I have seen it all But missed so much What happened to our healthy life? Did we lose our touch? There are women out there That want to thrill ya There are men who stare That want to kill ya I'm living in a two room condo In Clownsville I think I may've died but The stubborn part is living still Love is not for wimps Or just a point of view It waivers in the wind When it doesn't ring true I've been to hell They know me there Tell 'em Frankie boy says hello If you dare Everyone I meet Is somebody's girl My dad was Jack My mother was Pearl They taught me how To survive our street And to see the beauty That comes with defeat (c) Frank Howson 2018 Painting by Frank Howson (c) 2017
You tell a story about an old cowboy's kindness And they will ask you "What was his agenda?" This reveals to you that their concept of kindness Is that it's a tool of opportunism They are bitter that they are unknown And yet they don't do anything That would warrant attention For it is too scary to tread where only the brave venture As they may well be exposed And the reality that their dream may just be an delusion Is too confronting To think about When they have the safety of resenting others And hold the weaponry to ruin what should've been Your most joyful night Anyone's triumph makes them angry But they can't admit that to anyone As that would expose them So they invent an excuse But still want to get into the exclusive party So that they can lose you and work the room How they can submerge their hypocrisy From themselves takes a lot of practice And denial They will tell those in attendance that they are not with you Unless of course that excludes them from an opportunity They are unwilling to learn where they go wrong So they are doomed to never change Living off others' kindness Taking it But then putting it down when it suits Scavengers Parasites Hawks do not share As we've been told Even changing their faith if they think that will buy Them an opportuntity So, lying in the face of God confirms Their true underlying belief in nothing And no one Other than themselves They will succeed in taking all the joy from your life And rendering you to being catatonic Sitting staring out a window Watching the birds in free flight There is no insurance for those Who allow the Lloyds to put a value on their existence And the night is long And you are so confused In this joyless space (c) 2018 Frank Howson
The living are always under attack from the dead. As night follows day so do those of darkness target those of light and stalk them with words of hero worship when, the truth is, the mere existence of those with a spark irritates them and they consciously or, in some cases, subconsciously, work toward the extinguishment of that flame. Wilhelm Reich writes about this condition in detail in his book The Murder of Christ.
The people of darkness use many tools to bring down the envied. Negative rumours, stories that are unfounded in fact, and a whole range of politically acceptable words to discredit their target i.e., Narcissist (this applies to anyone who is successful in showbiz who uses social media to promote their latest ventures) because the fact that someone may actually be getting off their fat ass and doing something reminds the person of darkness how meaningless and unfocused their own life is; Nazi (it is acceptable in today’s politically correct world to call anyone with an opposing opinion this and get away with it. This is disgustingly outrageous and unfair to their target whose only crime may be to have an original thought, as well as, obviously, making light of what the real Nazis did). But let me not bring logic into this lest I be called names. Anti-Semitic is a good one too in some cases. I have even witnessed Jewish people being called anti-Semitic because they dared to have an opinion that didn’t sit comfortably with the party line. Such is the out of control world we live in where the militant wheel gets oiled first and the logical debate is not only not considered it is condemned. Here we have a perfect storm for the people of darkness to not only hide within, but thrive.
Bob Dylan has predicted for some time now that we have entered the end game. Anyone who has studied theology and the predictions of the old prophets would have to concur. In my opinion we are currently engaged in the final war between good and evil, darkness and light, and the shadow people are only going to get more and more hysterical as things don’t go their way. They are currently very confused as to why things aren’t going the way of the Polls. Could it be divine intervention?
It is difficult to untangle yourself from a person of darkness because they are cling ons – spiritual vampires sucking your energy. And the more you give them the more resentful they will become towards you. For even your kindness is an irritation. A reminder of what they are not. They will insult you by praising strangers and even abusing and opportunistic ex-partners above your efforts to help, give and support. This is to make you crazy and so confused you will cease to be able to function and end up zombie like staring out a window into the light that was once your source. Do not under any circumstances feed them. Let well enough alone. Danger and madness this way comes.
(C) Frank Howson 2017
I was thrown up into this world Or born into it Or cast down Some time ago When everything was grey Mostly Although some things were black Or white And your skin colour Could be wrong or right Regardless of your heart And actions It made me nervous That one could so easily Cross the line And be punished For who you were So I locked myself away In my room My tomb And listened to the radio But mostly the music was grey too Like Johnny Ray And Doris Day So I dreamed in Vistavision And lived in the movies Where the hero stood up to the mob And did the right thing Regardless of the cost Sometimes getting the girl In the final reel Sometimes not For the hero was mostly a loner A man who'd seen too much And didn't want to see anymore For he too Found that the world was grey And was not above sacrificing his life So that others may live I continued on Looking forward to Christmas And my birthdays When suddenly there was kindness And laughter And glimpses of the colours Of joy And what the world could be If only we tore the walls down And embraced And displayed our brokenness And vocalised our care for others Imagine I was about eleven years of age With my mum in the Myer department store In the city When I heard a sound that changed my life It was unlike anything I'd ever heard I stopped Transfixed My mother asked me what was wrong I smiled because Suddenly Everything seemed somehow right I wandered away Toward the music Leaving my mother to follow me The singer's voice Was the most exciting and dynamic sound I'd ever heard He sounded like a caged animal That had just been set free As I had The record was "Twist And Shout" By a group called the Beatles And on the front cover of their EP They looked to this kid from St. Kilda To be from another planet Their hair, their clothes, their boots, their sound It seemed the planet they came from was called Liverpool I needed to know what the singer's name was And was told by the girl behind the record counter That he was John Lennon And he played rhythm guitar and co-wrote moat of their songs John Lennon saved my life that day And he has had my staunch loyalty ever since I grew to read much about him In fact, everything And have since met many people who knew him He was a complex, fascinating, contradictory and flawed man All of which made him even more interesting And still does to this day Scarred by the early loss of his father, then his mother And then his best friend He put up a guard to protect himself From any more hurt His singing tone sometimes snarled to hide his pain But we heard it in his soul And in the words of his songs And knew that behind the tough guy facade he was the kindest And most caring of all My friend Phil Sloan told me that John's spirit was so huge That you actually felt his presence enter a room Before you'd even seen him Another friend of John's who'd known me for some time Told me that he would've liked me I hope so Because I have spent a long time Loving him He was my liberator, my hero, my friend He made me laugh, he made me cry, he made me angry, he made me care And sometimes when I am lost or despairing I think about how Johnny Rhythm would handle things And it gives me the inspiration to go on To try and find a way I guess it was destiny That he left us after such a short time But perhaps his spirit was too big for this world As his beautiful boy Sean said to his mother when she was grieving, "Don't worry, Daddy's bigger now...Now he's part of everything." (c) Frank Howson 2017
We're like the dogs Who shy away from your touch Some of us bite When we've been hurt too much We try to forget But we never can The inhumanity And cruelty of man Some are like cats Who tend to love with reserve Dogs wag their tails While the cats just observe Dogs try to help us But cats know they can't For dogs think we are Gods While cats know that we aren't (c) Frank Howson 2017 Lantau, Hong Kong.
Becoming the Director of the Melbourne Underground Film Festival is something I had not lobbied for or ever desired. But given Richard Wolstencroft’s recent sudden departure and his request to take over the helm, it is something I couldn’t refuse as the Festival is now bigger than any one person and for it to cease to exist would be, in my opinion, a tragedy for the industry. It fills a very important role in shining a light on the next generation of Australian filmmakers and in its 18 years of existence it has discovered a number of people who have gone onto receive international success.
Years ago when I was a young creative person trying to break into the film business it was almost impossible. It seemed, at that time, to be a closed shop with the same ol’ same ol’ people getting the grants and making the movies. And of course, those who were benefitting from the system were certainly very reluctant to let new blood in. Many of those people never encouraged the next generation of talent and we have been paying for that for some time now. Who knows how many brilliant young creatives got frustrated by the red tape and closed doors, gave up and walked away. It made me all the more determined that if I broke through then the least I could do would be to help others achieve the same. And so I did. Even though at the height of my success I was making 5 films a year (in some cases shooting a movie whilst I was in post-production of the last one and pre-production of the next), yet, I still made time to meet and give advice to any young filmmaker who phoned asking for help. I am proud that my company gave several directors their first chance to direct a movie, along with giving breaks to young editors, music composers, actors, costume designers, etc., etc.
In fact I remember giving the young Richard Wolstencroft his first chance to direct a 35mm movie, which starred the very young Lachy Hulme. Although in my long and varied career I have won quite a few awards, I can say in all honesty that nothing gives me more joy than the knowledge that I helped several people into the industry who went onto achieve international recognition.
It saddens me that Richard has had to relinquish his directorship of the Melbourne Underground Film Festival so suddenly and in such circumstances. It was his creation and for 18 years his baby and I have some understanding of the pain involved in having to walk away from that. Hopefully with the passing of time people will choose to remember his contribution and achievements rather than some ill-conceived and ill-timed remarks that I know he is extremely and sincerely sorry for having made. In the words of the great director Billy Wilder, “A man is as good as the best thing he did, not the worst.”
In my opinion the mark of how far we have spiritually evolved in this life is measured by our capacity to humble ourselves by owning up and apologizing for our wrongs and, in other cases, to forgive. The latter takes an awful lot of evolving to reach.
Under my directorship at the Melbourne Underground Film Festival, I will continue to spotlight new and exciting local talent, and select movies that take risks, that inspire and inform us, confront us, thrill us, and celebrate our humanity towards people of diversity. I do not undertake this leadership for ego reasons, or financial gain, but see it as a service to the industry and the community that original voices are discovered and given the forum to be heard, and debated, as well as the opportunity to go on.
I look forward to steering a new look Melbourne Underground Film Festival to an exciting future for filmmakers and cinema goers alike, and I hope you will support my efforts by submitting your work and attending our screenings. Let’s defeat apathy and build a healthy and diverse film industry one brick at a time.
Submissions will be open in January for our 19th Festival.
I travelled far It brought me here I went to great lengths To disappear It's gonna take courage To kill this fear That your world can go to hell In the falling of a tear I was there for you Do you remember me? I laid down my life So you could finally see You have to lose everything That you held so dear For wisdom comes At the cost of a tear I was happy as Larry and full of beer Till the dice left me stranded At the end of the pier I thought of jumping I thought of King Lear Your whole life can go past ya In the falling of a tear Now I have gone But this ghost remains To forget you went to Paris Me? I went to great pains You could tell my story But it wouldn't seem clear Why I missed the chances That was already here You wrote me a letter And it sounded sincere You said you'd found God in the details And the falling of a tear I read it standing in the rain Misdiagnosed as insane Some call it falling But I say it's the higher calling Of the falling Of a tear (c) Frank Howson 2017. (c) photograph by Vanessa Allan