GINGER BISCUITS

We told each other we had a good life full of ginger biscuits and roast dinners. I suppose it reminded me of my youth waking up Sunday mornings to the smell of something cooking and the excited anticipation of a family gathering.

I’m all that exists of that family now. So, in my defence, I will plead guilty to attempting to bring this ritual into our lives in the hope of a shared familiarity or perhaps the conjuring up of ghosts from the past. Futile dreams were our dessert. Big serves to disguise the cold reality that the best in us was gone. All that remains are the broken pieces of empty dishes. And the broken after dinner stories of broken lives that harbour in my memory and things I dream at night.

There were glimpses of great love in my family but thinly wedged between slabs of anger, recriminations, abuse, guilt and tears. Perhaps that’s what makes those glimpses glow so warmly in my heart.

You wanted a feeling of family and so did I but we were loveless refugees on the run and our pantomime of make-believe was a farce that didn’t hold up to intelligent scrutiny. But the first thing to die in such a delusion is intelligence. We played our roles with conviction but were hopelessly miscast, or perhaps just too old for believability.

We had a life of ginger biscuits and roast dinners but that was all. There we were, unarmed, falling where we stood in the small talk and repressed resentment that neither of us got what we had wanted. The past can’t be repeated, excluding the bad bits, by acting out the good. There is no cutting room floor anymore. Gone. All gone. My youth. My dreams of love. My good will to others. My mistakes of the heart. My misplaced loyalty to all the wrong people. Gone. And soon I will be gone, and all that will remain will be words. And people’s rushed and conflicting judgement of who they thought I was.

Fortunately there will be no one to play act the glimpses of my failed Quixotic quests to harness some joy in myself, and in others.

 

(C) Frank Howson 2018

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TWIN PEAKS

Without doubt the most anticipated television series of all time has been David Lynch’s latest instalment of Twin Peaks. And therein lies the problem. That obsessive anticipation and expectation blinkered many to what they were actually seeing. Myself included. I had hoped that the series would go in a certain direction and it went the complete opposite route. But hasn’t Lynch always done this to us? He is obviously not creatively inspired unless he is taking risks and going where no one has dared ventured before.

Watching the new series I got to episode four before cashing my chips in. To me the main problem was that Special Agent Dale Cooper, the story’s protagonist, the character that is supposed to be propelling the action, was catatonic for those episodes and would remain so almost all of the series. I was brought up to believe that if your main character sat down too long, so did your show. Of course I was aware that Lynch doesn’t follow conventional story development, and I, most times, find that very exciting. But this was really testing the viewer. Almost in a cruel way. Many, like me, simply tuned out.

It has been rumoured that this was Lynch’s last project as director, so perhaps he didn’t really care about ratings and was experimenting with Showtime’s money.

This would’ve remained my opinion only for Richard Wolstencroft loaning me his blu-ray boxed set edition of the new season. Reluctantly, I put it on and started again at the very beginning. This time no anticipation. No expectations. And guess what? The slow burning magic revealed itself.

The famous first season of Twin Peaks changed television forever. But at the heart of the small town weirdness there was the narrative coat hanger of “Who killed Laura Palmer?” Lynch has admitted that the big mistake he and co-writer Mark Frost made was revealing at the end of the first season who the killer was. Once it was known, viewers lost interest in a second season. Lynch has said that “the mystery and investigation should’ve gone on forever revealing other smaller mysteries.”

Which brings us to the latest instalment. It is my opinion that Lynch has progressed far beyond a murder mystery in a small town. He is exploring the ultimate mystery – Who are we? Why are we here? Why do we do the things we do? And, do we sometimes stumble blindly into another dimension in a parallel universe?

Like the world, Twin Peaks is scary, frustrating, absurd, baffling, funny, provocative and harsh.

The darkness at the edge of town has moved into us. We are the mystery that defies reason and clarification. Each of us carrying our own hell and heaven within us. The more we delve the deeper the confusion driving many into the shelter of ignorance and small talk, sounding all the more bizarre and comical amidst the backdrop of impending evil.

Mention must be made of Laura Dern’s performance. She and Lynch have collaborated many times now and the ease and understanding of their relationship shines through. She is riviting in every scene she is in and her talent and instinct makes her one of the most versatile actors working in present day film. She is grossly underrated.

When Special Agent Dale Cooper finally wakes and re-enters this dimension in one of the final episodes it is almost a religious experience. Suddenly energised and coherent he is eager to continue his investigation. But what does Lynch do? Just as the pace is moving like a runaway train, he ends the series on what is possibly the biggest cliff hanger of them all. Will there be another season? Will we have an explanation? Possibly not. There are no happy endings in Twin Peaks. Only mysteries. And, true to life, many of them have no comfortable resolution. And so they go on. And so do we, fumbling around in the dark, drinking coffee, and looking for answers where there are none.

 

(C) Frank Howson 2018

I WENT TO TOWN

I went to town
And had some fun
I'd spent all my money
Before day was done
The buildings were tall
And they blocked the sun
I went to town
And had some fun
I returned home
Before night fell
I kissed all the women
But I won't tell
They said they loved me
Must've thought I was dumb
I went to town
And had some fun






(C) Frank Howson 2018

 

THE SEQUEL

Our children
We let down
And gave away
In tonight’s performance
All my best scenes have been cut
This is where I get off
I’ve been held against my will
We’ll get our happy ending
In the sequel
Or so I’ve been told

(C) Frank Howon 2018

Sketch by Frank Howson (c) 2018

 

THE PAINTER

Out of the darkness
And into light
We face a blank canvas
And call it a life
Our hand tracing lines
Adding colour here and there
Some of us choose to be bold
While some of us never dare

So how much am I bid
For this crazy life I've lived?
Do you find it too frivolous or too bleak?
Does it move you to tears?
Or does it look like wasted years?
This painting has cost me more than I dare speak

Lost in a city
Lost in a crowd
I don't speak till I get drunk
And then I get too loud
Your beautiful face
I have captured it by hand
But you denied me your heart
And cut me down where I stand

I have painted sorrow
And sometimes joy
But cocktails in a gallery
Won't bring back my boy
So I'll paint him from memory
From the time he called me dad
Some of us paint our mistakes
While some of us just go mad


(c) Frank Howson 2018

Painting by Frank Howson. 

FOR BAM BAM (The Hotel Lobby Dog)

We're like the dogs
Who shy away from your touch
Some of us bite
When we've been hurt too much
We try to forget
But we never can
The inhumanity
And cruelty of man

Some are like cats
Who tend to love with reserve
Dogs wag their tails
While the cats just observe
Dogs try to help us
But cats know they can't
For dogs think we are Gods
While cats know that we aren't

(c) Frank Howson 2017 Lantau, Hong Kong. 


ST. KILDA

I was born in St.Kilda
Lived most of my life here 
Travelled the world searching for what was
Probably already found
And like the prodigal son I returned
My face lined with lessons learned
To the only place that ever felt to me like home
My childhood was spent in Fawkner Street
It was for a time my whole world
Among our neighbours were ordinary battlers
Sly grog salesmen
Gamblers
and gangsters
Public enemy Number one
Norm Bradshaw nicknamed The Beast for good reason
Lived there
When he wasn't on the run
So did his in-laws The Shannons
and our next door neighbour, the Aussie equivalent of Bonnie Parker - 
Pretty Dulcie
Colourful big-hearted contradictory characters
I remember the night that several rival gangsters
Kicked in Pretty Dulcie's front door and walked down her corridor 
Spraying gun shots
One stray bullet came through our wall
and if it'd been a little further to the left
Somebody else would be standing here today
The 6 o'clock swill at the Barkly Hotel
Produced enough colourful characters and street poetry
To fill a thousand pulp fiction novels
There was no better grounding to be a writer or an actor
Than to stand on the corner of Fawkner Street and Barkly
at sunset
And watch the cavalcade of originals spew out onto the street
and wander home in what seemed like a slow motion drunkard's dance
Two steps to the left, three to the right
Mr. & Mrs. Kilpatrick owned the corner Milk Bar
And were the moral guardians of the neighbourhood
If you were having a poor week
They'd give you supplies and keep a tab
You survived on your word and good name
In those days people trusted each other
My father worked for the St. Kilda Foreshore for over 30 years
His little office was under the biggest dip in Luna Park's Scenic Railway
and he looked after all the beaches as well as the O'Donnell Gardens
The latter was where a lot of my boyhood was spent 
Playing while he worked
In my mind recreating Sherwood Forest, the Alamo and every John Wayne movie
Hiding in the bushes, climbing trees, attacking the cavalry
Developing an imagination
Robin Hood, Peter Pan, Davy Crockett and Spiderman
I fought beside them
Blood brothers every one
We used to save the world before each day was done
My mum worked across the road at Candy Corner
To me, in my memory, still the best lolly shop in the world bar none
And my dad, during the summer months
Would work a second job at night
Running the ferris wheel at the sideshows to the right of the Palais
My first public appearance was on the stage of the St. Kilda Town Hall
at the age of seven, performing "Give My Regards To Broadway"
Although to us, Broadway may as well have been the moon
Years later my father actually died in an ambulance outside the Town Hall
It was a fitting place for him to leave this world
For you see, our world was St. Kilda
It was engraved in our hearts
Everyone I have mentioned, other than me
Have gone now
They are ghosts that haunt these streets
and boulevards and beaches
You hear their faraway laughter on the wind
and see their outlines in the mist of dawn
The spiritual guardians of a place that was every bit as unique
as Times Square, or Soho, or Wanchai
Every weekend people from all over Melbourne would jump a tram
Or a train and come to St. Kilda
To see the freaks, hear the music, eat the exotic European food, 
Rub shoulders with the ten most wanted
Poke fun at the bohemians 
Sneak a guilty sidewards glance at the painted ladies
Eat the cakes of a thousand calories
And parade along the promenade with someone special
Please, for sake of all those ghosts,
Don't let the soul of St. Kilda die
Atmosphere can't be planned or created
It is a magic
Like stardust from the Gods
And once it's gone
It's gone
It can't be explained
And it can't be fabricated
It's not a trick of Houdini
There is no recipe
It can't be reduced to something mortals can understand
But at the heart of it there is a truth
People don't come to experience a strip mall
Even if it has been exquisitely designed
They come to experience Life 
That to me is St. Kilda
And our Art
Tells the world who we are
What we think
And where we come from
And like Davy Crockett at the Alamo
I'll defend that till the end

(c) 2017

(Speech delivered at the opening of the St. Kilda Arts Crawl 
September 21, 2017.)