easy Rider” that still haunts us. That cool, disenchanted, silent-type loner, searching for the meaning of life on the coolest looking motorcycle we ever saw.

The advertising by-line to the movie “Two men went looking for America, and couldn’t find it anywhere,” best sums it up.

Peter screened the final cut of the movie to Bob Dylan hoping that the famous troubadour would give permission for his recordings to be used for the movie’s soundtrack. But Dylan was so angered by the movie’s tragic ending, he said he’d only give his songs to the movie if the final scene was reshot and the bikers won. But Peter explained that the two leading characters had to be martyred. That’s what happened at that time, at that place, in America. Young people couldn’t beat the system.

So Bob took a piece of paper and scribbled these lines on it, “The river flows to the sea. Wherever that river flows that’s where I want to be. Flow river flow, let your waters wash down, take me from this road, to some other town…” He handed it to Peter and said, “Give it to Roger McGuinn to finish. He’ll know what to do with it.”

And do he did. Roger added the lines, “All they wanted was to be free, and that’s the way it turned out to be.” And “The Ballad of Easy Rider” was born. Dylan declined a credit as he’d given the lyrics to Peter, and the film, as a gift.

Peter Fonda was born to be wild. He is now free from the chains and restrictions of this earthly world. Free to ride the wind. To be a part of that beautiful dawn. To be as still and wise as the trees. And to flow with that river to the sea.

Farewell, dear Peter. Take it easy.

(C) Frank Howson 2019

SO WE CALLED IT LOVE

There used to be stars

Before we pulled them down

We used to have leaders

Who were mentally sound

There used to be a gift

From up above

We didn’t know what it was 

So we called it love


There used to be care

For our fellow man

When friends were in trouble

We’d try and lend a hand

It’s now considered weak

And out of date

So we look the other way

And we call it fate 

 

The older we get

The more we forget what we’ve been taught

By all the friends we squandered 

And all the dreams we bought 

We toss and we turn

We live and dont learn 

Stumbling in the dark

And shooting from the lip

Until we wake to find

It all comes to zip 

 

There used to be Dreams 

That got us through the night

Some called us lucky 

Until we missed our flight

And we’d lost every girl 

By the final reel

Too old to try again

And too scared to feel

 

(C) Frank Howson 2019

x 

THIS GREY PLACE

I died a week ago
About the time you left me
But no one has seemed to notice
I’ve been haunting some familiar bars
Speaking to strangers without getting an answer
I guess they’re dead too
There’s a lot of this going around
I think it’s called Limbo
The waiting room
Before we can move on
I’ve heard we are stuck here
Until we can make sense of it all
The room of the lost
I guess heaven is reserved for the winners
So that won’t be such a change
From what I’m used to
I don’t know what I did
Or didn’t do
To lose you
I hope I work it out soon
Because I can’t move on
You see?
Without some closure
Me, the one who vowed to love you
Forever
May be here a very long time
In this place where nothing grows
But remorse
This grey place
I kept my vow to you
Didn’t I?
And now there’s all hell to pay
What room are you in?

(C) Frank Howson

Photograph by Frank Howson.

WHO SAW HIM LAST?

These were the shoes he wore. Notice the soles are thin. He’d walked many miles in these trying to get ahead.

This was his favourite jacket. He felt wealthy when he wore it. Even though it had holes in the pockets.

This is the shirt he called his lucky one. He always wore it to important meetings and although nothing ever came of them he felt this shirt would bring him luck. Someday.

These were his favourite pants – he’d been married in them. Twice.

This was the hat he wore everyday. It shielded his head from the rain and the wind and the sun. And if he pulled the brim down, from everyone.

This is the map he lost just before he lost his way.

These are the tears he cried when he had nowhere to go.

This is the heart you broke and you didn’t even know.

These are your letters he kept when he believed in you.

This is the photo of his mother who thought he was precious.

Where are the friends he helped instead of helping himself?

This is his favourite song that he played every night.

This is the movie he said changed his life.

These are the books he loved now all packed away.

Who saw him last?

(C) Frank Howson 2019

THE BRIGHTEST LIGHT

Where do you find someone
Who’ll give you their heart?
And won’t take it back
Just to tear you apart
Someone who is
Everything she seems
A dream you wake to
When you wake from dreams
I’ve been searching so long
And learned to live alone
You kinda park your life
In a holding zone
But I believe one day
If you keep on giving
You’ll stumble in the dark
And find your reason for living
For it’s a contradiction
That in the darkest night
We see in the faraway distance
The brightest light

(G) Frank Howson