It’s always midnight in my school boy heart
Only the alleys have known my joy
For sometimes I have experienced a bliss that is so exquisite it can’t be verbalised to anyone
Not even to the few who would care
So I have walked it away
In the dark
Along empty city side streets
It’s a pity Oscar Hammerstein didn’t write the script for our lives.
He would’ve written it just right. It would’ve had its highs and lows, some humour, all the boring bits cut in Philadelphia, and ending, of course, on a note of hope
Instead here we are
What’s it all about, Alfie?
The Winner Takes It All?
A Change Is Gonna Come?
Or just 45s from our youth?
Is this the little boy I carried? We live in a world where everything we’ve been told for the past 50 years
Has been a lie
And those that come forth and tell us the truth
Get removed from this life
New leaders are elected on a platform of change
But usually it’s just a case of
Same car, different driver
Evil does indeed exist
And those who have sold their souls
Worship at the alter of a false God – Money
But all it buys them is emptiness
And if there is an eternity
What a hell it would be spent in that state of regret year in, year out – Arrogance comes before a fall The prophets told us – Yes, Wilhelm Reich was right And the weather report suggests a hard rain
It was one of those days neither here nor there in the life of Felix Appleton. He had experienced the dizzying heights and the devastating plummets of a life lived in the circus ring of the performing arts. He was often praised as a born performer but wasn’t sure of the truth in that. He hadn’t sprung from the womb singing and uttering funny one-liners. Perhaps his screaming was in tune? He didn’t know and was not about to reinvent his life for the joy of some hungry reporter. If he had a talent to amuse, it had come from pain and the ability to live with it. He used to say, “Show me an artist who hasn’t suffered, and I’ll show you a phoney.”
He was born in a public hospital and taken home in a taxi to a single-fronted weatherboard house in a street not many people walked down. It was in this small modest home that he got to know his parents, both workers who had struggled for their existence and carried the scars of their battles and defeats on their faces as proudly as old soldiers displayed their medals. They smiled with sad expressions and their eyes brimmed with the waters of a joy that’d rarely found the opportunity to flow. Felix instantly fell in love with them and knew he’d found the right home. His parents were that dying breed called good people. Yes, they were tremendously flawed if one was to appoint a critic to write a cold and detached review of their lives, but that critic would’ve missed the value entirely. Like the first critics to review “Citizen Kane” and “Sergeant Pepper’s Lonely Hearts Club Band” they would’ve been dismissed as “irrelevant,” “a misstep,” “a disaster of epic proportions.” But what do critics know? Because of deadlines they have to rush to judgement and, more times than not, in their haste they miss the point. The true worth of something is judged in time and weighed by the impact it leaves behind in all those changed by having experienced it.
Thus Felix was nurtured through his first steps into this world by two unsung national treasures. He inherited from them the gifts to love with all the loyalty of the poor; the joy in giving away his last coin, cigarette or piece of advice to someone in greater need; the strength to stand by your friend through their mistakes, no matter how unpopular that stance may be. For who among us is not flawed when day is done? As long as there is no meanness in it, all is forgiven. Like the Irish mantra, “No fear, no spite, no envy.”
Oh, and never show your enemies you’re hurting. No one should be
rewarded for their dark actions.
So it was from this environment that Felix went forth into the world. His parents had taken him to Luna Park, and the circus, and to Hollywood movies many times. He had grown to love the lights and the laughter and the collective tears of a reinvented world so much so that he joined it. “Hi diddle-ee dee an actor’s life for me.” He became an actor and acted out all the emotions he had experienced in his little childhood home – all the anger, the heartache, and the humour that can be found in any awkward situation that Life can throw at one.
Felix was praised for his talent to wring insight from any character he portrayed. Was he born with this gift? No, he was born into it. And how could it be called a gift when it comes at such a cost?
He never developed an arrogant ego, for his parents had clothed him in humility. He never cut down a rival due to envy, for he was sure that person’s journey had been as difficult as his. And he never said goodbye to any friend (whether it be man, woman or child) without tagging it with the words “I love you” for he had learnt that in this life we are never guaranteed of seeing that person again.
Felix was now an old man who kept to himself. He hated few things in Life but moving was one of them. It always signalled the end of an era and the beginning of a new one. And as such he not only found it physically exhausting but emotionally draining. He was hoping this recent move would be his last. Not that he was morbid. Far from it. He saw a joke in everything, and put that down to the Irish blood from his mother’s side. The ability to get through even the darkest defeat with a funny line. He thought one shouldn’t take this life too seriously, after all, it’s just a long elongated dream. And dreams come and go. He was just about through this dream and hoped he’d performed as well as he could, given the extraordinary circumstances that had occasionally rained on him. And that he’d given more than he’d taken from this world, for he understood that there was a delicate balance to everything and most of the problems in this world are caused by man’s ego arrogantly tampering with that balance. He’d learnt to let it be. To leave affairs of the heart well enough alone. To respect what you don’t understand. And to do no one any purposeful harm.
When he looked back at his life he was now able to smile at not only the good parts but also the bad. For out of every disaster he had learned a huge lesson. And from great lessons learned comes great wisdom. Yes, if there is a God, Felix thought, he’s a very clever bastard.
Felix didn’t know if he’d be remembered. He felt it didn’t much matter because he’d be dead. And so would all those whose opinions meant something to him. Anyway, who wants a whole bunch of strangers talking about you and dissecting you after you’re gone, and getting it all wrong?
Still, he hoped, if there was another dimension or heaven or universe one goes to, he’d still be able to remember his parents. They were good people. They had given him valuable parts of themselves. And they were worth remembering.
Sorry for not seeing you but your beauty blinded me to who you really are. With each feature vying for attention it is easy to lose focus as to where perfection ends and heaven begins. Perhaps your beauty just confirms that there is such a thing as heaven, as well as the painful realisation that it will be denied to us on this earth. God allows us to make fools of ourselves in your presence by uttering the wrong word killing every perfect moment, and our chance to have had you. For the way to Him must truly be paved by our humility.
I have walked with wise men and none told how to handle you. Perhaps they were wise enough to know that such a thing cannot be handled as that would reduce it to the grubby conversations of hungry men. Like knowing dissipates the magic from a Houdini trick. But perhaps the truth to why they never prepared me for you was because you had broken them too on their journey to wisdom, stopping only briefly in bitterness – the platform on which we must all kill time, frantically searching the night for any sign of approaching light, waiting for a train that never comes.
I check my ticket stub and notice that I will be seated in carriage D with all the sad men. Old before their time, wearied to exhaustion from striving too hard and too long to have it all.
Why didn’t my mother warn me that I would always end up alone and that my mission in life was not to have love, but to write about it?
So many battles I've had to fight alone. Betrayed by those I loved
the most, they were also the ones I had been fighting for. The
weariness of this realisation makes you weak at the knees and
yet you must continue to fight or else the duplicity of their
motives will win the day. You become hollow inside, not by cancer,
but by the fact that something deep and magical and life enhancing
has closed down never again to be reignited. You feel lighter as
you inch closer to death. All that remains on most days is a shell.
This is when you are called upon to become an actor and give
'em what they want. A performance. A great performance because it
is so convincing most people think you still function and have risen
above the hurt and damage of the shadow people. But then again, your
life, or what's left of it, hangs on the thread of your ability to
push on through the small talk and darkness of "What if...?" without
puking on someone's expensive shoes. So many amongst us are asleep
at the wheel and do not understand or care about what is at stake.
Love is a distraction. Pain is the only honest constant and it has
become your friend. You cannot be hurt anymore, which is
disappointing to a lot of women. You cannot be brought down any
further, which is crushing to many men. You cannot be bought,
because there is nothing you need. You cannot be humiliated
anymore, which is pleasing to God. For now all layers of bullshit
and make-believe have been ripped away. You are free now. God
almighty, free at last! You once had a dream too. But now you
have awakened to see the game for what it is. Nothing can scare
you now. You are impenetrable. This makes you frightening to those
who only operate by spreading fear amongst us. And at the dawn of
our demise you are noticeably at peace. And powerful again.
(c) Frank Howson 2017
Painting by Frank Howson (c) 2017
Once I saved
While others played
I came fresh faced
In a suit of blue
Sacrificed on the altar
Of others' agendas
Sent scurrying to find
Things that were never there
Was given love
Only to have it taken away
Was made to laugh
Until I cried
A man of peace
Hardened enough to kill
I always went crazy
In the final reel
"Since I lost my baby"
Is all I play
On every jukebox
That I find
In this burnt out wasteland
Of broken hearts
Second hand lives
The billboards tell the truth
There's nothin' down here worth savin'
We've filled our lives with shit
Auctioned off paradise
And gambled away the money
The writers get degraded
And then ignored
They're resented for knowing too much
About what makes things tick
Now there's a lonely kid
Livin' on the street
With dreams of makin' it big
But little does he know
He's already dead
Dead to the world
Dead on arrival
At the feet of the paedophiles
And the worshippers of Satan
Who shape shift
Into human beings
Regret is my supper
For turning my face away
From all the horrors I have witnessed
That killed me
Piece by piece
That didn't even believe themselves
Until it was too late
(c) Frank Howson 2017
pushing their opinions into fake news
fake views disguised as news flashes
reported by fake news outlets
designed to discourage people from voting
how many lines have to be crossed
before something is recognised as what it is
and a light is shone on the darkness
so that we may know its face when we see it
or does it really matter?
win at any price?
in a fake world
of fake feelings
and photo opportunity expressions of concern
fake headlines that take the focus away
from the real issues and the real scandals
and nobody really cares
as long as their team wins
but at what price?
and who do you wake to see in your mirror
after such a triumph?
and what is the statement you are really making?
where is objectivity in a dying world
rendered impotent by our naivety
as we dance to the tune selected by our puppet masters
thinking our opinion means anything
to the NWO guys
but their vision of a new world
will sink as surely as Atlantis
taking us all with it
into the depths and darkness
of a hell
of our own making
where is Paul Revere when you need him?
silenced like them all
or assassinated by a bullet from a lone crazed gunman
a plane crash
a sudden heart attack
or a scandal
people keep voting for change
and parties keep running on that promise
only to deliver the same ol' same ol'
same car, different driver
and yet we complain when any change comes
as we are not used to it
and our stupidity even angers God
and Mother Nature
and not even the worst disasters can wake us
from our sleep
we no longer dream
as our nightmares have become comforting
and the great nothingness of indecision
is all we are used to
and so we live
until we don't
(c) Frank Howson 2017
So many fucked up people in the world
Monstrously negative feelings about every living person
Every word from their mouths another poison bullet
Aimed at someone, anyone
Most times they actually kill the person who was attempting
To help them
But I guess to them we all look the same
Eventually they implode and eat themselves
But don't breathe easy
There are many who will follow
They weren't loved enough by daddy
So now they reach out frantically to everyone they meet
To give them the loving family they were denied
But when such immediate desperation hits
They frighten off their targets
And their baby love turns to a cold-hearted hate
Within a blink of an eye
They hit out at the world
For not giving them what they wanted
Yet they can't tell you what that is
They want to be celebrities
Without doing the hard work
They want to be successful writers
Without facing the pain
They want to top the charts with songs
That touch us without ever exploring themselves
They want babies
But marry those who don't
Almost as though this self-fulfilling prophecy
Will forever more be their excuse
For not having to love anyone
Or give of themselves
If you are trapped by them
There is no escape
Only a small room where death awaits
The living are always under attack from the dead
The spiritual vampires
Of the new millennium
Sucking off your light force
Until you are done
And then they will mourn you
Because now you are safe to be
Whoever they choose to invent
As their next excuse
(c) Frank Howson 2017