THAT LONG TRAIN RIDE

I was right
About all the little things that didn’t matter.
I was wrong about all the big things that did.
But youth is for foolishness and mistakes.
The concept being that you will eventually learn from mistakes and your heart will grow a harder layer of protection. This can be a lifelong education of regrowth if you don’t pay enough attention to details.
One theory is that we keep falling in love with the same person, over and over, like some weird drunkard’s dance in a Groundhog Day scenario. Even if that person was all wrong for us in the first place. So is it familiarity that attracts? The devil we know is better than the saviour we don’t? Perhaps we just tire from the waiting and settle for what we know. Attracted to those who remind us of ourselves? Or marry for money and security even though that brings in its train a lifetime of boredom and unrequited dreams and hopes? But surely that is not a living, but a dying? For money proves to be a cold companion and takes more than it gives. Doomed to buy all the toys and trinkets to impress others whilst your subsequent depression stemming from your inner knowledge that nothing purchased brings any lasting pleasure. You are a compromised person and although you can lie to your conscience your sub-conscious knows the truth, and forces you to spend most of your days sleeping. Hiding from life. Avoiding waking to the horror of who you really are. A prisoner trapped in a cell of your own making. Spending all your approved allowance on the best drugs to dull yourself to the harsh reality that you are already dead.
I took myself to Disneyland today.
Why?
I wanted to return to a simpler, safer time when I believed in dreams and heroes.
All around me was the sound of the laughter of children and the look of wonderment in their eyes.
They are years from cynicism and reducing the world to something they can understand.
I had a photo taken with Mickey but my idol Donald Duck was nowhere to be seen.
Disneyland was conceived and built by a sad and lonely man who acted childish at times. Because the truth is he was still a child and needed to build a romanticised version of his childhood town – a place where it was always clean, and wholesome and safe. And contained no tyrannical father. Ironic huh? Was he insane? In most people’s terms, yes. But at least his dreams were safer than those of young Adolf Hitler, a failed painter from Austria. Y’know, if young Adolf had’ve sold three or four landscape paintings the whole Second World War may have been avoided. I always say, “Be careful about pissing off creative people. That creative light force once turned back on itself can become very dark and destructive.”
On the other hand, all of the world’s great accepted visionaries were a little looney tunes. Some, very much so. Fortunately their insanities were focused towards something more publicly palatable than the Third Reich or the NWO. They risked everything thinking outside the box. Their own lives became secondary to their dream. And many died in their footsteps upon that lonely highway. They sacrificed romantic relationships, friendships, their dignity (as many were publicly ridiculed), their personal happiness, and a comfortable safe life. Why? And what for? A higher calling? Immortality? If there is no God and no afterlife why do people do this to themselves? If we’re just here marking time until the long darkness, why not just put the tools down and embrace the fairly interesting train ride to nowhere?
It’s the same with love. If it’s not a God-given gift to share then what exactly is it? Why care so much about it? Or anyone else?
I pondered all these things as I sat in my chair looking out the window that was shaped like Mickey’s head on the Disneyland Express on my train ride back to somewhere.

(C) Frank Howson 2018

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THE OLD MEN AND THEIR GIRLS

The old men with their girls
Seated at the best table
The young girls treat the waitress
With a haughty disrespect
Why?
Because they are seated beside
Old men with more money than God
They so easily forget where they came from
Who they are
Because tonight they are queens
Reinvented
Making a huge effort to speak in an accent that doesn’t give away their back street upbringing
And it seems the first thing that dies is empathy
For someone who struggles
And serves in an honest job trying desperately to please
For that much needed tip at the end of the night
So she can walk home happy to be greeted by her young children
Who love it when mommy is in a good mood
Back at the best table
The young girls laugh at everything
The old well heeled men say
Even the serious stuff
One wonders whether they will be laughing long?
Until next month?
Next week?
Perhaps until check out time tomorrow?
Sex is so easily given
When it means nothing
But care about certain women
Really care
And it is much harder to get them to part with their favours
Perhaps a kiss is way more intimate
Than sex anyway
And more revealing
Than nudity
Perhaps I don’t know anything
Anymore
Everything I thought I knew
Was a sham
A pantomime
A play acting
And I was too young
To hear the hollowness
At the heart of her laughter
She got what she wanted
At the end of the day
And I got what I deserved
A table for one
For believing in Hollywood endings
My thoughts are broken
By the sound of laughter at the best table in the best restaurant in town
These young girls are trying very hard
To appear to be sincere to the Moneybags on their way to Life Support
I order a coffee
No sugar
No milk
Just as it comes
I don’t want to disguise the taste of anything
Anymore
It is as it is
The old men and the young girls laugh hysterically
And I feel sad for them somehow
Their eyes contradicting their open mouths and perfect teeth
Like those scary clowns with those insane smiles and eyes of terror
I know how their stories end
I’m a writer
With all the wisdom of a fool
And a life misspent
And no one to impress anymore
It’s a great relief in some ways
I need no sugar or milk
And as such have become an acquired taste
Not pleasing everyone
Not wanting to
But pleasing those who matter
The other acquired tastes
Of humankind
I pay my bill and leave
Giving the middle-aged waitress a tip that I hope helps contribute to her happy walk home to be greeted by those who genuinely love her
I will take the long way home down alleys that go round in circles
No need to rush
I am keeping no one waiting

 

(C) Frank Howson 2018

SWEET ROSEMARY

My sweet Rosemary
She came to tea
In 1994
She showed me
A thing or two
Before I showed her the door
We met again
By new year’s end
We kissed beneath our tree
Call me a fool
But I ain’t cruel
So once more I set her free

From her sacred chalice
I’ll never again sip
All my golden chances
I let ’em all slip
Now I’d lay down my life
If I could only see
Once more the smiling face
Of my sweet Rosemary

My sweet Rosemary
Come back to me
I’m broken and alone
I lay here
Beside you dear
And your grave of icy stone

I remember her words
Devoutly now
She said, “We’ll always be together”
She knew that, somehow
You don’t know the cost
Till you’re hurt this deep
And cannot awaken
From the nightmare sleep

From her sacred chalice
I’ll never again sip
All my golden chances
I let ’em all slip
Now I’d lay down my life
If I could only see
Once more the smiling face
Of my sweet Rosemary

(C) Frank Howson 2018

(c) 2018 photograph by Raija Sunshine

THE SEX LIVES OF MONKEYS

I wish you could’ve caught me in my prime. I cared. If you’d known me then you may have stayed. But I ripped my heart out and gave it to others. And they never returned it. Proving they didn’t have one of their own.

Like many young male idiots I was driven by sex to destinations unknown. Then one day I grew up to realise that a lot of energy is expended on so little in return. Kings have abdicated their kingdoms, presidents have lost their power, and mere mortals have squandered their wealth, their homes, their families, their reputations, their sanity – for what? Sexual relief in the arms of someone you will lose along with everything else you held so dear. It’s a funny little game isn’t it? But if it grants you a brief solace in a mad world I won’t be throwing the first stone. Or the last.

There are those who gain power by being desired. For a time, until gravity ends their reign. I no longer play the game so I can objectively appreciate their performance for what it is.

“It done been beaten outta me, masta, and you can have your heavyweight crown back while I lay on this canvas and block the sun from my eyes.”

It seems the path to God is through defeat and humility. So having all our childish dreams killed one by one is ultimately good for us. Is that how it works?

There are those of us who evolve, painfully, past this. But all wisdom comes at a cost. Those who resist it are forevermore locked in a futile dance finding comfort in the all too familiar steps but haunted by the sad drum beat realisation that it all means nothing and nobody really cares anymore.

In fact you may as well be speaking about the sex lives of monkeys for all anybody cares.

I was reluctantly and violently thrust into this world. Welcomed into this cold unfriendly place with huffs and puffs and blood and screaming. I didn’t ask for all this fuss and, if the truth be known, have spent most of this life looking for an exit door. At parties or events I never say goodbye. I like to just slip away. Like my mother before me. No prolonged goodbyes or grand farewells. No fuss.

When my time comes and the lights dim on whatever this was, I may look around with the excited expectancy of a child on Christmas morn, to see if you’re there. Of course, you won’t be. But it’s okay as you have hardened my heart to disappointment. I guess that was the lesson you brought me. All is forgiven. All is forgiven. For it was hard to be wise and in love at the same time, wasn’t it? Let’s just say we played our parts well in this fucked scenario written and conceived by a higher power when they were drunk. The plot had its holes and we fell through most of them and landed, arguably, as better people. Broken, but better. Maybe we will meet again on another stage and realise that everything that went before was just a rehearsal and that this time we’ll get it right, performing without masks or baggage or ego or all those things that got in the way of who we really were.

“What if you could have any woman in the world but you only wanted one and without her Life wasn’t much good anymore?”

Well buddy, to put it bluntly, you’re fucked. Humbled, but fucked. But come on in the water’s fine and you’ll find most of us here. Trapped in the stilted delusional conversations about something and someone that wasn’t real. You’ll find that your mind has worked overtime adapting what really happened to something you can vaguely live with. Repairing the stab wounds to your heart, and back, and ensuring that you only remember the good parts from a movie that at the time proved to be unsatisfactory and a time waster, but has grown in stature through repeated viewing. If you allow your mind to rewrite too much you will eventually cross over into insanity from whence there is no return. So forget your troubles come on get happy and join all the sad old men at the far end of the alley. We have no families anymore other than the family of man. No one seeks anything in our eyes and in return we search for nothing in theirs. Accept the truth and you are free of the chains that bind us to this groundhog existence. Being alone will not kill you. Being lonely will. And all that uncashed joy you held in reserve for that mirror partner that never came, try and spend it finding small joys in the simplest of things. A cup of coffee, a conversation with an old loyal friend, the smile from a child, an act of kindness, a sunny day, and a pretty young woman that you want nothing from other than her faith that are one of the good guys.

Yes, all is forgiven. But take the time to forgive yourself too. You owe it to your mind and your spirit to do that.

And as for that delusional movie that you keep replaying in your mind? In reality it wasn’t that good. Tape over it.

(C) Frank Howson 2018

painting by Frank Howson

GINGER BISCUITS

We told each other we had a good life full of ginger biscuits and roast dinners. I suppose it reminded me of my youth waking up Sunday mornings to the smell of something cooking and the excited anticipation of a family gathering.

I’m all that exists of that family now. So, in my defence, I will plead guilty to attempting to bring this ritual into our lives in the hope of a shared familiarity or perhaps the conjuring up of ghosts from the past. Futile dreams were our dessert. Big serves to disguise the cold reality that the best in us was gone. All that remains are the broken pieces of empty dishes. And the broken after dinner stories of broken lives that harbour in my memory and things I dream at night.

There were glimpses of great love in my family but thinly wedged between slabs of anger, recriminations, abuse, guilt and tears. Perhaps that’s what makes those glimpses glow so warmly in my heart.

You wanted a feeling of family and so did I but we were loveless refugees on the run and our pantomime of make-believe was a farce that didn’t hold up to intelligent scrutiny. But the first thing to die in such a delusion is intelligence. We played our roles with conviction but were hopelessly miscast, or perhaps just too old for believability.

We had a life of ginger biscuits and roast dinners but that was all. There we were, unarmed, falling where we stood in the small talk and repressed resentment that neither of us got what we had wanted. The past can’t be repeated, excluding the bad bits, by acting out the good. There is no cutting room floor anymore. Gone. All gone. My youth. My dreams of love. My good will to others. My mistakes of the heart. My misplaced loyalty to all the wrong people. Gone. And soon I will be gone, and all that will remain will be words. And people’s rushed and conflicting judgement of who they thought I was.

Fortunately there will be no one to play act the glimpses of my failed Quixotic quests to harness some joy in myself, and in others.

 

(C) Frank Howson 2018

TWIN PEAKS

Without doubt the most anticipated television series of all time has been David Lynch’s latest instalment of Twin Peaks. And therein lies the problem. That obsessive anticipation and expectation blinkered many to what they were actually seeing. Myself included. I had hoped that the series would go in a certain direction and it went the complete opposite route. But hasn’t Lynch always done this to us? He is obviously not creatively inspired unless he is taking risks and going where no one has dared ventured before.

Watching the new series I got to episode four before cashing my chips in. To me the main problem was that Special Agent Dale Cooper, the story’s protagonist, the character that is supposed to be propelling the action, was catatonic for those episodes and would remain so almost all of the series. I was brought up to believe that if your main character sat down too long, so did your show. Of course I was aware that Lynch doesn’t follow conventional story development, and I, most times, find that very exciting. But this was really testing the viewer. Almost in a cruel way. Many, like me, simply tuned out.

It has been rumoured that this was Lynch’s last project as director, so perhaps he didn’t really care about ratings and was experimenting with Showtime’s money.

This would’ve remained my opinion only for Richard Wolstencroft loaning me his blu-ray boxed set edition of the new season. Reluctantly, I put it on and started again at the very beginning. This time no anticipation. No expectations. And guess what? The slow burning magic revealed itself.

The famous first season of Twin Peaks changed television forever. But at the heart of the small town weirdness there was the narrative coat hanger of “Who killed Laura Palmer?” Lynch has admitted that the big mistake he and co-writer Mark Frost made was revealing at the end of the first season who the killer was. Once it was known, viewers lost interest in a second season. Lynch has said that “the mystery and investigation should’ve gone on forever revealing other smaller mysteries.”

Which brings us to the latest instalment. It is my opinion that Lynch has progressed far beyond a murder mystery in a small town. He is exploring the ultimate mystery – Who are we? Why are we here? Why do we do the things we do? And, do we sometimes stumble blindly into another dimension in a parallel universe?

Like the world, Twin Peaks is scary, frustrating, absurd, baffling, funny, provocative and harsh.

The darkness at the edge of town has moved into us. We are the mystery that defies reason and clarification. Each of us carrying our own hell and heaven within us. The more we delve the deeper the confusion driving many into the shelter of ignorance and small talk, sounding all the more bizarre and comical amidst the backdrop of impending evil.

Mention must be made of Laura Dern’s performance. She and Lynch have collaborated many times now and the ease and understanding of their relationship shines through. She is riviting in every scene she is in and her talent and instinct makes her one of the most versatile actors working in present day film. She is grossly underrated.

When Special Agent Dale Cooper finally wakes and re-enters this dimension in one of the final episodes it is almost a religious experience. Suddenly energised and coherent he is eager to continue his investigation. But what does Lynch do? Just as the pace is moving like a runaway train, he ends the series on what is possibly the biggest cliff hanger of them all. Will there be another season? Will we have an explanation? Possibly not. There are no happy endings in Twin Peaks. Only mysteries. And, true to life, many of them have no comfortable resolution. And so they go on. And so do we, fumbling around in the dark, drinking coffee, and looking for answers where there are none.

 

(C) Frank Howson 2018

ANNOUNCING THE OZ INTERNATIONAL FILM FESTIVAL

In November of last year Richard Wolstencroft felt it necessary to resign as Director of the Melbourne Underground Film Festival. At that time he asked me to take the reins and chart M.U.F.F’s overhaul and new direction. I accepted because I felt that the festival is an important outlet for emerging film makers to find their feet and their audience.

My acceptance of the top position was on the basis that I would have total autonomy to make changes and lead the festival into a brave new future.

Unfortunately after prolonged negotiations it has become apparent that the severing of the past and what is needed to create a totally free new system proved more complex and time consuming than either Richard nor I could have possibly envisaged.

So, it is my decision to not continue as my feeling is that M.U.F.F should be handed back to Richard, its creator, who will run it as a free speech absolutist event.

But, on the other hand, having put a lot of time and energy into a new look festival, as well as commencing negotiations with several legendary international film identities to visit our shores to as festival guests and share their experience and wisdom with us, I have decided to go ahead with a totally new film festival that will be clear to create its own identity and reputation as well as serve as another much needed outlet for young local and international film-makers. This I hope is not seen to be in any way competition with M.U.F.F but quite the opposite, another important spotlight that will include some categories not covered by M.U.F.F. It will also be run at a later date, in our summer months, at some very prestigious venues already locked in.

The Oz International Film Festival can assure you of a very exciting premiere season.

We welcome film-makers here and abroad to visit our website and submit their latest works for consideration of inclusion in our inaugural festival.  Your films will not be judged on any bias to politics, race, gender, sexual preference or content, but purely on the execution of your film-making abilities, and a diverse and experienced jury of industry veterans will be announced within the next few weeks.

The festival will honour the bold, brave and adventurous new voices in the world of cinema and hopefully help some go on to be the new vanguard of the next generation of important film-makers.

I will be the Festival Director and ably assisted by Executive Producer Barry Robinson.  Other appointments will be announced shortly.

Good luck and welcome aboard what we feel will be an exciting new chapter. We look forward to your submissions and you can trust that they will be very carefully considered, each and every one.

Kindest,

Frank Howson
Festival Director.