THE WORLD ENDS ON TUESDAY

I got the good news, baby
All our troubles are gone
The world ends on Tuesday
God said “Hey Frankie
The world’s in a mess
But it all ends Tuesday
I gave you the gift of love
That you seldom used
I gave you countries and borders
You chose to abuse
I sent you many angels
But you killed every one
You couldn’t get the message
So I sent you my son
I gave you seven seas
You polluted them all
And every time a tree grew
You made it fall
You think you’re me
And you’re oh so smart
But come Tuesday night.                    I’m gonna break your heart”

(C) Frank Howson 2018

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WHAT IS TRUTH?

I’m at the age when people die. I view life from the cluttered comforting living area of a mystical art space, going from room to room as inspiration strikes me. A song lyric here, a line of dialogue overheard from lunch, a painting or sketch there. It’s a very full solitary life and reduces everything to the minimalists’ joy of simplicity. I suppose I would be just as happy in a jail cell with my necessary tools, although I’d miss the occasional walk in the sun. And impromptu visit from a friend. My life has been crammed with so many adventures, tragedies, faces, external forces, Machiavellian plots, heartaches, silent joys, defeats and comebacks etc., that I sometimes feel I’m five hundred years old. Other times I forget and am back to feeling like that seventeen year old kid with it all before me. Sometimes Hercules, sometimes Norman Maine. Many memories occasionally stampede through my mind from what feels like another life. Friends and lovers long gone, but my heart still carries the weight of their memory. Although death may take a life it seems that the relationship continues for those left behind, excluded from the final mystery. Sometimes I resent the birds who are not chained to the ground like us confused humans. Our only soaring comes in those momentary waves of joy that are so overwhelmingly spectacular and personal that there are no words invented to accurately verbalise them so we walk them away in dark alleyways, alone – as alone as our birth and our death. The magic hours just before dawn. There is an exquisite sweetness in failure, just as there is a sour aftertaste in triumph. Perhaps only General Grant fully understood this when he allowed General Lee to savour the nobility of defeat in all its glory and, as Grant stood in his torn and dusty uniform, head bowed in humility, paying homage to his defeated opponent, denying himself the tacky opportunity to steal the thunder of victory from a long and vicious campaign where young boys died bewildered and despairing on battlefields made muddy from the blood of their comrades.
In my own line of work I too have known long campaigns that have left me too weary to celebrate the victory knowing how much it has cost myself and those that battled alongside to make a dream a reality. “Was it worth it?” The eternal question that is right up with Pilate’s “What is truth?”
David Lynch believes that life is just a dream. And perhaps he is right. And perhaps it does one no good to think too long and deep about such things, for to stare into the abyss too long may be as damaging as staring at the sun. You just become blinded in a different way.
Does it matter how one achieves creativity? Does anyone really care what price is paid for their entertainment? Scott Fitzgerald put something of himself into six novels and over a hundred short stories, until there was nothing left. He died a hollow, weary, flawed man, old before his time. Broken by Hollywood because he took it too seriously and led with his heart. And didn’t realise it was all just a game.
I too have worked for many people in my past that nether understood what I did, or how I did it. But that doesn’t stop them attempting to piss on the tree to claim ownership. A bet each way. If it’s a disaster it’s all my fault. If it’s a smash, it’s because of them. I don’t work for such people anymore, regardless of the dazzling upfront fees that are used to tempt you to go against your instinct. This donkey has been beaten too many times and won’t go down the dark mine shaft anymore. I now only work for people I truly trust and/or admire. I can’t be bought by money because experience has taught me that it’s a false god and to worship at its altar will never fully satisfy your hunger for more and more until there’s nothing of you left. You will die like Elvis having over-eaten, been overworked, misused and misunderstood, devalued, surrounded by carny promoters, backslapping sycophants, con artists and those who want to be you and secretly resent that they can’t be. The most desired man in the world died of loneliness. Now, if that doesn’t tell you something about our society, nothing will.
Success has to come on your terms or else you lose your identity. And to lose sight of who you are is to become a ghost ship wandering lost in that innermost night of the soul. Going through life mimicking the happy-go-lucky person others expect you to be lest you reveal that you’re haunted and thus damned from seeing too much. As my dear ol’ daddy used to tell me, “The best way to lose people is to tell ’em you have a problem.”
Those who don’t understand creativity will seek to belittle your contribution, downplay your involvement, and even humiliate you by praising everyone except you. This is a tactic and you are smart enough to recognise it. And, thankfully, so is the audience.
Wilhelm Reich once said, “The living are always under attack from the dead,” and so it is and will be till the end of days. All I know is this – it’s alright to love something, but you are damned if you love that thing too much.

What is truth? Well you sure as hell won’t find it in your newspaper or favourite news channel or the Internet. These days it seems to only exist in our hearts. Our in-built shit detector. Trust it. It’s all we have.

 

(C) Frank Howson

MIDNIGHT IN MY SCHOOL BOY HEART

It’s always midnight in my school boy heart
Only the alleys have known my joy
For sometimes I have experienced a bliss that is so exquisite it can’t be verbalised to anyone
Not even to the few who would care
So I have walked it away
In the dark
Along empty city side streets
It’s a pity Oscar Hammerstein didn’t write the script for our lives.
He would’ve written it just right.            It would’ve had its highs and lows, some humour, all the boring bits cut in Philadelphia, and ending, of course, on a note of hope
Instead here we are
What’s it all about, Alfie?
The Winner Takes It All?
A Change Is Gonna Come?
Or just 45s from our youth?
Is this the little boy I carried?          We live in a world where everything we’ve been told for the past 50 years
Has been a lie
And those that come forth and tell us the truth
Get removed from this life
New leaders are elected on a platform of change
But usually it’s just a case of
Same car, different driver
Evil does indeed exist
And those who have sold their souls
Worship at the alter of a false God – Money
But all it buys them is emptiness
And if there is an eternity
What a hell it would be spent in that state of regret year in, year out – Arrogance comes before a fall  The prophets told us  – Yes, Wilhelm Reich was right            And the weather report suggests a hard rain

(C) Frank Howson 2017

REMEMBERING

It was one of those days neither here nor there in the life of Felix Appleton. He had experienced the dizzying heights and the devastating plummets of a life lived in the circus ring of the performing arts. He was often praised as a born performer but wasn’t sure of the truth in that. He hadn’t sprung from the womb singing and uttering funny one-liners. Perhaps his screaming was in tune? He didn’t know and was not about to reinvent his life for the joy of some hungry reporter. If he had a talent to amuse, it had come from pain and the ability to live with it. He used to say, “Show me an artist who hasn’t suffered, and I’ll show you a phoney.”

He was born in a public hospital and taken home in a taxi to a single-fronted weatherboard house in a street not many people walked down. It was in this small modest home that he got to know his parents, both workers who had struggled for their existence and carried the scars of their battles and defeats on their faces as proudly as old soldiers displayed their medals. They smiled with sad expressions and their eyes brimmed with the waters of a joy that’d rarely found the opportunity to flow. Felix instantly fell in love with them and knew he’d found the right home. His parents were that dying breed called good people. Yes, they were tremendously flawed if one was to appoint a critic to write a cold and detached review of their lives, but that critic would’ve missed the value entirely. Like the first critics to review “Citizen Kane” and “Sergeant Pepper’s Lonely Hearts Club Band” they would’ve been dismissed as “irrelevant,” “a misstep,” “a disaster of epic proportions.” But what do critics know? Because of deadlines they have to rush to judgement and, more times than not, in their haste they miss the point. The true worth of something is judged in time and weighed by the impact it leaves behind in all those changed by having experienced it.

Thus Felix was nurtured through his first steps into this world by two unsung national treasures. He inherited from them the gifts to love with all the loyalty of the poor; the joy in giving away his last coin, cigarette or piece of advice to someone in greater need; the strength to stand by your friend through their mistakes, no matter how unpopular that stance may be. For who among us is not flawed when day is done? As long as there is no meanness in it, all is forgiven. Like the Irish mantra, “No fear, no spite, no envy.”

Oh, and never show your enemies you’re hurting. No one should be
rewarded for their dark actions.

So it was from this environment that Felix went forth into the world. His parents had taken him to Luna Park, and the circus, and to Hollywood movies many times. He had grown to love the lights and the laughter and the collective tears of a reinvented world so much so that he joined it. “Hi diddle-ee dee an actor’s life for me.” He became an actor and acted out all the emotions he had experienced in his little childhood home – all the anger, the heartache, and the humour that can be found in any awkward situation that Life can throw at one.

Felix was praised for his talent to wring insight from any character he portrayed. Was he born with this gift? No, he was born into it. And how could it be called a gift when it comes at such a cost?

He never developed an arrogant ego, for his parents had clothed him in humility. He never cut down a rival due to envy, for he was sure that person’s journey had been as difficult as his. And he never said goodbye to any friend (whether it be man, woman or child) without tagging it with the words “I love you” for he had learnt that in this life we are never guaranteed of seeing that person again.

Felix was now an old man who kept to himself. He hated few things in Life but moving was one of them. It always signalled the end of an era and the beginning of a new one. And as such he not only found it physically exhausting but emotionally draining. He was hoping this recent move would be his last. Not that he was morbid. Far from it. He saw a joke in everything, and put that down to the Irish blood from his mother’s side. The ability to get through even the darkest defeat with a funny line. He thought one shouldn’t take this life too seriously, after all, it’s just a long elongated dream. And dreams come and go. He was just about through this dream and hoped he’d performed as well as he could, given the extraordinary circumstances that had occasionally rained on him. And that he’d given more than he’d taken from this world, for he understood that there was a delicate balance to everything and most of the problems in this world are caused by man’s ego arrogantly tampering with that balance. He’d learnt to let it be. To leave affairs of the heart well enough alone. To respect what you don’t understand. And to do no one any purposeful harm.

When he looked back at his life he was now able to smile at not only the good parts but also the bad. For out of every disaster he had learned a huge lesson. And from great lessons learned comes great wisdom. Yes, if there is a God, Felix thought, he’s a very clever bastard.

Felix didn’t know if he’d be remembered. He felt it didn’t much matter because he’d be dead. And so would all those whose opinions meant something to him. Anyway, who wants a whole bunch of strangers talking about you and dissecting you after you’re gone, and getting it all wrong?

Still, he hoped, if there was another dimension or heaven or universe one goes to, he’d still be able to remember his parents. They were good people. They had given him valuable parts of themselves. And they were worth remembering.

 

(C) Frank Howson 2018

painting by Frank Howson

 

SORRY FOR NOT SEEING YOU

Sorry for not seeing you but your beauty blinded me to who you really are. With each feature vying for attention it is easy to lose focus as to where perfection ends and heaven begins. Perhaps your beauty just confirms that there is such a thing as heaven, as well as the painful realisation that it will be denied to us on this earth. God allows us to make fools of ourselves in your presence by uttering the wrong word killing every perfect moment, and our chance to have had you. For the way to Him must truly be paved by our humility.

I have walked with wise men and none told how to handle you. Perhaps they were wise enough to know that such a thing cannot be handled as that would reduce it to the grubby conversations of hungry men. Like knowing dissipates the magic from a Houdini trick. But perhaps the truth to why they never prepared me for you was because you had broken them too on their journey to wisdom, stopping only briefly in bitterness – the platform on which we must all kill time, frantically searching the night for any sign of approaching light, waiting for a train that never comes.

I check my ticket stub and notice that I will be seated in carriage D with all the sad men. Old before their time, wearied to exhaustion from striving too hard and too long to have it all.

Why didn’t my mother warn me that I would always end up alone and that my mission in life was not to have love, but to write about it?

 

(C) Frank Howson 2018

 

 

THE DREAM IS OVER

So many battles I've had to fight alone. Betrayed by those I loved
the most, they were also the ones I had been fighting for. The
weariness of this realisation makes you weak at the knees and 
yet you must continue to fight or else the duplicity of their 
motives will win the day. You become hollow inside, not by cancer, 
but by the fact that something deep and magical and life enhancing 
has closed down never again to be reignited. You feel lighter as 
you inch closer to death. All that remains on most days is a shell. 
This is when you are called upon to become an actor and give
'em what they want. A performance. A great performance because it 
is so convincing most people think you still function and have risen 
above the hurt and damage of the shadow people. But then again, your 
life, or what's left of it, hangs on the thread of your ability to 
push on through the small talk and darkness of "What if...?" without 
puking on someone's expensive shoes. So many amongst us are asleep 
at the wheel and do not understand or care about what is at stake. 
Love is a distraction. Pain is the only honest constant and it has 
become your friend. You cannot be hurt anymore, which is 
disappointing to a lot of women. You cannot be brought down any 
further, which is crushing to many men. You cannot be bought, 
because there is nothing you need. You cannot be humiliated 
anymore, which is pleasing to God. For now all layers of bullshit 
and make-believe have been ripped away. You are free now. God 
almighty, free at last! You once had a dream too. But now you 
have awakened to see the game for what it is. Nothing can scare 
you now. You are impenetrable. This makes you frightening to those 
who only operate by spreading fear amongst us. And at the dawn of 
our demise you are noticeably at peace. And powerful again.


(c) Frank Howson 2017

Painting by Frank Howson (c) 2017

TO WHOM IT MAY CONCERN

Once I saved 
While others played
I came fresh faced
In a suit of blue
Sacrificed on the altar 
Of others' agendas
Sent scurrying to find
Things that were never there
Was given love
Only to have it taken away
Was made to laugh
Until I cried
A man of peace
Hardened enough to kill
I always went crazy
In the final reel
"Since I lost my baby"
Is all I play
On every jukebox
That I find
In this burnt out wasteland
Of broken hearts
Paperback dreams
Second hand lives
Mercy murders
The billboards tell the truth
There's nothin' down here worth savin'
We've filled our lives with shit
Auctioned off paradise
And gambled away the money
The writers get degraded
And then ignored
They're resented for knowing too much
About what makes things tick
Now there's a lonely kid
Livin' on the street
With dreams of makin' it big
But little does he know
He's already dead
Dead to the world
Dead on arrival
At the feet of the paedophiles
And the worshippers of Satan
Who shape shift
Into human beings
Regret is my supper
For turning my face away
From all the horrors I have witnessed
That killed me
Piece by piece
Believing politicians
That didn't even believe themselves
Until it was too late

(c) Frank Howson 2017